Young's Night Thoughts, Page 23, "We censure nature for a span too short"
ca. 1797
3
William Blake, 1757–1827, British
The Parable of the Wise and Foolish Virgins
ca. 1825
4
Print made by William Blake, 1757–1827, British
Pity
ca. 1795
5
William Blake, 1757–1827, British
Mary Magdalen at the Sepulchre
ca. 1805
6
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
7
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 61, "The Bard."
between 1797 and 1798
8
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 20, "But when they saw Albion...."
1804 to 1820
9
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
1797
10
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
11
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."
1804 to 1820
12
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 72, "And the Thirty-two Counties...."
1804 to 1820
13
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 75, "And Rahab Babylon the Great...."
1804 to 1820
14
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 25, "A Long Story."
between 1797 and 1798
15
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
16
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 63, "The Bard."
between 1797 and 1798
17
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 16, "Night" (Bentley 20)
1789
18
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 18, "From every-one of the Four Regions...."
1804 to 1820
19
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 44, "With one accord...."
1804 to 1820
20
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
between 1797 and 1798
21
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 51, "The Progress of Poesy."
between 1797 and 1798
22
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
1789
23
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 27, "O treacherous conscience!"
ca. 1797
24
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
ca. 1797
25
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"
ca. 1797
26
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
ca. 1797
27
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
ca. 1797
28
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"
ca. 1797
29
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."
ca. 1797
30
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)
1789
31
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
1789
32
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
1789
33
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
1789
34
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 26, "Spring" (Bentley 23)
1789
35
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
1797
36
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
37
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
1797
38
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
1797
39
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
1797
40
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)
1794
41
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
1794
42
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
1794
43
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 1, Title Page
1826
44
William Blake, 1757–1827, British
A Father's Memoirs of His Child
1806
45
Isaac Taylor, 1730–1807, British
Unidentified Periodical / Play Illustration
undated
46
Isaac Taylor, 1730–1807, British
Unidentified Periodical/Play Illustration
undated
47
Simon Gribelin, 1662–1733, French, active in Britain
From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720
ca. 1720
48
Edward Francis Burney, 1760–1848, British
Allegory of Napoleonic Battles
undated
49
Sir James Thornhill, 1675–1734, British
Design for a Ceiling
undated
50
George Henry Harlow, 1787–1819, British
Queen Katherine's Dream
1807
51
George Richardson, ca.1738–ca.1813, British
Design for a Ceiling
undated
52
Attributed to John Martin, 1789–1854, British
The Release of Saint Peter from Prison
undated
53
Sir James Thornhill, 1675–1734, British
A Design for a Ceiling
undated
54
Thomas Carwitham, active 1723, British
Design for a Ceiling Decoration
1723
55
Edward Francis Burney, 1760–1848, British
Allegory of Steam
undated
56
Sir James Thornhill, 1675–1734, British
The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors
undated
57
Sir James Thornhill, 1675–1734, British
Moses and the Brazen Serpent - Design for the chapel at Dunster Castle
ca. 1723
58
Sir James Thornhill, 1675–1734, British
The Birth of Venus
undated
59
unknown artist, nineteenth century
The Destruction of Sodom and Gomorrah
undated
60
Augustus Welby Northmore Pugin, 1812–1852, British
Sketches of the Butler-Bowden cope
undated
61
Augustus Welby Northmore Pugin, 1812–1852, British
Elevation of a Baptismal Font
undated
62
Bernard Lens III, 1682–1740, British
Victorious Hero Takes Occasion to Conclude Peace
1720
63
Giovanni Battista Cipriani, 1727–1785, Italian, active in Britain (1755-85)
Selling of Cupids
undated
64
Stella Marsden, active 1955, British
Engraved Brasses
1955
65
Isaac Fuller, 1606/20–1672, British
The Nymph Galatea
undated
66
Attributed to Mauritius Lowe, 1746–1793, British
Classical Figures in Battle
undated
67
John Flaxman, 1755–1826, British
Illustration to Milton's Paradise Lost: Adam and Eve Guarded by the Angels
undated
68
John Flaxman, 1755–1826, British
To Phoebus at His Birth, From Aeschylus, Furies
undated
69
John Flaxman, 1755–1826, British
The Creation of the Heavens
ca. 1790
70
John Flaxman, 1755–1826, British
Get Thee Behind Me, Satan
between 1783 and 1787
71
Print made by Sir Muirhead Bone, 1876–1953, British
The Garden Front
1901
72
Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on)
The Peasant's Dream, Paradise Lost, Book 1, 781-8
1793 to 1800
73
James Gillray, 1756–1815, British
Lieu't Gover'r Gall-Stone, inspired by Alecto; or The Birth of Minerva
1790
74
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
For the Benefit of Mr. Borghi
1789
75
Thomas Carwitham, active 1723, British
Raphael receiving the money of Tobias from Gabael: Tobit 9:5
undated
76
Richard Cosway, 1742–1821, British
Cupid Overpowering a Satyr
undated
77
Richard Cosway, 1742–1821, British
Flight into Egypt
undated
78
Print made by Johann Philip Koch, ca. 1716–1796, German
Le Ete - Der Sommer
undated
79
Print made by John Smith, 1652–1743, British
Plaudit Ave Regina
undated
80
Edward Francis Burney, 1760–1848, British
Female Figures and Putti Playing Musical Instruments
undated
81
Edward Francis Burney, 1760–1848, British
Heavenly Orchestra
undated
82
Edward Francis Burney, 1760–1848, British
Apollo and Phaeton
undated
83
Print made by Charles Howard Hodges, 1764–1837, British
Guardian Angels
1786
84
Print made by William Say, 1768–1834, British
The Ecstasy of St. Francis
1809
85
Print made by William Say, 1768–1834, British
Hagar and Ishmael
1812
86
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Meeting of a Family in Heaven
1808, published 1813
87
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Day of Judgment
1808, published 1813
88
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Queen Katherine's Dream - "Henry VIII"
1788
89
George Frederic Watts, 1817–1904, British
Studies for the Angels in The Court of Death
undated
90
Augustus Welby Northmore Pugin, 1812–1852, British
Design for a Gothic Church Altar and Organ
undated
91
George Frederic Watts, 1817–1904, British
Study for a Circular Ceiling Decoration
undated
92
Print made by Bernard Lens II, 1659–1725, British
Salvator Mundi
undated
93
Print made by Bernard Lens II, 1659–1725, British
Salvator Mundi
undated
94
Print made by William Dickinson, 1746–1823, British