Wooded Landscape with Figures on Horseback Crossing a Bridge
between 1775 and 1780
1104
Thomas Gainsborough, 1727–1788, British
Wooded Landscape with Country Cart and Figures Walking down a Lane
ca. 1760
1105
John Fulleylove, 1845–1908, British
Argos and Larissa
undated
1106
Print made by Sir Muirhead Bone, 1876–1953, British
The Indian Theatre
1901
1107
Mary Hoare, 1744–1820, British
Imogen in the Cave, 'Cymbeline', Act III, Scene VI
1782
1108
Samuel Hieronymus Grimm, 1733–1794, Swiss
View of Wingerworth Hall, Derbyshire
1783
1109
Samuel Hieronymus Grimm, 1733–1794, Swiss
Rocky Landscape with Peasants and Cattle
1773
1110
Samuel Hieronymus Grimm, 1733–1794, Swiss
Mill on the Avon, Pershore, Worcestershire
undated
1111
Capt. Francis Grose, 1731–1791, British
Holy Island and Castle, Northumberland
undated
1112
imitator of Thomas Gainsborough, 1727–1788, British
Cattle Watering by a Stream
undated
1113
Francis Hayman, 1707/8–1776, British
The Card Party
between late 1720s to early 1730s
1114
Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)
Design for a Frontispiece: Shepherds with Flock
undated
1115
unknown artist
Boscastle Pier on the Coast of Cornwall
after 1814
1116
Joseph Farington, (landscape), 1747–1821, British
Shakespearean Scene (?): A Pilgrim
1796
1117
Malcolm Drummond, 1880–1945, British
Dancing Couples
undated
1118
Walter Richard Sickert, 1860–1942, British, born in Germany
Sketch for Dieppe Sands
1919
1119
Richard Westall, 1765–1836, British
Theatrical Figures About a Throne
undated
1120
John Flaxman, 1755–1826, British
Illustration to Milton's Paradise Lost: Adam and Eve Guarded by the Angels
undated
1121
John Flaxman, 1755–1826, British
Study for a Monument to the Reverend John Clowes
ca. 1820
1122
John White Abbott, 1763–1851, British
Slate Quarry at Widecombe, Devon
1792
1123
John White Abbott, 1763–1851, British
The Mouth of the Cavern at Castleton in the Peak of Derby
1791
1124
John White Abbott, 1763–1851, British
The Warren Near Exmouth, Devon: Figures on Rocks at the Sea's Edge
1811
1125
Samuel Atkins, active 1787–1808, British, active in the East Indies (1796–1804)
Men-of-War and other Shipping on the Thames (most probably at Deptford)
undated
1126
Thomas Daniell, 1749–1840, British, active in India
William Daniell, the Artist's Nephew, Sketching a Ruined Temple at Zafarabad on the Gumti River
ca. 1785
1127
John Augustus Atkinson, 1775–1831, British
Bologna, View in the Strada Maggiore
1819
1128
Samuel Atkins, active 1787–1808, British, active in the East Indies (1796–1804)
Ships of the Line off Dover
undated
1129
William Daniell, 1769–1837, British
Bridge and Patna Gate and Monghyr Fort
1788
1130
Edward Luttrell, active 1680–1724, British
Studies of five heads after Rembrandt
undated
1131
circle of Charles Robert Leslie, 1794–1859, British
Study of 16th Century Costumes
undated
1132
François Louis Thomas Francia, 1772–1839, French, active in Britain
The Pont de la Concorde and Tuileries Palace from the Cours la Reine
1823
1133
Henry Edridge, 1769–1821, British
On the Monnow, Monmouth
undated
1134
William Day, 1764–1807
A Scene in Derbyshire; Industrial Works spanning a River
undated
1135
Myles Birket Foster, 1825–1899, British
The Balloon
undated
1136
Robert Hills, 1769–1844, British
Long-Horned Cattle
undated
1137
Print made by Sir Muirhead Bone, 1876–1953, British
The Piazza
1901
1138
Print made by Sir Muirhead Bone, 1876–1953, British
Entrance from the Piazza
1901
1139
Print made by Sir Muirhead Bone, 1876–1953, British
The Garden Front
1901
1140
Print made by Sir Muirhead Bone, 1876–1953, British
Ireland and Russia
1901
1141
Print made by Sir Muirhead Bone, 1876–1953, British
From the Dome
1901
1142
Print made by Sir Muirhead Bone, 1876–1953, British
Evening in Little Russia
1901
1143
Print made by Sir Muirhead Bone, 1876–1953, British
The Art Gallery
1901
1144
Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on)
Girl and Youth at a Table
undated
1145
Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on)
Percival Frees Belisane from the Spell of Urma
1811
1146
Mary Hoare, 1744–1820, British
Lear and Cordelia
ca. 1781
1147
Samuel Hieronymus Grimm, 1733–1794, Swiss
Putney Church and Bridge
1772
1148
Samuel Hieronymus Grimm, 1733–1794, Swiss
Landscape with Cottage, Bridge and Figures
1774
1149
Samuel Hieronymus Grimm, 1733–1794, Swiss
Kennington Common
1776
1150
Samuel Hieronymus Grimm, 1733–1794, Swiss
Between Chiswick and Brentford
1774
1151
Samuel Hieronymus Grimm, 1733–1794, Swiss
At Mortlake
1773
1152
Samuel Hieronymus Grimm, 1733–1794, Swiss
Englefield House, Berkshire
undated
1153
Samuel Hieronymus Grimm, 1733–1794, Swiss
On the Thames at Barnes
ca. 1773
1154
Samuel Hieronymus Grimm, 1733–1794, Swiss
The French Lady in London
ca. 1771
1155
attributed to Samuel Hieronymus Grimm, (previously S.H. Grimm), 1733–1794, Swiss
Landscape with a Ruined Norman Church
undated
1156
Samuel Hieronymus Grimm, 1733–1794, Swiss
The English Lady at Paris
1771
1157
Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)
Design for an Engraving: Parlement de Paris Reassembling with Figure of Justice
1762
1158
Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)
Design for an Ornamental Cartouche: Engraved Portrait of Thomas Cromwell, Earl of Essex (1485?-1540)
undated
1159
David Cox, 1783–1859, British
Landscape with a Man Washing His Feet at a Fountain, after Poussin
ca. 1821
1160
Print made by James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)
Visitors' Boat
1887
1161
Thomas Rowlandson, 1756–1827, British
The Vicar Selling his Horse
ca. 1817
1162
Thomas Rowlandson, 1756–1827, British
The Surprise
ca. 1817
1163
Thomas Rowlandson, 1756–1827, British
The Family Picture
1817
1164
Thomas Rowlandson, 1756–1827, British
Attendance on a Nobleman
ca. 1817
1165
Thomas Rowlandson, 1756–1827, British
The Scold, with News of Olivia
ca. 1817
1166
Thomas Rowlandson, 1756–1827, British
The Vicar Preaching to the Prisoners
ca. 1817
1167
James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)
Île de la Cité, Paris
1859
1168
Thomas Rowlandson, 1756–1827, British
Comforts of Bath: The Concert
1798
1169
Thomas Rowlandson, 1756–1827, British
Comforts of Bath: Coaches Arriving
1798
1170
Thomas Rowlandson, 1756–1827, British
Comforts of Bath: The Pump Room
1798
1171
James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)
The "Adam and Eve," Old Chelsea
1879
1172
Thomas Rowlandson, 1756–1827, British
Butterfly Hunting
ca. 1806
1173
Thomas Rowlandson, 1756–1827, British
Comforts of Bath: Gouty Persons Fall on Steep HIll
1798
1174
David Cox, 1783–1859, British
The Poplar Avenue, after Hobbema
ca. 1835
1175
Thomas Rowlandson, 1756–1827, British
A Legal Wrangle
undated
1176
John Tinney, died 1761, British
A View of the Flower Gardens of Seaux & of ye great Canal at a Distance
undated
1177
unknown artist
View of one Wing of Fountainebleau, taken from the Court of Fountains
1178
John Maurer, active 1713–1761
A Perspective View of Covent Garden
1179
John Tinney, died 1761, British
A View of the Palace of Versailles towards ye Garden
1180
James Seymour, 1702–1752, British
Six Studies of Horses and Riders
undated
1181
unknown artist, eighteenth century
Morning
1799
1182
unknown artist
Evening
1799
1183
Thomas Bowles, ca. 1712–died 1753, British
An Inside View of the Church of St. Stephen Walbrooke London
1184
Henry Thomas Alken, 1785–1851, British
"Landscape Scenery", No. 18: Scenes of Horse Drawn Artillery, etc
1821
1185
Henry Thomas Alken, 1785–1851, British
"Landscape Scenery", No. 13: Groups of Infantry and Army Horses
1821
1186
Henry Thomas Alken, 1785–1851, British
"Scraps", No. 27: Two Dismounted Riders Drinking at an Alehouse Door
1823
1187
Henry Thomas Alken, 1785–1851, British
"Scraps", No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds
1823
1188
Henry Thomas Alken, 1785–1851, British
Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week
between 1818 and 1822
1189
Henry Thomas Alken, 1785–1851, British
"Scraps", No. 8: Scenes of a Lancer and Other Cavalry
1823
1190
Henry Thomas Alken, 1785–1851, British
Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
between 1818 and 1822
1191
Henry Thomas Alken, 1785–1851, British
Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth
between 1818 and 1822
1192
Henry Thomas Alken, 1785–1851, British
Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers
between 1818 and 1822
1193
Henry Thomas Alken, 1785–1851, British
Three Men in (?) Seventeenth Century Dress, in a Street Sword Fight, Central Man Run Through
undated
1194
Henry Thomas Alken, 1785–1851, British
Knight Falling From His Horse at a Squire's Tilt
undated
1195
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
between 1831 and 1832
1196
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
1197
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
between 1831 and 1832
1198
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
between 1831 and 1832
1199
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
1200
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'