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William Blake Jerusalem, Plate 31, "His western heaven...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 31, "His western heaven...."

1804 to 1820

William Blake Jerusalem, Plate 50, "The Atlantic Mountains...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 50, "The Atlantic Mountains...."

1804 to 1820

William Blake Jerusalem, Plate 74, "The Four Zoa's clouded rage...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 74, "The Four Zoa's clouded rage...."

1804 to 1820

William Blake Jerusalem, Plate 77, "To the Christians...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 77, "To the Christians...."

1804 to 1820

William Blake Jerusalem, Plate 78, "The Spectres of..."

William Blake, 1757–1827, British

Jerusalem, Plate 78, "The Spectres of..."

1804 to 1820

William Blake The Poems of Thomas Gray, Design 63, "The Bard."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 63, "The Bard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 95, "Ode for Music."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 95, "Ode for Music."

between 1797 and 1798

William Blake Jerusalem, Plate 12, "Why wilt thou give to her...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 12, "Why wilt thou give to her...."

1804 to 1820

William Blake Jerusalem, Plate 32, "Leaning against the pillars...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 32, "Leaning against the pillars...."

1804 to 1820

William Blake Jerusalem, Plate 45, "Bath, healing City!...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 45, "Bath, healing City!...."

1804 to 1820

William Blake Jerusalem, Plate 70, "And this the form of mighty Hand...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 70, "And this the form of mighty Hand...."

1804 to 1820

William Blake Jerusalem, Plate 8, "Rose up against me...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 8, "Rose up against me...."

1804 to 1820

William Blake Jerusalem, Plate 81, "I have mockd those...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 81, "I have mockd those...."

1804 to 1820

William Blake Jerusalem, Plate 82, "I have heard Jerusalems groans...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 82, "I have heard Jerusalems groans...."

1804 to 1820

William Blake Jerusalem, Plate 92, "What do I see!...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 92, "What do I see!...."

1804 to 1820

William Blake The Poems of Thomas Gray, Design 59, "The Bard."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 59, "The Bard."

between 1797 and 1798

William Blake Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)

Print made by William Blake, 1757–1827, British

Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)

1789

William Blake Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"

ca. 1797

William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

ca. 1797

William Blake Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"

ca. 1797

William Blake The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)

1794

William Blake Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"

ca. 1797

William Blake Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"

ca. 1797

William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

ca. 1797

William Blake Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"

ca. 1797

William Blake Air; Plate 6

Print made by William Blake, 1757–1827, British

Air; Plate 6

1793

William Blake At Length for Hatching Ripe He Breaks the Shell; Plate 8

Print made by William Blake, 1757–1827, British

At Length for Hatching Ripe He Breaks the Shell; Plate 8

1793

William Blake Help! Help!; Plate 12

Print made by William Blake, 1757–1827, British

Help! Help!; Plate 12

1793

William Blake Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "

William Blake, 1757–1827, British

Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "

1793

William Blake Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)

Print made by William Blake, 1757–1827, British

Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)

1794

William Blake Songs of Innocence and of Experience, Plate 45, "The Chimney Sweeper" (Bentley 37)

Print made by William Blake, 1757–1827, British

Songs of Innocence and of Experience, Plate 45, "The Chimney Sweeper" (Bentley 37)

1794

William Blake Visions of the Daughters of Albion, Plate 2, Title Page

William Blake, 1757–1827, British

Visions of the Daughters of Albion, Plate 2, Title Page

1793

William Blake Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "

William Blake, 1757–1827, British

Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "

1793

William Blake Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)

Print made by William Blake, 1757–1827, British

Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)

1789

William Blake Visions of the Daughters of Albion, Plate 1, Frontispiece

William Blake, 1757–1827, British

Visions of the Daughters of Albion, Plate 1, Frontispiece

1793

William Blake America. A Prophecy, Plate 6, "Appear to the Americans...."

Print made by William Blake, 1757–1827, British

America. A Prophecy, Plate 6, "Appear to the Americans...."

1793

William Blake America. A Prophecy, Plate 8, "The Morning Comes...."

Print made by William Blake, 1757–1827, British

America. A Prophecy, Plate 8, "The Morning Comes...."

1793

William Blake For the Sexes: The Gates of Paradise, Plate 6, "Air"

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 6, "Air"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

1826

William Blake Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"

1797

William Blake Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

1797

William Blake Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"

1797

William Blake Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

1797

William Blake Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"

1797

William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

1797

William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

1797

William Blake The First Book of Urizen, Plate 16, "Two Nostrils Bent Down to the Deep...." (Bentley 13)

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 16, "Two Nostrils Bent Down to the Deep...." (Bentley 13)

1794

William Blake Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)

1794

William Blake Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)

1794

William Blake Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)

1794

William Blake Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)

1794

William Blake For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

1826

Giovanni Battista Borra Monte delle Beatitudini

Giovanni Battista Borra, 1713–1770, Italian

Monte delle Beatitudini

ca. 1750

Giovanni Battista Borra View of the Valley of Laodicea

Giovanni Battista Borra, 1713–1770, Italian

View of the Valley of Laodicea

ca. 1750

Thomas Girtin Ruins on the Coast

Thomas Girtin, 1775–1802, British

Ruins on the Coast

undated

John Boydell Greenland Fishery

Print made by John Boydell, 1720–1804, British

Greenland Fishery

1754

Thomas Boydell A Small Breeze

Print made by Thomas Boydell, active 1750–1751

A Small Breeze

1753

John Boydell Morning

Print made by John Boydell, 1720–1804, British

Morning

1753

John Boydell Evening

Print made by John Boydell, 1720–1804, British

Evening

1755

John Boydell Noon

Print made by John Boydell, 1720–1804, British

Noon

1753

John Boydell A Calm

Print made by John Boydell, 1720–1804, British

A Calm

1754

John Boydell The Wreck of the Nuestra Senora de los Remedios

Print made by John Boydell, 1720–1804, British

The Wreck of the Nuestra Senora de los Remedios

1753

John Browne Moon-Light

Print made by John Browne, 1741–1801, British

Moon-Light

ca. 1797

John Browne Moon-Light

Print made by John Browne, 1741–1801, British

Moon-Light

ca. 1797

Samuel Buck Bristol High Cross

Print made by Samuel Buck, 1696–1779, British

Bristol High Cross

1734

David Lucas Hadleigh Castle, Large Plate

Print made by David Lucas, 1802–1881, British

Hadleigh Castle, Large Plate

1830 to 1832

John Browne Morning

Print made by John Browne, 1741–1801, British

Morning

ca. 1797

J. Carwitham A New Drawing Book of Variety of Landskips

Print made by J. Carwitham, active 1720–1740

A New Drawing Book of Variety of Landskips

ca. 1730

Jean B. C. Chatelain Wooded Landscape with a River Leading to Distant Buildings

Print made by Jean B. C. Chatelain, 1710–1771, French

Wooded Landscape with a River Leading to Distant Buildings

undated

Thomas Girtin View of the Pantheon taken from the Arsenal

Print made by Thomas Girtin, 1775–1802, British

View of the Pantheon taken from the Arsenal

1803

James Clark Cowdray Ruins

Print made by James Clark, 19th century

Cowdray Ruins

1824

Simon Gribelin From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720

Simon Gribelin, 1662–1733, French, active in Britain

From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720

ca. 1720

Charles Henry Baskett The Mill by the Sea

Print made by Charles Henry Baskett, 1872–1953, British

The Mill by the Sea

1914

J. P. Quilley The Deluge

Print made by J. P. Quilley, active 1828

The Deluge

1828

William Callow Notre Dame, Paris

William Callow, 1812–1908, British, active in France

Notre Dame, Paris

1835

Sir David Wilkie Fife

Sir David Wilkie, 1785–1841, British

Fife

undated

William James Muller Farm Buildings

William James Muller, 1812–1845, British

Farm Buildings

undated

John James Barralet The Road to East Grinstead

John James Barralet, 1747–1815, British

The Road to East Grinstead

Undated

Richard Parkes Bonington Vessels in a Choppy Sea

Richard Parkes Bonington, 1802–1828, British

Vessels in a Choppy Sea

ca. 1824

William J. Blacklock Near Broadstairs

William J. Blacklock, 1805–1858

Near Broadstairs

undated

Cornelius Varley A Tree Struck by Lightning

Cornelius Varley, 1781–1873, British

A Tree Struck by Lightning

undated

James Holland Beach Scene with Figures by a Breakwater

James Holland, 1799–1870, British

Beach Scene with Figures by a Breakwater

1861

James Holland Calais Harbour

Attributed to James Holland, 1799–1870, British

Calais Harbour

undated

John Glover St. Donat's Castle, Glamorganshire

John Glover, 1767–1849, British

St. Donat's Castle, Glamorganshire

undated

Mary Harcourt On the Rhone

Mary Harcourt, 1750–1833, British

On the Rhone

ca. 1780

James Duffield Harding French Coast Scene with Fisherboy

James Duffield Harding, 1798–1863, British

French Coast Scene with Fisherboy

1829

James Duffield Harding The Grand Canal, Venice

James Duffield Harding, 1798–1863, British

The Grand Canal, Venice

1835

John Hassell Sluice House, Hornsey, Middlesex

John Hassell, 1767–1825, British

Sluice House, Hornsey, Middlesex

ca. 1812

William Havell Welsh Landscape

Attributed to William Havell, 1782–1857, British, active in India (1820–26)

Welsh Landscape

undated

Claude Hayes Moorland with Sheep and Shepherd

Claude Hayes, 1852–1922, British

Moorland with Sheep and Shepherd

undated

Thomas Lindsay Sky Study, No. 4

Attributed to Thomas Lindsay, 1793–1861, British

Sky Study, No. 4

undated

Thomas Lindsay Sky Study, No. 3

Attributed to Thomas Lindsay, 1793–1861, British

Sky Study, No. 3

undated

Sir James Thornhill Design for a Ceiling

Sir James Thornhill, 1675–1734, British

Design for a Ceiling

undated

Sir James Thornhill Design for a portrait of an architect or a painter

Sir James Thornhill, 1675–1734, British

Design for a portrait of an architect or a painter

undated

Sir James Thornhill A Design for a Mural Executed in the Salon at Roehampton House, Surrey: Apollo Carrying off Aeneas in a Cloud

Sir James Thornhill, 1675–1734, British

A Design for a Mural Executed in the Salon at Roehampton House, Surrey: Apollo Carrying off Aeneas in a Cloud

ca. 1715

Elijah Walton Mountain View: Portion of the Chain of the Terglon Alps as seen from near Rudmannsdorf, Italy

Elijah Walton, 1832–1880, British

Mountain View: Portion of the Chain of the Terglon Alps as seen from near Rudmannsdorf, Italy

undated

François M. la Cave The Foundlings

Print made by François M. la Cave, active 1726–1766

The Foundlings

undated

Joseph Wright of Derby The Campagna

Joseph Wright of Derby, 1734–1797, British, active in Italy (1773–75)

The Campagna

undated

William James Muller Karnak

William James Muller, 1812–1845, British

Karnak

between 1838 and 1839

Cornelius Varley Study of Trees at the Edge of a Field

Cornelius Varley, 1781–1873, British

Study of Trees at the Edge of a Field

undated