On-site Access: Accessible by appointment in the Study Room / Width [cm]: 41

1. Design for Omega Workshops Fabric

Creator:: Vanessa Bell, 1879–1961, British
Date:: 1913
Medium:: Watercolor, gouache, and graphite on moderately thick, slightly textured, beige wove graph paper
Dimensions:: Image: 21 × 16 inches (53.3 × 40.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

2. A Lake in Norway

Creator:: Francis Danby, 1793–1861, Irish
Date:: ca. 1825
Medium:: Brown wash with gouache over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/16 x 16 5/16 inches (30.9 x 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. View from Rook's Hill, Kent

Creator:: Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Date:: 1843
Medium:: Watercolor with gouache and pen and brown ink and graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 20 5/8 x 16 1/4 inches (52.4 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Setting Off, No. 1

Creator:: John R. Skeaping, 1901–1980, British
Date:: 1963
Medium:: Watercolor on thick, rough, cream wove paper
Dimensions:: Sheet: 19 1/4 × 16 1/4 inches (48.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Pulling Up

Creator:: John R. Skeaping, 1901–1980, British
Date:: 1962
Medium:: Watercolor on thick, rough, cream wove paper
Dimensions:: Sheet: 19 1/4 × 16 1/4 inches (48.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Human Skeleton, Anterior View (Finished Study for Table I)

Creator:: George Stubbs, 1724–1806, British
Date:: 1795 to 1806
Medium:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 3/8 x 16 inches (54.3 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Human Skeleton, Posterior View (Finished Study for Table II)

Creator:: George Stubbs, 1724–1806, British
Date:: 1795 to 1806
Medium:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Human Figure, Anterior View, Undissected (Finished Study for Table VI)

Creator:: George Stubbs, 1724–1806, British
Date:: 1795 to 1806
Medium:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Human Figure, Lateral View, Undissected (Finished Study for Table VIII)

Creator:: George Stubbs, 1724–1806, British
Date:: between 1795 and 1806
Medium:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Fowl, Lateral View with Most Feathers Removed (Finished Study for Table X)

Creator:: George Stubbs, 1724–1806, British
Date:: between 1795 and 1806
Medium:: Graphite on moderately thick, slightly textured, cream wove paper, with a strip of same wove paper joined to bottom edge
Dimensions:: Sheet: 22 1/4 x 16 inches (56.5 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Fowl, Lateral View, with Skin and Underlying Fascial Layers Removed (Finished Study for Table XV)

Creator:: George Stubbs, 1724–1806, British
Date:: between 1795 and 1806
Medium:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Human Figure, Anterior View (Intended for a Plate That was Never Published)

Creator:: George Stubbs, 1724–1806, British
Date:: 1795 to 1806
Medium:: Graphite and red chalk; verso: soft-ground etching on thin, smooth, cream wove paper
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Human Figure, Posterior View (Outline drawing for key figure to Table XII)

Creator:: George Stubbs, 1724–1806, British
Date:: 1795 to 1806
Medium:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 x 16 1/8 inches (53.3 x 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Human Figure, Posterior View (Finished Study for an Unpublished Plate)

Creator:: George Stubbs, 1724–1806, British
Date:: 1795 to 1806
Medium:: Graphite and red chalk on moderately thick, slightly textured, cream wove paper with traces of well-defined platemarks along margins
Dimensions:: Sheet: 21 3/8 x 16 inches (54.3 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Human Figure, Posterior View

Creator:: George Stubbs, 1724–1806, British
Date:: 1795 to 1806
Medium:: Graphite and red chalk on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/8 x 16 inches (53.7 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Human Figure, Lateral View (For the key figure to Table XIII)

Creator:: George Stubbs, 1724–1806, British
Date:: 1795 to 1806
Medium:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 x 16 inches (53.3 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Human Figure, Lateral View

Creator:: George Stubbs, 1724–1806, British
Date:: 1795 to 1806
Medium:: Graphite on thin, smooth, beige wove paper
Dimensions:: Sheet: 21 3/8 x 16 inches (54.3 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Human Figure, Lateral View (Finished study for an unpublished table, representing the last stage in the dissection)

Creator:: George Stubbs, 1724–1806, British
Date:: between 1795 and 1806
Medium:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Human Skeleton, Lateral View (Close to the Final Study for Table III But Differs in Detail)

Creator:: George Stubbs, 1724–1806, British
Date:: Between 1795 and 1806
Medium:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/2 x 16 inches (54.6 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Human Skeleton, Lateral View

Creator:: George Stubbs, 1724–1806, British
Date:: 1795 to 1806
Medium:: Graphite on thick, slightly textured, beige wove paper; pinholes at reference points near head
Dimensions:: Sheet: 21 3/8 x 16 inches (54.3 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Human Skeleton, Lateral View (in Crouching Posture; finished study for an unpublished table)

Creator:: George Stubbs, 1724–1806, British
Date:: 1795 to 1806
Medium:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 17 5/8 x 11 inches (44.8 x 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Fowl Skeleton, Lateral View (Finished Study for Table V)

Creator:: George Stubbs, 1724–1806, British
Date:: between 1795 and 1806
Medium:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/2 x 16 inches (54.6 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Human Figure, Posterior View, Undissected (Finished Study for Table VII)

Creator:: George Stubbs, 1724–1806, British
Date:: 1795 to 1806
Medium:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Fowl Body, Lateral View

Creator:: George Stubbs, 1724–1806, British
Date:: 1795 to 1806
Medium:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Human Figure, Anterior View (Outline figure)

Creator:: George Stubbs, 1724–1806, British
Date:: 1795 to 1806
Medium:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 x 16 inches (53.3 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Human Skeleton, Lateral View (Study for a key figure to an unpublished table showing the abdominal viscera)

Creator:: George Stubbs, 1724–1806, British
Date:: 1795 to 1806
Medium:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 21 3/8 x 16 inches (54.3 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Fowl Body, Lateral View

Creator:: George Stubbs, 1724–1806, British
Date:: 1795 to 1806
Medium:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Fowl Body, Lateral View (Highly Finished Study for an Unpublished Table; Shows the Last Stage in Dissection)

Creator:: George Stubbs, 1724–1806, British
Date:: between 1795 and 1806
Medium:: Graphite on thick, moderately textured, cream wove paper with traces of well-defined platemarks along margins
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. The Four Times of Day, Plate II: Noon

Creator:: William Hogarth, 1697–1764, British
Date:: 1738
Medium:: Etching and engraving, second state
Dimensions:: Sheet: 19 3/8 x 16 1/16in. (49.2 x 40.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. The Enraged Musician

Creator:: William Hogarth, 1697–1764, British
Medium:: Engraving on wove paper
Dimensions:: Sheet: 20 1/2 x 22in. (52.1 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale School of Music

31. A Rake's Progress, Plate V: He Marries

Creator:: Print made by William Hogarth, 1697–1764, British
Date:: 1735
Medium:: Engraving
Dimensions:: Sheet: 14 x 16in. (35.6 x 40.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. The Enraged Musician

Creator:: William Hogarth, 1697–1764, British
Date:: 1741
Medium:: Line engraving
Dimensions:: Sheet: 14 1/8 x 16 1/8in. (35.9 x 41cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Mer de Glace, Valley of Chamouni, Savoy

Creator:: Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Date:: 1812
Medium:: Etching and mezzotint, printed in brown ink Engraver's proof (c) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Dumblain Abbey, Scotland

Creator:: Etched by Joseph Mallord William Turner, 1775–1851, British
Date:: 1816
Medium:: Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. East Gate, Winchelsea, Sussex

Creator:: Etched by Joseph Mallord William Turner, 1775–1851, British
Date:: 1819
Medium:: Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Isis

Creator:: Etched by Joseph Mallord William Turner, 1775–1851, British
Date:: 1819
Medium:: Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham

Creator:: Etched by Joseph Mallord William Turner, 1775–1851, British
Date:: 1819
Medium:: Etching and mezzotint, printed in brown ink; First published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 7/8 × 16 1/8 inches (27.6 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. The Alcove, Isleworth

Creator:: Etched by Joseph Mallord William Turner, 1775–1851, British
Date:: 1819
Medium:: Etching and mezzotint, printed in brown ink; Engraver's proof (c) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Ben Arthur, Scotland

Creator:: Etched by Joseph Mallord William Turner, 1775–1851, British
Date:: 1819
Medium:: Etching and mezzotint, printed in brown ink, First published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Barnard Castle

Creator:: Joseph Mallord William Turner, 1775–1851, British
Date:: ca. 1825
Medium:: Watercolor, pen and black ink, gouache and scratching out on medium, slightly textured, cream wove paper, mounted on thick, smooth, cream wove paper
Dimensions:: Sheet: 11 5/8 x 16 1/4 inches (29.5 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Gloucester Cathedral

Creator:: Print made by Joseph Mallord William Turner, 1775–1851, British
Date:: between 1820 and 1826
Medium:: Mezzotint on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 3/8 × 16 inches (31.4 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

42. Pembury Mill, Kent

Creator:: Etched by Joseph Mallord William Turner, 1775–1851, British
Date:: 1808
Medium:: Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Holy Island Cathedral

Creator:: Etched by Joseph Mallord William Turner, 1775–1851, British
Date:: 1808
Medium:: Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/8 × 16 1/8 inches (26.4 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Original Sketch of a Picture for W. Leader, Esq.

Creator:: Etched by Joseph Mallord William Turner, 1775–1851, British
Date:: 1809
Medium:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Hind Head Hill

Creator:: Etched by Joseph Mallord William Turner, 1775–1851, British
Date:: 1811
Medium:: Etching and mezzotint, printed in brown ink on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. The Hindoo Worshipper

Creator:: Etched by Joseph Mallord William Turner, 1775–1851, British
Date:: 1811
Medium:: Etching and aquatint, printed in brown ink First Published State on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Junction of Severn and Wye

Creator:: Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Date:: 1811
Medium:: Etching, aquatint, and mezzotint, printed in brown ink; First published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Calm

Creator:: Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Date:: 1812
Medium:: Etching and mezzotint, printed in brown ink First Published State on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 16 inches (28.3 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Dumbarton Rock

Creator:: Etched by Joseph Mallord William Turner, 1775–1851, British
Date:: between 1813 and 1823
Medium:: Etching printed in brown ink, with graphite; Early state (touched) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 16 inches (28.9 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Bonneville, Savoy

Creator:: Etched by Joseph Mallord William Turner, 1775–1851, British
Date:: 1816
Medium:: Etching and mezzotint, printed in brown ink; Engraver's proof (c) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 16 1/8 inches (27.3 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Lake of Thun, Switzerland

Creator:: Etched by Joseph Mallord William Turner, 1775–1851, British
Date:: 1808
Medium:: Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Windmill and Lock

Creator:: Etched by Joseph Mallord William Turner, 1775–1851, British
Date:: 1811
Medium:: Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Water Mill

Creator:: Etched by Joseph Mallord William Turner, 1775–1851, British
Date:: 1812
Medium:: Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 16 1/4 inches (28.3 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Crypt of Kirkstall Abbey

Creator:: Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Date:: 1812
Medium:: Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 16 inches (27.9 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Ville de Thun, Switzerland

Creator:: Etched by Joseph Mallord William Turner, 1775–1851, British
Date:: 1816
Medium:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/8 × 16 1/4 inches (27 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Entrance of Calais Harbour

Creator:: Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Date:: 1816
Medium:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 inches (27.9 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. River Wye

Creator:: Etched by Joseph Mallord William Turner, 1775–1851, British
Date:: 1812
Medium:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 16 1/4 inches (27.3 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Basle

Creator:: Etched by Joseph Mallord William Turner, 1775–1851, British
Date:: 1807
Medium:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 16 1/8 inches (27.3 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Jason

Creator:: Etched by Joseph Mallord William Turner, 1775–1851, British
Date:: 1807
Medium:: Etching and mezzotint, printed in brown ink; 2nd state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/8 × 16 1/4 inches (28.3 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Peat Bog, Scotland

Creator:: Etched by Joseph Mallord William Turner, 1775–1851, British
Date:: 1812
Medium:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 7/8 × 16 1/4 inches (27.6 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Junction of Severn and Wye

Creator:: Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Date:: 1811
Medium:: Etching, aquatint, and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 × 10 1/2 inches (18.4 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Flint Castle, Vessels Unloading

Creator:: Etched by Joseph Mallord William Turner, 1775–1851, British
Date:: 1807
Medium:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/8 × 11 3/8 inches (20.6 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. The Source of the Arveron in the Valley of Chamouni, Savoy

Creator:: Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Date:: 1816
Medium:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/8 × 16 1/4 inches (27 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Procris and Cephalus

Creator:: Etched by Joseph Mallord William Turner, 1775–1851, British
Date:: 1812
Medium:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 16 1/8 inches (28.3 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. The Crypt of Kirkstall Abbey

Creator:: Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Date:: 1812
Medium:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 16 1/4 inches (27 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Scene in the Campagna

Creator:: Etched by Joseph Mallord William Turner, 1775–1851, British
Date:: 1812
Medium:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 16 1/4 inches (27 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Water Mill

Creator:: Etched by Joseph Mallord William Turner, 1775–1851, British
Date:: 1812
Medium:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 × 16 1/4 inches (26.4 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Little Devil's Bridge over the Russ above Altdorft, Switzerland

Creator:: Etched by Joseph Mallord William Turner, 1775–1851, British
Date:: 1809
Medium:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/8 × 16 1/8 inches (28.3 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Plains of Bengal, from above Siligoree

Creator:: Edward Lear, 1812–1888, British
Date:: 1874
Medium:: Watercolor, pen and brown ink, and gouache on moderately thick, moderately textured, cream wove paper
Dimensions:: Mount: 11 9/16 x 17 1/8 inches (29.4 x 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968

70. The Gardens of the Villa Albani

Creator:: Edward Lear, 1812–1888, British
Date:: 1840
Medium:: Graphite, black chalk and white gouache on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 8 1/2 x 16 1/4 inches (21.6 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

71. Campagna of Rome from Villa Mattei, from Views in Rome and its Environs, 1841

Creator:: Edward Lear, 1812–1888, British
Date:: 1841
Medium:: Lithograph on wove paper
Dimensions:: Plate: 9 15/16 x 15 15/16in. (25.2 x 40.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

72. A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames

Creator:: George Romney, 1734–1802, British
Date:: undated
Medium:: Brown ink and brown wash on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 19 1/2 x 16 inches (49.5 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Sealing the Stone and Setting a Watch

Creator:: William Blake, 1757–1827, British
Date:: 1800 to 1803
Medium:: Watercolor, pen and gray ink, black ink, and graphite on moderately thick, slightly textured, wove paper
Dimensions:: Sheet: 20 × 16 15/16 inches (50.8 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Everett V. Meeks, B.A. 1901 Fund

74. Unfinished View of the Palatine in Rome

Creator:: Giovanni Battista Borra, 1713–1770, Italian
Date:: ca. 1750
Medium:: Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 13/16 x 21 1/4 inches (37.7 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. View of Ruins at Tivoli

Creator:: Giovanni Battista Borra, 1713–1770, Italian
Date:: ca. 1750
Medium:: Gray wash, blue wash, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 x 21 1/4 inches (38.1 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. 6: Death in Harlem from A Rake's Progress

Creator:: David Hockney, born 1937, British
Date:: 1963
Medium:: Color-printed etching and aquatint
Dimensions:: Plate: 11 15/16 x 15 15/16in. (30.3 x 40.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

77. 2A: The Gospel Singing (Good People) Madison Square Garden from A Rake's Progress

Creator:: David Hockney, born 1937, British
Date:: 1963
Medium:: Color-printed etching and aquatint
Dimensions:: Plate: 11 15/16 x 15 15/16in. (30.3 x 40.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

78. John, Earl of St. Vincent, Admiral of the Red

Creator:: Charles Turner, 1774–1857, British
Date:: 1816
Medium:: Mezzotint
Dimensions:: Sheet: 24 x 16in. (61 x 40.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. J. Richardson Dilworth

79. Sir Samuel Hood, K.B.

Creator:: George Clint, 1770–1854, British
Date:: 1808
Medium:: Mezzotint, colored proof
Dimensions:: Sheet: 26 3/4 x 16in. (67.9 x 40.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. J. Richardson Dilworth

80. Earl Howe

Creator:: Samuel William Reynolds, 1773–1835, British
Date:: 1799
Medium:: Mezzotint
Dimensions:: Sheet: 24 3/4 x 16in. (62.9 x 40.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. J. Richardson Dilworth

81. Evening

Creator:: Print made by John Boydell, 1720–1804, British
Date:: 1755
Medium:: Etching and line engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 5/16 x 20 3/16 inches (36.3 x 51.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Night

Creator:: Print made by John Boydell, 1720–1804, British
Date:: 1756
Medium:: Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 5/8 x 21 1/4 inches (39.7 x 53.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Stoke by Neyland, Suffolk

Creator:: Print made by David Lucas, 1802–1881, British
Date:: 1829
Medium:: Mezzotint and drypoint on medium, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 12 x 16 1/8 inches (30.5 x 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. View on the River Stour

Creator:: Print made by David Lucas, 1802–1881, British
Date:: 1830
Medium:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/4 x 16 inches (28.6 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Barcelona, Spain

Creator:: Henry Swinburne, 1743–1803, British
Date:: 1775 to 1776
Medium:: Graphite, with pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Gressenberg

Creator:: Henry Swinburne, 1743–1803, British
Date:: 1779
Medium:: Pen and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 1/8 × 16 1/4 inches (28.3 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Mount Vesuvius

Creator:: Henry Swinburne, 1743–1803, British
Date:: 1777 to 1778
Medium:: Pen and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 1/8 × 16 1/4 inches (28.3 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. From Rouen Down the Seine

Creator:: Henry Swinburne, 1743–1803, British
Date:: undated
Medium:: Pen and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. View of Maison From Le Mesnil-le-Roi

Creator:: Henry Swinburne, 1743–1803, British
Date:: undated
Medium:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 1/16 × 16 5/16 inches (28.1 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Distant, Panoramic View, of a City and its Surrounding Coast

Creator:: Henry Swinburne, 1743–1803, British
Date:: undated
Medium:: Pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 1/16 × 16 5/16 inches (28.1 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. View from the Gallows Hill

Creator:: Henry Swinburne, 1743–1803, British
Date:: undated
Medium:: Pen and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Coastal Landscape Scene

Creator:: Henry Swinburne, 1743–1803, British
Date:: undated
Medium:: Watercolor and gouache, graphite, pen and brown ink on medium, moderately textured, cream wove paper
Dimensions:: Mount: 9 5/16 × 16 1/4 inches (23.7 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. View of the Cascine Near Florence

Creator:: Henry Swinburne, 1743–1803, British
Date:: 1787
Medium:: Watercolor, with pen and black ink, gray ink, gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 9 5/16 × 16 5/16 inches (23.7 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Mountainous Landscape, with a Small Village in its Valley

Creator:: Henry Swinburne, 1743–1803, British
Date:: undated
Medium:: Pen and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 9 5/16 × 16 1/4 inches (23.7 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. St. Bertrand, France

Creator:: Henry Swinburne, 1743–1803, British
Date:: undated
Medium:: Pen and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 9 5/16 × 16 1/4 inches (23.7 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Menars, France

Creator:: Henry Swinburne, 1743–1803, British
Date:: undated
Medium:: Pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 1/8 × 16 5/16 inches (28.3 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Study of a Section Piece From The Lions Court at Alahambra

Creator:: Henry Swinburne, 1743–1803, British
Date:: 1775 to 1776
Medium:: Pen and gray ink, gray wash over graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 9 5/16 × 16 1/4 inches (23.7 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Wooded Clearing, with a River Landscape and Cottage

Creator:: Henry Swinburne, 1743–1803, British
Date:: undated
Medium:: Pen and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 1/8 × 16 5/16 inches (28.3 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Palace, Surrounded by, Fortification Walls,with Sea and Sailboat in the Foreground

Creator:: Henry Swinburne, 1743–1803, British
Date:: undated
Medium:: Pen and brown ink over graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 1/8 × 16 5/16 inches (28.3 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Landscape, with a Village in the Distance

Creator:: Henry Swinburne, 1743–1803, British
Date:: undated
Medium:: Pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 1/8 × 16 5/16 inches (28.3 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

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1. Design for Omega Workshops Fabric

2. A Lake in Norway

3. View from Rook's Hill, Kent

4. Setting Off, No. 1

5. Pulling Up

6. Human Skeleton, Anterior View (Finished Study for Table I)

7. Human Skeleton, Posterior View (Finished Study for Table II)

8. Human Figure, Anterior View, Undissected (Finished Study for Table VI)

9. Human Figure, Lateral View, Undissected (Finished Study for Table VIII)

10. Fowl, Lateral View with Most Feathers Removed (Finished Study for Table X)

11. Fowl, Lateral View, with Skin and Underlying Fascial Layers Removed (Finished Study for Table XV)

12. Human Figure, Anterior View (Intended for a Plate That was Never Published)

13. Human Figure, Posterior View (Outline drawing for key figure to Table XII)

14. Human Figure, Posterior View (Finished Study for an Unpublished Plate)

15. Human Figure, Posterior View

16. Human Figure, Lateral View (For the key figure to Table XIII)

17. Human Figure, Lateral View

18. Human Figure, Lateral View (Finished study for an unpublished table, representing the last stage in the dissection)

19. Human Skeleton, Lateral View (Close to the Final Study for Table III But Differs in Detail)

20. Human Skeleton, Lateral View

21. Human Skeleton, Lateral View (in Crouching Posture; finished study for an unpublished table)

22. Fowl Skeleton, Lateral View (Finished Study for Table V)

23. Human Figure, Posterior View, Undissected (Finished Study for Table VII)

24. Fowl Body, Lateral View

25. Human Figure, Anterior View (Outline figure)

26. Human Skeleton, Lateral View (Study for a key figure to an unpublished table showing the abdominal viscera)

27. Fowl Body, Lateral View

28. Fowl Body, Lateral View (Highly Finished Study for an Unpublished Table; Shows the Last Stage in Dissection)

29. The Four Times of Day, Plate II: Noon

30. The Enraged Musician

31. A Rake's Progress, Plate V: He Marries

32. The Enraged Musician

33. Mer de Glace, Valley of Chamouni, Savoy

34. Dumblain Abbey, Scotland

35. East Gate, Winchelsea, Sussex

36. Isis

37. Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham

38. The Alcove, Isleworth

39. Ben Arthur, Scotland

40. Barnard Castle

41. Gloucester Cathedral

42. Pembury Mill, Kent

43. Holy Island Cathedral

44. Original Sketch of a Picture for W. Leader, Esq.

45. Hind Head Hill

46. The Hindoo Worshipper

47. Junction of Severn and Wye

48. Calm

49. Dumbarton Rock

50. Bonneville, Savoy

51. Lake of Thun, Switzerland

52. Windmill and Lock

53. Water Mill

54. Crypt of Kirkstall Abbey

55. Ville de Thun, Switzerland

56. Entrance of Calais Harbour

57. River Wye

58. Basle

59. Jason

60. Peat Bog, Scotland

61. Junction of Severn and Wye

62. Flint Castle, Vessels Unloading

63. The Source of the Arveron in the Valley of Chamouni, Savoy

64. Procris and Cephalus

65. The Crypt of Kirkstall Abbey

66. Scene in the Campagna

67. Water Mill

68. Little Devil's Bridge over the Russ above Altdorft, Switzerland

69. Plains of Bengal, from above Siligoree

70. The Gardens of the Villa Albani

71. Campagna of Rome from Villa Mattei, from Views in Rome and its Environs, 1841

72. A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames

73. Sealing the Stone and Setting a Watch

74. Unfinished View of the Palatine in Rome