On-site Access: Accessible by appointment in the Study Room / Subject Terms: architectural subject / Topic subjectplace ss: City of Westminster

Simon Gribelin, 1662–1733, French, active in Britain

From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720

ca. 1720

Sir Charles Barry, 1795–1860, British

Perspective View: the New Houses of Parliament

ca. 1840-1849

Paul Sandby, 1731–1809, British

The Gunpowder Magazine, Hyde Park

ca. 1793

Albert Goodwin, 1845–1932, British

Evening with a Procession of Choir Boys Walking Towards Westminster Abbey

undated

Canaletto, 1697–1768, Venetian, active in Britain (1746–55)

The City of Westminster from Near the York Water Gate

between 1746 and 1747

William Henry Hunt, 1790–1864, British

The Portico of St. Martin-in-the-Fields

ca. 1862

unknown artist

Whitehall Palace, London: Elevation of Proposed Design

between 1710 and 1740

unknown artist

Elevation of the Ordnance Office

after 1780

Print made by Stanley Anderson, 1884–1966, British

Somerset House, London

1910

Print made by Paul Angier, active 1749, French (active in London)

A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

1749

Print made by Sir Muirhead Bone, 1876–1953, British

Demolition of St. James's Hall, Interior

1906

Print made by Sir Muirhead Bone, 1876–1953, British

Somerset House

1905

Print made by Thomas Shotter Boys, 1803–1874, British

Buckingham Palace from St. James's Park

1842

Print made by Thomas Shotter Boys, 1803–1874, British

Westminster Abbey, Hospital &c

1842

George Belton Moore, 1805–1875, British

A Proposed plan for Trafalgar Square

1841

attributed to Michael "Angelo" Rooker, 1746–1801, British

Scenery, Haymarket Theatre

undated

Thomas Malton the Younger, 1748–1804, British

York Water Gate

1795

Frederick Nash, 1782–1856, British

Ambulatory, Westminster Abbey

undated

unknown artist

Whitehall Palace, London: Section of Proposed Design

between 1710 and 1740

Thomas Hosmer Shepherd, 1792–1864, British

The Houses of Parliament

undated

unknown artist

View of Cumberland Terrace

undated

Print made by Michael Hanhart, active 1841–1852

L'Adieu

ca. 1858

Samuel Scott, 1701/2–1772, British

Westminster Bridge under Construction

undated

unknown artist, eighteenth century

Plan of Westminster Showing the Coronation Route of George II

ca. 1727

Print made by Charles J. Hullmandel, 1789–1850, British

View of Palace Yard on the day of the Coronation of His Majesty George IV

1821

unknown artist A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge

unknown artist, eighteenth century

A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge

printed 1740, drawn ca. 1760

unknown artist, nineteenth century

View of the Coronation Procession of George IV

ca. 1821

Print made by unknown artist, nineteenth century

Part of Westminster

ca. 1850

Print made by James Basire the younger, 1769–1822, British

Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823

1828

Print made by Thomas Hall, active early 19th century

A South View of Westminster, from Mill-bank; Where the King's Scholars-Pond Sewer Empties Itself into the Thames

1808

Studio of Sir John Soane, 1753–1837, British

Section of the Court of Common Pleas and the Robery Room

1823

unknown artist, nineteenth century

Plan of the Old Parliament Houses, Westminster

1820

Print made by unknown artist

Elevations and Plans of the Court of Kings Bench

ca. 1827

unknown artist

Westminster Hall

ca. 1850

Print made by John Thomas Smith, 1766–1833, British

Ceiling of the Star Chamber

1805

unknown artist, nineteenth century

Westminster Hall

ca. 1820

Print made by Day & Co., 1824–1913, British

Chimney piece, Star Chamber, Leasowe Castle, formerly in the King's Palace, Westminster

ca. 1845

Print made by B. Winkles, active 1830–1840, British

Interior of Westminster Hall as Prepared for the Banquet

ca. 1821

Print made by Day & Co., 1824–1913, British

Chimney piece, Star Chamber, Westminster

ca. 1845

Print made by B. Winkles, active 1830–1840, British

Longitudinal Section of Westminster Hall

ca. 1821

unknown artist, nineteenth century

St. Stephen's Chapel, Speaker's House, &c. from the River

ca. 1835

Print made by John Thomas Smith, 1766–1833, British

Cotton Garden, Westminster

1804

unknown artist, nineteenth century

Mr. Lee's House After the Fire, House of Lords

ca. 1835

Print made by William Francis Starling, active first half 19th century, British

Plan of the Crypt, or Chapel of St. Mary in the Vaults, and of the Cloisters

1843

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

1842

Print made by T. Clarke, 1799–1839

Plate XXVIII: Window of the Crypt of St. Stephen's Chapel, Westminster

1835

Attributed to John Carter, 1748–1817, British

Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel

between 1790 and 1802

Print made by James Basire the younger, 1769–1822, British

Plate XI: St Stephen's Chapel

1795

Print made by James Basire, 1730–1802, British

Plate IX: St Stephen's Chapel

1795

Print made by John Thomas Smith, 1766–1833, British

Geometrical Construction of the Freeze and Battlements in the House of Commons

1805

John Carter, 1748–1817, British

Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster

between 1790 and 1802

Attributed to John Carter, 1748–1817, British

Half the Plan of Ceiling, St Stephen's Chapel

between 1790 and 1802

Attributed to John Carter, 1748–1817, British

Plan of Moldings, St Stephen's Chapel

between 1790 and 1802

Print made by John Le Keux, 1783–1846, British

Compartment on One Side, St Stephen's Chapel

1825

Print made by James Basire, 1730–1802, British

View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster

1795

Attributed to John Carter, 1748–1817, British

Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel

between 1790 and 1802

Attributed to John Carter, 1748–1817, British

Plan of Moldings, St Stephen's Chapel

between 1790 and 1802

Attributed to John Carter, 1748–1817, British

Impost moldings, St Stephen's Chapel

between 1790 and 1802

Attributed to John Carter, 1748–1817, British

Details of Imposts and Bases of Columns, St Stephen's Chapel

between 1790 and 1802

Print made by T. Clarke, 1799–1839

Plate XXII: Chantry Chapels, Section of West Entrance and Elevation of the East End, St Stephen's Chapel

1835

Attributed to John Carter, 1748–1817, British

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1781

Attributed to John Carter, 1748–1817, British

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1781

Attributed to John Carter, 1748–1817, British

Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel

ca. 1781

Attributed to John Carter, 1748–1817, British

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1781

Attributed to John Carter, 1748–1817, British

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1780

Print made by Robert William Billings, 1813–1874, British

Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster

1836

Attributed to John Carter, 1748–1817, British

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1780

Attributed to John Carter, 1748–1817, British

Impost and Base of Columns, St Stephen's Chapel

between 1790 and 1802

Attributed to John Carter, 1748–1817, British

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1780

Attributed to John Carter, 1748–1817, British

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1780

Print made by John Thomas Smith, 1766–1833, British

Oak Door Discovered in the Speaker's State Dining Room

1806

Attributed to John Carter, 1748–1817, British

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1780

unknown artist, nineteenth century

Grave of the Supposed William Lyndewode

1852

unknown artist

View of the Office of Ordnance with the Entrance of the House of Lords

undated

Attributed to office of Sir John Soane, (George Bailey), 1753–1837, British

Part of the Construction in the Old House of Lords

1823

Print made by James Fittler, 1758–1835, British

The King on his Throne in the House of Lords

1804

Attributed to John Carter, 1748–1817, British

North Side, Painted Chamber

between 1793 and 1799

Attributed to John Carter, 1748–1817, British

East End, Painted Chamber

between 1793 and 1799

Attributed to John Carter, 1748–1817, British

Door on South Side of Painted Chamber

between 1793 and 1799

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews

1842

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech

1842

unknown artist Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

Print made by unknown artist

Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

undated