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George Stubbs Owl Standing, Anterior View

George Stubbs, 1724–1806, British

Owl Standing, Anterior View

1795 to 1806

George Stubbs Owl Standing, Anterior View

George Stubbs, 1724–1806, British

Owl Standing, Anterior View

1795 to 1806

William Hogarth Tail Piece, or the Bathos

Print made by William Hogarth, 1697–1764, British

Tail Piece, or the Bathos

1764

William Hogarth Paul Before Felix Burlesqued

Print made by William Hogarth, 1697–1764, British

Paul Before Felix Burlesqued

1751

William Blake Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

ca. 1797

William Blake Young's Night Thoughts, Page 23, "We censure nature for a span too short"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 23, "We censure nature for a span too short"

ca. 1797

William Blake Albion Compelling the Four Zoas to Their Proper Tasks

William Blake, 1757–1827, British

Albion Compelling the Four Zoas to Their Proper Tasks

1804 to 1810

William Blake The Man Sweeping the Interpreter's Parlour

William Blake, 1757–1827, British

The Man Sweeping the Interpreter's Parlour

ca. 1822

William Blake Mary Magdalen at the Sepulchre

William Blake, 1757–1827, British

Mary Magdalen at the Sepulchre

ca. 1805

William Blake The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 45, "The Progress of Poesy."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 45, "The Progress of Poesy."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 67, "The Fatal Sisters."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 67, "The Fatal Sisters."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 77, "The Descent of Odin."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 77, "The Descent of Odin."

between 1797 and 1798

William Blake There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

Print made by William Blake, 1757–1827, British

There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

ca. 1788

William Blake Europe. A Prophecy, Frontispiece Proof Impression

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Frontispiece Proof Impression

ca. 1820

William Blake Jerusalem, Plate 11, "To labours mighty...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 11, "To labours mighty...."

1804 to 1820

William Blake Jerusalem, Plate 14, "One hair nor particle of dust...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 14, "One hair nor particle of dust...."

1804 to 1820

William Blake Jerusalem, Plate 2, Title Page

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 2, Title Page

1804 to 1820

William Blake Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."

1804 to 1820

William Blake Jerusalem, Plate 3, "To the Public...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 3, "To the Public...."

1804 to 1820

William Blake Jerusalem, Plate 30, "And the Two that escaped...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 30, "And the Two that escaped...."

1804 to 1820

William Blake Jerusalem, Plate 39, "By Satans Watch-fiends...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 39, "By Satans Watch-fiends...."

1804 to 1820

William Blake Jerusalem, Plate 4, "Jerusalem / Chap. 1...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 4, "Jerusalem / Chap. 1...."

1804 to 1820

William Blake Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

1797

William Blake Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

1797

William Blake Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

1797

William Blake Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"

1797

William Blake Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."

1804 to 1820

William Blake Jerusalem, Plate 48, "These were his last words...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 48, "These were his last words...."

1804 to 1820

William Blake Jerusalem, Plate 58, "In beauty the Daughters of Albion...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 58, "In beauty the Daughters of Albion...."

1804 to 1820

William Blake Jerusalem, Plate 6, "His Spectre driv'n...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 6, "His Spectre driv'n...."

1804 to 1820

William Blake Jerusalem, Plate 71, "And above Albions Land...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 71, "And above Albions Land...."

1804 to 1820

William Blake Jerusalem, Plate 72, "And the Thirty-two Counties...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 72, "And the Thirty-two Counties...."

1804 to 1820

William Blake Jerusalem, Plate 74, "The Four Zoa's clouded rage...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 74, "The Four Zoa's clouded rage...."

1804 to 1820

William Blake Jerusalem, Plate 75, "And Rahab Babylon the Great...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 75, "And Rahab Babylon the Great...."

1804 to 1820

William Blake The Poems of Thomas Gray, Design 101, "Ode for Music."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 101, "Ode for Music."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 5, "Ode on the Spring."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 5, "Ode on the Spring."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 63, "The Bard."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 63, "The Bard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 93, "Ode for Music."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 93, "Ode for Music."

between 1797 and 1798

William Blake Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)

Print made by William Blake, 1757–1827, British

Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)

1789

William Blake Songs of Innocence, Plate 16, "Night" (Bentley 20)

Print made by William Blake, 1757–1827, British

Songs of Innocence, Plate 16, "Night" (Bentley 20)

1789

William Blake Jerusalem, Plate 37, "And One stood forth...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 37, "And One stood forth...."

1804 to 1820

William Blake Jerusalem, Plate 44, "With one accord...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 44, "With one accord...."

1804 to 1820

William Blake Jerusalem, Plate 46, "Bath, mild Physician...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 46, "Bath, mild Physician...."

1804 to 1820

William Blake The Poems of Thomas Gray, Design 47, "The Progress of Poesy."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 47, "The Progress of Poesy."

between 1797 and 1798

William Blake Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)

Print made by William Blake, 1757–1827, British

Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)

1789

William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

ca. 1797

William Blake Young's Night Thoughts, Page 27, "O treacherous conscience!"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 27, "O treacherous conscience!"

ca. 1797

William Blake Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"

ca. 1797

William Blake Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"

ca. 1797

William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

ca. 1797

William Blake At Length for Hatching Ripe He Breaks the Shell; Plate 8

Print made by William Blake, 1757–1827, British

At Length for Hatching Ripe He Breaks the Shell; Plate 8

1793

William Blake Aged Ignorance; Plate 13

Print made by William Blake, 1757–1827, British

Aged Ignorance; Plate 13

1793

William Blake Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)

Print made by William Blake, 1757–1827, British

Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)

1794

William Blake Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)

Print made by William Blake, 1757–1827, British

Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)

1789

William Blake Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)

Print made by William Blake, 1757–1827, British

Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)

1789

William Blake Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)

Print made by William Blake, 1757–1827, British

Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)

1789

William Blake Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)

Print made by William Blake, 1757–1827, British

Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)

1789

William Blake Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)

Print made by William Blake, 1757–1827, British

Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)

1794

William Blake For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

1826

William Blake For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

1826

William Blake Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)

Print made by William Blake, 1757–1827, British

Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)

1789

William Blake Songs of Innocence, Plate 26, "Spring" (Bentley 23)

Print made by William Blake, 1757–1827, British

Songs of Innocence, Plate 26, "Spring" (Bentley 23)

1789

William Blake Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"

1797

William Blake Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"

1797

William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

1797

William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

1797

William Blake Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)

1794

William Blake Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)

1794

William Blake Europe. A Prophecy, Plate 3, "Preludium"

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Plate 3, "Preludium"

1794

William Blake Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)

1794

William Blake For the Sexes: The Gates of Paradise, Plate 1, Title Page

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 1, Title Page

1826

William Blake For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

1826

Simon Gribelin From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720

Simon Gribelin, 1662–1733, French, active in Britain

From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720

ca. 1720

Benjamin West St. Michael and Lucifer

Benjamin West, 1738–1820, American, active in Britain (from 1763)

St. Michael and Lucifer

undated

unknown artist Illustration to Tonson's Ovid Metamorphosis (two of four)

unknown artist

Illustration to Tonson's Ovid Metamorphosis (two of four)

ca. 1710

Sir James Thornhill Design for a Ceiling

Sir James Thornhill, 1675–1734, British

Design for a Ceiling

undated

Alfred Edward Chalon Cleopatra on the Cydnus to Meet Antony

Alfred Edward Chalon, 1780–1860, British

Cleopatra on the Cydnus to Meet Antony

ca. 1821

George Henry Harlow Queen Katherine's Dream

George Henry Harlow, 1787–1819, British

Queen Katherine's Dream

1807

Benjamin West A Project for the Monument of the Apotheosis of Nelson

Benjamin West, 1738–1820, American, active in Britain (from 1763)

A Project for the Monument of the Apotheosis of Nelson

1806

Robert Sargent Austin Romance

Print made by Robert Sargent Austin, 1895–1973, British

Romance

1922

Thomas Carwitham Design for a Ceiling Decoration

Thomas Carwitham, active 1723, British

Design for a Ceiling Decoration

1723

Hubert-François Gravelot Design for a Medal: Figure of Britannia (?) and Fortune (?) or Victory (?)

Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)

Design for a Medal: Figure of Britannia (?) and Fortune (?) or Victory (?)

undated

Sir James Thornhill The Birth of Venus

Sir James Thornhill, 1675–1734, British

The Birth of Venus

undated

Lady Diana Beauclerk An Allegory of Love

Lady Diana Beauclerk, 1734–1808, British

An Allegory of Love

Undated

Bernard Lens III Victorious Hero Takes Occasion to Conclude Peace

Bernard Lens III, 1682–1740, British

Victorious Hero Takes Occasion to Conclude Peace

1720

John Ruskin Doorhead of the Palazzo Contarini della Porta di Ferro

John Ruskin, 1819–1900, British

Doorhead of the Palazzo Contarini della Porta di Ferro

undated

John Faber the Younger Sir Godfrey Kneller

John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain

Sir Godfrey Kneller

1735

Francesco Bartolozzi Ticket: For the Benefit of Mr. Salpietro

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket: For the Benefit of Mr. Salpietro

1799

Francis Cleyn Dido and Aeneas Sheltering in a Cave

Francis Cleyn, 1582–1658, German

Dido and Aeneas Sheltering in a Cave

undated

John Deare Study of a sculptural group: Mars, Venus and Cupid

John Deare, 1759–1798, British

Study of a sculptural group: Mars, Venus and Cupid

undated

Mauritius Lowe Study of Classical Figures

attributed to Mauritius Lowe, 1746–1793, British

Study of Classical Figures

undated

George Edwards Hercules Beetle

George Edwards, 1694–1773, British

Hercules Beetle

ca. 1758

Mauritius Lowe Classical Figures in Battle

Attributed to Mauritius Lowe, 1746–1793, British

Classical Figures in Battle

undated

Hubert-François Gravelot Design for a Medal: Seated Women Being Crowned by a Winged Genius

Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)

Design for a Medal: Seated Women Being Crowned by a Winged Genius

undated

Henry Fuseli Selling of Cupids

Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on)

Selling of Cupids

between 1775 and 1776

Samuel William Reynolds Vulture and Lamb

Print made by Samuel William Reynolds, 1773–1835, British

Vulture and Lamb

1799

Alfred Henry Forrester Wrapper for six prints from Alfred Crowquill's Christmas Pieces

Print made by Alfred Henry Forrester, 1804–1872, British

Wrapper for six prints from Alfred Crowquill's Christmas Pieces

undated

Thomas Rowlandson Venus Crowned by Cupid

Thomas Rowlandson, 1756–1827, British

Venus Crowned by Cupid

between 1810 and 1815

John Doyle ('H.B.') The Harpies Attacking the Daughters of Pandarus

Print made by John Doyle ('H.B.'), 1797–1868, Irish

The Harpies Attacking the Daughters of Pandarus

1848