Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
12
William Blake, 1757–1827, British
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?'weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
13
William Blake, 1757–1827, British
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,' Hell; Canto xxv. line 45.]
1827
14
William Blake, 1757–1827, British
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
15
William Blake, 1757–1827, British
Illustrations to Dante's Divine Comedy
1827
16
William Blake, 1757–1827, British
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm,/ And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
17
William Blake, 1757–1827, British
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
18
Charles Turner, 1774–1857, British
The Little Cottager
1809
19
Print made by James Basire, 1730–1802, British
The Procession of King Edward VI from the Tower
1787
20
Alfred Stevens, 1817–1875, British
Decorative Design with Heads of a Cat, Hare and Goose
undated
21
James Bruce, 1730–1794, British
Temple at Baalbec: Sheet of Sketches of Columns
undated
22
John Frederick Lewis, 1804–1876, British
Highland Hospitality
1832
23
Henry William Bunbury, 1750–1811, British
The Duel: 'Twelfth Night,' Act III, Scene IV
ca. 1790
24
Joseph Severn, 1793–1879, British
Caulking the Schooner, Falmouth Harbour
undated
25
John Hollins, 1798–1855, British
Henry Cranmer March Phillipps
1829
26
John Frederick Lewis, 1804–1876, British
Roman Pilgrims
1854
27
after Inigo Jones, 1573–1652, British
Palace of Whitehall - The Water Side
1748
28
Guillaume Philippe Benoist, 1725–ca. 1770, French
Palace of Whitehall - The Westminster Side
1748
29
Thomas Grieve, 1799–1882, British
Design for Midsummer Night's Dream
undated
30
Paul Sandby, 1731–1809, British
A Distant View of Maidstone, from Lower Bell Inn, Boxley Hill
1802
31
Samuel Shelley, 1750–1808, British
Prince Rasselas and His Sister Conversing in Their Summer Palace on the Banks of the Nile
1804
32
James Bruce, 1730–1794, British
No. 1 Sketch of temple remains at Baalbec or Palmyra
undated
33
James Bruce, 1730–1794, British
No. 4 sketch of temple remains at Baalbec or Palmyra
undated
34
James Bruce, 1730–1794, British
No. 9 sketch of temple remains at Baalbec or Palmyra
undated
35
James Bruce, 1730–1794, British
Ruins of Temples at Saltronza
ca. 1768
36
James Bruce, 1730–1794, British
Upright of the Niche at the Temple at Baalbec
undated
37
Etched by Samuel Middiman, ca. 1750–1831, British
The Temple of Jupiter in the Island of Aegina
1828
38
Print made by Henry Lemon, 1823–1882
Saturday Night
ca. 1850
39
Print made by David Loggan, 1633–1692, British
Collegium Sancti Iohannis Evangelista Cantabrigia illustrata
1690
40
William Bambridge, 1819–1879, British
Group of Scotch Pines near the Obelisk, Age 104 Years
1864
41
after Comte Alfred d' Orsay, 1801–1852, French
J.M.W. Turner - "The Fallacy of Hope"
1851
42
John Young, 1755–1825, British
Christ giving sight to the blind
1816
43
James Hardy, active 1770s
Edmund Burke, Esq
44
Print made by Charles E. Wagstaff, 1808–
The Marriage of Her Most Gracious Majesty Queen Victoria
1844
45
Mary Hoare, 1744–1820, British
Imogen in the Cave, 'Cymbeline', Act III, Scene VI
1782
46
Thomas Daniell, 1749–1840, British, active in India
Main Entrance of the Jami Mosque, Jaunpur
1797 to 1807
47
William Ward, 1766–1826, British
The Daughters of Sir Thomas Frankland Bart
1797
48
Henry Edridge, 1769–1821, British
Abbeville
undated
49
Mary Hoare, 1744–1820, British
Lear and Cordelia
ca. 1781
50
Mary Hoare, 1744–1820, British
Imogen Entering the Cave, 'Cymbeline', Act III, Scene VI
1781
51
John Rubens Smith, 1775–1849, British
[Shooting]: Innocence Alarm'd
1803
52
after Charles Hunt, 1803–1877, British
William Long, Huntsmen to his Grace the duke of Beaufort, on his Favorite Horse (Milkman)
1836
53
Print made by G.F. Storm, active mid–19th century, British
Vol. 6, Plate XXIX
1842
54
Frederick Christian Lewis the Elder, 1779–1856, British
James Northcote
1824
55
Print made by Henry Hoppner Meyer, ca. 1782–1847, British
James Northcote
1815
56
unknown artist, nineteenth century
Red and Yellow Macaw
1832
57
Print made by Henry Robert Robertson, 1839–1921, British
Ulysses Deriding Polyphemus
ca. 1887
58
Print made by Henry Robert Robertson, 1839–1921, British
The Fighting Téméraire
ca. 1887
59
Print made by Robert Thew, 1758–1802, British
King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
1792
60
George Vertue, 1684–1756, British
Charles I and Henrietta
1742
61
Peter DeWint, 1784–1849, British
Barden Tower, Yorkshire
undated
62
Edward Clifford, 1844–1907, British
Castle Grant
1905
63
John Crome, 1768–1821, British
Entrance to Earlham Park, near Norwich
between 1807 and 1808
64
Print made by John Dixon, ca. 1740–1811, Irish
The Oracle, Representing Britannia, Hibernia, Scotia and America
1774
65
Print made by John Baptist Jackson, 1701–1780, British
The Finding of Moses
1741
66
William Ward, 1766–1826, British
Sailors in a Storm
1798
67
William Ward, 1766–1826, British
Sailors in a Fight
1798
68
William Walker, 1791–1867, British
Henry Raeburn
1826
69
Henry M. Hudson, active 1782–1800, British
Mrs. Curtis
70
Print made by Charles Turner, 1774–1857, British
George Viscount Malden and Lady Elizabeth Capel
1817
71
Print made by Richard Houston, ca. 1721–1775, British
Miss Harriet Powell
1771
72
Print made by Francis Haward, 1759–1797, British
Mrs. Siddons, in the Character of the Tragic Muse
1787
73
Print made by Charles Turner, 1774–1857, British
Interior of a Cottage
1809
74
Print made by James Watson, 1740–1790, British
Right Hon. Augustus Hervey
1773
75
Print made by Thomas Watson, 1743–1781, British
The Honourable Mrs. Beresford with the Marchioness Townshend and the Hon. Mrs. Gardiner Adoring a Term of Hymen
1776
76
Print made by Charles Knight, 1743–c.1826, British
Miss Farren
1791
77
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Miss Farren
1803
78
Print made by William Whiston Barney, active 1805–1817, British
George Spencer, Earl of Sunderland, and Lord Charles Spencer
1805
79
Print made by Richard Earlom, 1743–1822, British
A Flower Piece
1778
80
Print made by Richard Earlom, 1743–1822, British
Fruit Piece
1781
81
Print made by Charles Turner, 1774–1857, British
Sir Walter Scott
1810
82
Print made by James Watson, 1740–1790, British
Miss Nancy Parsons
undated
83
Print made by Richard Houston, ca. 1721–1775, British
Miss Catherine Wodhull
1772
84
Print made by unknown artist, sixteenth century
Iani Quadrifrontis Templum in Foro Boario
1564
85
Print made by Etienne Dupérac, ca. 1535–1604, French
Mausolei Ab Augusto Imp
1575
86
Print made by William Miller, 1796–1882, British
Modern Italy
1842
87
Print made by Charles Turner, 1774–1857, British
Field Marshal, The Duke of Wellington
1816
88
John Samuel Agar, ca. 1773–1858, British
Lady Dalrymple Hamilton
1812
89
John Jones, ca. 1745–1797, British
Beatrice Listening to Hero and Ursula - "Much Ado About Nothing", Act III, Scene I
1791
90
William Nutter, 1754–1802, British
Mr. Macklin and Mrs. Pope in the Characters of Shylock and Portia
1789
91
Print made by James Ward, 1769–1859, British
William Henry West Betty
1805
92
Print made by Edward Goodall, 1795–1870, British
Oxford from North Hinksey
1841
93
Print made by James Ward, 1769–1859, British
The Douglas Children
1799
94
Print made by Thomas Watson, 1743–1781, British
Miss Elizabeth Beauclerc as 'Una'
1782
95
Print made by John Jones, ca. 1745–1797, British
The Right Honourable Charles James Fox
1784
96
Print made by James Watson, 1740–1790, British
John Marquess of Granby
undated
97
Print made by James McArdell, ca. 1729–1765, Irish