Headfort House, Ireland: Detail of Entablature in the Staircase
between 1771 and 1775
6
Willem van de Velde the Younger, 1633–1707, Dutch, active in Britain (from 1672)
An English Man of War, Starboard Quarter View: Possibly the Victory
ca. 1675
7
Print made by Samuel Middiman, ca. 1750–1831, British
High Street, Oxford
1811
8
Print made by John Pye, 1782–1874, British
A View of Oxford from the Abingdon Road
1818
9
Print made by Henry Lemon, 1823–1882
Saturday Night
ca. 1850
10
Print made by Felix Rosenstiel, active from 1880–died 1895, German
Ruth and Naomi
between 1880 and 1895
11
Charles Reginald Aston, 1832–1908, British
Bathing Place, Anstey's Cove
undated
12
Print made by Thomas Oldham Barlow, 1824–1889, British
The Death of Chatterton
1860
13
Thomas Girtin, 1775–1802, British
View of St. Cloud and Mount Calvary taken from Pont de Seve
1802
14
Thomas Girtin, 1775–1802, British
View of the City with the Louvre &c., taken from Pont Marie
1802
15
etching by Thomas Girtin, 1775–1802, British
A General View of Paris taken from Chaillot
1803
16
Thomas Girtin, 1775–1802, British
A View of Pont Neuf, the Mint, &c
1803
17
Thomas Girtin, 1775–1802, British
View of the Gate of St. Denis taken from the Suburbs
1802
18
Thomas Girtin, 1775–1802, British
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
19
Thomas Girtin, 1775–1802, British
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
1803
20
Thomas Girtin, 1775–1802, British
View of the Pantheon taken from the Arsenal
1803
21
Thomas Girtin, 1775–1802, British
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
22
Thomas Girtin, 1775–1802, British
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
23
Thomas Girtin, 1775–1802, British
The Waterworks at Marli; and St. Germain en Laye seen in the distance
1802
24
Thomas Girtin, 1775–1802, British
View of the Palace and Village of Choisi on the Banks of the Seine
1803
25
Thomas Girtin, 1775–1802, British
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
26
Thomas Girtin, 1775–1802, British
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1802
27
Thomas Girtin, 1775–1802, British
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1803
28
Thomas Girtin, 1775–1802, British
The Water Mill above the Bridge at Charenton
1803
29
John Varley, 1778–1842, British
Llanberis Lake, with Castle Dolbadern
ca. 1805
30
William Daniell, 1769–1837, British
Windsor Castle from near Brocas Meadows
1827
31
Joseph Farington, 1747–1821, British
View of Skiddaw and Derwentwater
ca. 1780
32
Print made by James Basire the younger, 1769–1822, British
Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823
1828
33
Thomas Daniell, 1749–1840, British, active in India
Tremal Naig's Choultry, Madura
1792
34
Samuel Howitt, 1756–1822, British
The Kill
undated
35
William Bernard Cooke, 1778–1855, British
[Racing] Hap-Hazard. The Property of the Rt. Hon. the Earl of Darlington
1805
36
Richard Banks Harraden, 1778–1862, British
The Waterworks at Marli; and St. German en Laye seen in the distance
1803
37
James Girtin, ca. 1780–after 1820
Title Page for: A Selection of the Most Picturesque Views in Paris and its Environs
1803
38
James Girtin, ca. 1780–after 1820
Half Title page for: Views in Paris and its Environs
1803
39
Print made by James Girtin, ca. 1780–after 1820
Dedication Page for: to the Right Honorable George Earl of Essex
1803
40
Thomas Girtin, 1775–1802, British
View of Thuilleries and Bridge taken from the Quay d'Orsai
1802
41
Thomas Girtin, 1775–1802, British
View of the Thuilleries and Bridge taken f rom the Quai d'Orsai
1802
42
Thomas Girtin, 1775–1802, British
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
1802
43
Thomas Girtin, 1775–1802, British
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
1802
44
Thomas Girtin, 1775–1802, British
View of Pont St. Michel, taken from Pont Neuf
1803
45
Thomas Girtin, 1775–1802, British
View of the City with the Louvre &c. taken from Pont Marie
1802
46
Thomas Girtin, 1775–1802, British
View of Pont St. Michel, taken from Pont Neuf
1802
47
Thomas Girtin, 1775–1802, British
A General View of Paris taken from Chaillot
1802
48
Thomas Girtin, 1775–1802, British
A View of Pont Neuf, the Mint, &c
1802
49
Thomas Girtin, 1775–1802, British
View of the Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c. taken from Pont Notre Dame
1802
50
Thomas Girtin, 1775–1802, British
View of the Gate of St. Denis taken from the Suburbs
1802
51
Thomas Girtin, 1775–1802, British
View of the Palace and Village of Choisi on the Banks of the Seine
1802
52
Thomas Girtin, 1775–1802, British
View of the Village of Chaillot and &c., taken from Pont de la Concorde
1803
53
Print made by Henry Robert Robertson, 1839–1921, British
The Fighting Téméraire
ca. 1887
54
Conrad Martin Metz, 1749–1827, German
The Elect
1801
55
Charles Robert Cockerell, 1788–1863, British
Progetto di collocazione delle statue antiche esistenti nella galleria di Firenze che rappresentano la favola di Niobe [scheme for the configuration of the ancient statues in the gallery of Florence that represent the myth of Niobe](Florence, 1816)
1816
56
Print made by Joseph Constantine Stadler, active 1780–1812, British
Rosehill
ca. 1810
57
Thomas Girtin, 1775–1802, British
View of the Pantheon taken from the Arsenal
1802
58
Thomas Girtin, 1775–1802, British
View of the Village of Chaillot &c., taken from Pont de la Concorde
1802
59
Thomas Girtin, 1775–1802, British
View of St. Cloud and Mount Calvary taken from Pont de Seve
1802
60
Print made by Thomas Girtin, 1775–1802, British
On the Banks of the Marne below the Bridge at Charenton
1803
61
Print made by Axel Herman Haig, 1835–1921, British
Gefaler Cathedral
1901
62
Samuel Davis, 1760–1819, British
Mr. Croft's bungalow, Near Madras
undated
63
unknown artist, nineteenth century-twentieth century
Perspective View of a Church
ca. 1900
64
Samuel Davis, 1760–1819, British
Old Mosque at Rajemahl [Rajmahal]
undated
65
George Lambert, 1700–1765, British
An Arcadian Landscape
1742
66
James Godby, 1767–1849, British
The Drinking Well in Hyde Park
1802
67
unknown artist, ( James Phelps )
A View of St. Katharine's Dock in the Month of January, 1828
1828
68
Robert Adam, 1728–1792, British
Headfort House: Lady's Room Ceiling
1772
69
John Wood, 1728–1781, British
The View from One Tree Hill in Greenwich Park
1744
70
Print made by James Ward, 1769–1859, British
John Dunning, 1st Baron Ashburton, with Colonel Isaac Barre and William Petty, 2nd Earl of Shelburne, Marquis of Lansdowne
1847
71
Print made by John Murphy, ca. 1748–1820, British
The Encampment at Brighton
1796
72
Print made by Daniel Wilson, 1816–1892
Ancient Carthage - The Embarcation of Regulus
1840
73
Print made by James T. Willmore, 1800–1863, British
Ancient Italy - Ovid Banished from Rome
1842
74
Benjamin Smith, 1775–1833, British
"Tempest", Act I, Scene I
1797
75
Richard Earlom, 1743–1822, British
Tiger Hunting in the East Indies
1802
76
Richard Earlom, 1743–1822, British
Embassy of Hyderbeck to Calcutta
1800
77
Print made by Richard Earlom, 1743–1822, British
The Enchantress
1786
78
Print made by Richard Earlom, 1743–1822, British
The Enchantress
1786
79
Richard Earlom, 1743–1822, British
Labourers
1790
80
William Ward, 1766–1826, British
The Truants
1796
81
Thomas Malton, 1726–1801, British
Lleweney Bleach Works
1798
82
James Ward, 1769–1859, British
A Boy Employed in Burning Weeds
1793
83
Print made by Samuel William Reynolds, 1773–1835, British
Death of Captain Alexander Hood
1798
84
Print made by Thomas Malton the Younger, 1748–1804, British
Cambridge University: Queens College
1800
85
Thomas Malton the Younger, 1748–1804, British
South Front of the Senate House and West End of St. Mary's Church in the University of Cambridge
1799
86
Thomas Malton the Younger, 1748–1804, British
The East Front of the Library of Trinity College in the University of Cambridge
1800
87
Richard Woodman, 1784–1859, British
Hare Hunting and Coursing: His Majesty's Harriers
1815
88
Charles Knight, 1743–c.1826, British
Fox Hunting
1808
89
Print made by Andrew Lawrence, 1708–1747, French
The Death of the Stag
1753
90
Print made by Gerard van der Gucht, 1696–1776, British
The Cape of Good Hope
1736
91
William Ward, 1766–1826, British
Selling Rabbits
1796
92
Print made by John Copley, 1875–1950, British
Recruits
1915
93
John Copley, 1875–1950, British
The Ambulance
1918
94
Print made by William Sharp, 1749–1824, British
Niobe
1792
95
Abraham Raimbach, 1784–1868, British
Distraining for Rent
1828
96
Wenceslaus Hollar, 1607–1677, Bohemian
(i) A True and Exact Prospect of the Famous Citty of London, . . . (ii) Another Prospect of the Sayd Citty taken from the Same Place . .
1666
97
Print made by J. P. Quilley, active 1828
Boccaccio, the Bird Cage
1830
98
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Plan du Rez-de-Chaussee d'une Maison de la Rue Pigale...(indiquant) les Changements faits par Monsieur le Duc d'Otrante
undated
99
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Elevation View
undated
100
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Vue Perspective d'une Maison de la rue Pigale Appartenant a Madame la Comtesse Rapp - Cote du Jardin