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George Stubbs Tiger Skeleton, Lateral View (Study for the key figure to Table IV)
George Stubbs, 1724–1806, British
Tiger Skeleton, Lateral View (Study for the key figure to Table IV)
1795 to 1806
George Stubbs Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)
George Stubbs, 1724–1806, British
Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)
between 1795 and 1806
George Stubbs Tiger Body, Lateral View (Outline drawing for a key figure)
George Stubbs, 1724–1806, British
Tiger Body, Lateral View (Outline drawing for a key figure)
1795 to 1806
George Stubbs Owl Standing, Anterior View
George Stubbs, 1724–1806, British
Owl Standing, Anterior View
1795 to 1806
William Hogarth The First Stage of Cruelty
William Hogarth, 1697–1764, British
The First Stage of Cruelty
ca. 1750
William Hogarth The Second Stage of Cruelty: Coachman Beating a Fallen Horse
Print made by William Hogarth, 1697–1764, British
The Second Stage of Cruelty: Coachman Beating a Fallen Horse
1751, printed 1790
William Hogarth The Third Stage of Cruelty: Cruelty in Perfection - The Murder
Print made by William Hogarth, 1697–1764, British
The Third Stage of Cruelty: Cruelty in Perfection - The Murder
1751, printed 1790
William Hogarth The First Stage of Cruelty: Children Torturing Animals
Print made by William Hogarth, 1697–1764, British
The First Stage of Cruelty: Children Torturing Animals
1751, printed 1790
William Hogarth The Fourth Stage of Cruelty: The Reward of Cruelty
Print made by William Hogarth, 1697–1764, British
The Fourth Stage of Cruelty: The Reward of Cruelty
1751, printed 1790
William Hogarth Study for the Foundlings
William Hogarth, 1697–1764, British
Study for the Foundlings
ca. 1739
William Hogarth Marriage à la Mode, Plate 6
Print made by William Hogarth, 1697–1764, British
Marriage à la Mode, Plate 6
1745
William Hogarth Simon Lord Lovat
Print made by William Hogarth, 1697–1764, British
Simon Lord Lovat
1746
William Hogarth John Wilkes, Esq.
William Hogarth, 1697–1764, British
John Wilkes, Esq
1763
William Hogarth The First Stage of Cruelty: First, Children Torturing Animals
William Hogarth, 1697–1764, British
The First Stage of Cruelty: First, Children Torturing Animals
1751
William Hogarth The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse
William Hogarth, 1697–1764, British
The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse
1751
Joseph Mallord William Turner Ship Aground Brighton
Joseph Mallord William Turner, 1775–1851, British
Ship Aground Brighton
1830
Joseph Mallord William Turner Weymouth
Joseph Mallord William Turner, 1775–1851, British
Weymouth
ca. 1811
Joseph Mallord William Turner A Sea Piece - A Rough Sea with a Fishing Boat
Joseph Mallord William Turner, 1775–1851, British
A Sea Piece - A Rough Sea with a Fishing Boat
1820 to 1830
Joseph Mallord William Turner Winchelsea, Sussex
Etched by Joseph Mallord William Turner, 1775–1851, British
Winchelsea, Sussex
1812
George Romney John Henderson as Falstaff
George Romney, 1734–1802, British
John Henderson as Falstaff
1780
George Romney Miranda, Prospero, and Caliban: The Tempest
George Romney, 1734–1802, British
Miranda, Prospero, and Caliban: The Tempest
undated
George Romney Sketches of a Prostrate Woman
George Romney, 1734–1802, British
Sketches of a Prostrate Woman
undated
William Blake Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
ca. 1797
William Blake Europe. A Prophecy, 1793 (printed 1795)
William Blake, 1757–1827, British
Europe. A Prophecy, 1793 (printed 1795)
1793, printed 1795
William Blake Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
1797
William Blake Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
William Blake Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
1797
William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
ca. 1797
William Blake Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
ca. 1797
William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
ca. 1797
William Blake Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"
ca. 1797
William Blake Illustrations of The Book of Job, Title Page
William Blake, 1757–1827, British
Illustrations of The Book of Job, Title Page
1825
William Blake Book of Job, Plate 1, Job and His Family
William Blake, 1757–1827, British
Book of Job, Plate 1, Job and His Family
1825
William Blake Book of Job, Plate 6, Satan Smiting Job with Boils
William Blake, 1757–1827, British
Book of Job, Plate 6, Satan Smiting Job with Boils
1825
William Blake Book of Job, Plate 21, Job and His Family Restored to Prosperity
William Blake, 1757–1827, British
Book of Job, Plate 21, Job and His Family Restored to Prosperity
1825
William Blake Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
1797
William Blake Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
1797
William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
William Blake, 1757–1827, British
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
William Blake Europe. A Prophecy, Plate 1, Frontispiece
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 1, Frontispiece
1794
William Blake Europe. A Prophecy, Plate 2, Title Page
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 2, Title Page
1794
William Blake Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)
1794
William Blake Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)
1794
William Blake Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
1794
William Blake Europe. A Prophecy, Plate 13 (Bentley 10)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 13 (Bentley 10)
1794
William Blake Europe. A Prophecy, Plate 15, "The red limb'd Angel . . . . " (Bentley 16)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 15, "The red limb'd Angel . . . . " (Bentley 16)
1794
William Blake Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
William Blake, 1757–1827, British
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
1827
William Blake Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
William Blake, 1757–1827, British
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
William Blake, 1757–1827, British
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
William Blake Europe. A Prophecy, Plate 3, "Preludium"
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 3, "Preludium"
1794
William Blake Europe. A Prophecy, Plate 10, "Enitharmon slept . . . . " (Bentley 12)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 10, "Enitharmon slept . . . . " (Bentley 12)
1794
William Blake Europe. A Prophecy, Plate 11, "In thoughts perturb'd . . . ." (Bentley 13)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 11, "In thoughts perturb'd . . . ." (Bentley 13)
1794
William Blake Europe. A Prophecy, Plate 14, "And the clouds & fires . . . . " (Bentley 15)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 14, "And the clouds & fires . . . . " (Bentley 15)
1794
William Blake Europe. A Prophecy, Plate 16, "Ethinthus queen of waters . . . . " (Bentley 17)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 16, "Ethinthus queen of waters . . . . " (Bentley 17)
1794
William Blake Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)
1794
William Blake Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
1794
William Blake Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
1794
William Blake Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)
1794
William Blake Europe. A Prophecy, Plate 8 (Bentley 9)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 8 (Bentley 9)
1794
Sir Robert Smirke the younger Architectural Drawing of the Temple of Concordia
Sir Robert Smirke the younger, 1781–1867, British
Architectural Drawing of the Temple of Concordia
1802-1804
Sir Robert Smirke the younger Architectural Drawing
Sir Robert Smirke the younger, 1781–1867, British
Architectural Drawing
1802-1804
Sir Robert Smirke the younger Sketches of Ornamental Designs, For Oil Lamps and Pouring Vessels
Sir Robert Smirke the younger, 1781–1867, British
Sketches of Ornamental Designs, For Oil Lamps and Pouring Vessels
1802-1804
John Copley Sheep in Twilight
Print made by John Copley, 1875–1950, British
Sheep in Twilight
1922
Paulus Pontius Paulus Pontius
Print made by Paulus Pontius, 1603–1658, Flemish
Paulus Pontius
ca. 1635
John Boydell Noon
Print made by John Boydell, 1720–1804, British
Noon
1753
John Boydell A Calm
Print made by John Boydell, 1720–1804, British
A Calm
1754
David Lucas Hadleigh Castle, Large Plate
Print made by David Lucas, 1802–1881, British
Hadleigh Castle, Large Plate
1830 to 1832
James McArdell Charles Saunders Esq.
James McArdell, ca. 1729–1765, Irish
Charles Saunders Esq
1748
Charles William Cain The Nautch Dancers
Print made by Charles William Cain, 1893–1962, British
The Nautch Dancers
ca. 1925
unknown artist Returning from a Review...Paris
unknown artist, ( Lewis )
Returning from a Review...Paris
1802
unknown artist Breakfast at Breteuil
unknown artist, ( Lewis )
Breakfast at Breteuil
1801
James Clark Cowdray Ruins
Print made by James Clark, 19th century
Cowdray Ruins
1824
James Bruce Elevation of Amphitheatre of El Djem entitled "Isrus"
James Bruce, 1730–1794, British
Elevation of Amphitheatre of El Djem entitled "Isrus"
undated
James Bruce Plan of one quarter of the amphitheatre at El Djem showing seating tiers
James Bruce, 1730–1794, British
Plan of one quarter of the amphitheatre at El Djem showing seating tiers
undated
James Bruce Plan of three quarters of the amphitheatre at El Djem with descriptive notes
James Bruce, 1730–1794, British
Plan of three quarters of the amphitheatre at El Djem with descriptive notes
undated
James Bruce Plan of one quarter of the Amphitheatre at El Djem showing outer corridors
James Bruce, 1730–1794, British
Plan of one quarter of the Amphitheatre at El Djem showing outer corridors
undated
James Bruce Detailed and Measured drawing of Column from Pedestal to Entablature of a Temple at Baalbec
James Bruce, 1730–1794, British
Detailed and Measured drawing of Column from Pedestal to Entablature of a Temple at Baalbec
undated
James Bruce XIVI Theatre at Ain Tunga Thignica
James Bruce, 1730–1794, British
XIVI Theatre at Ain Tunga Thignica
undated
James Bruce Temple at Thignica Modern, Ain Tunga now totally Destroyed
James Bruce, 1730–1794, British
Temple at Thignica Modern, Ain Tunga now totally Destroyed
undated
James Bruce Rocks
James Bruce, 1730–1794, British
Rocks
ca. 1769
James Bruce XXIV Lybian Mausoleum at Dougga
James Bruce, 1730–1794, British
XXIV Lybian Mausoleum at Dougga
undated
William Bernard Cooke The Vale of Ashburnham
Print made by William Bernard Cooke, 1778–1855, British
The Vale of Ashburnham
1816
William Bernard Cooke Hurstmonceux Castle
Print made by William Bernard Cooke, 1778–1855, British
Hurstmonceux Castle
1820
Henry Le Keux Simmer Lake near Askrig
Print made by Henry Le Keux, 1787–1868, British
Simmer Lake near Askrig
1818-1823
Charles Heath Ingleborough, from Hornby Castle Terrace
Print made by Charles Heath, 1785–1848, British
Ingleborough, from Hornby Castle Terrace
1818-1823
Charles Heath Kirkby Lonsdale Churchyard
Print made by Charles Heath, 1785–1848, British
Kirkby Lonsdale Churchyard
1818-1823
Samuel Middiman Weathercote Cave when Half Filled with Water
Print made by Samuel Middiman, ca. 1750–1831, British
Weathercote Cave when Half Filled with Water
1821
Robert Wallis Edinburgh from Leith Harbour, Vignette Title to Vol. II
Print made by Robert Wallis, 1794–1878, British
Edinburgh from Leith Harbour, Vignette Title to Vol. II
1826
Lewis Vaslet The Spoiled Child, Scene I
Lewis Vaslet, 1742–1808, British
The Spoiled Child, Scene I
ca. 1802
Lewis Vaslet The Spoiled Child, Scene II
Lewis Vaslet, 1742–1808, British
The Spoiled Child, Scene II
ca. 1802
Lewis Vaslet The Spoiled Child, Scene IV
Lewis Vaslet, 1742–1808, British
The Spoiled Child, Scene IV
ca. 1802
Lewis Vaslet The Spoiled Child, Scene III
Lewis Vaslet, 1742–1808, British
The Spoiled Child, Scene III
ca. 1802
William Green Landscape with River and a Bridge
William Green, 1760–1823, British
Landscape with River and a Bridge
undated
William Green View of Lakes Buttermere and Crummock Water
William Green, 1760–1823, British
View of Lakes Buttermere and Crummock Water
1803
Charles Gore Herstmonceux
Charles Gore, 1729–1807, British
Herstmonceux
1787
Canaletto The City of Westminster from Near the York Water Gate
Canaletto, 1697–1768, Venetian, active in Britain (1746–55)
The City of Westminster from Near the York Water Gate
between 1746 and 1747
Nicholas Pocock The Sailor's Departure
Nicholas Pocock, 1740–1821, British
The Sailor's Departure
ca. 1795
Edward Francis Finden Genoa
Print made by Edward Francis Finden, 1791–1857, British
Genoa
1832-1834
James Wyatt Cobham Hall, Kent: Drawing for a Border for the Ceiling of the Vesibule
James Wyatt, 1746–1813, British
Cobham Hall, Kent: Drawing for a Border for the Ceiling of the Vesibule
ca. 1790
James Wyatt Cobham Hall, Kent: Drawing for Wall Decoration
James Wyatt, 1746–1813, British
Cobham Hall, Kent: Drawing for Wall Decoration
ca. 1790
Francis Wheatley Traveling Potter Outside a Cottage
Francis Wheatley, 1747–1801, British
Traveling Potter Outside a Cottage
1798