<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

On-site Access Accessible by appointment in the Study Room

Remove constraint On-site Access: Accessible by appointment in the Study Room

Work Type watercolor

Remove constraint Work Type: watercolor

Search Results

Edward Lear Salahiyeh
Edward Lear, 1812–1888, British
Salahiyeh
1867
Edward Lear Belbeis
Edward Lear, 1812–1888, British
Belbeis
1867
Edward Lear Near Belbeis
Edward Lear, 1812–1888, British
Near Belbeis
1867
Edward Lear Salahiyeh
Edward Lear, 1812–1888, British
Salahiyeh
1867
Edward Lear Salahiyeh
Edward Lear, 1812–1888, British
Salahiyeh
1867
Edward Lear Near Beer El Abt, 4:30 pm, 28 March 1867 (23)
Edward Lear, 1812–1888, British
Near Beer El Abt, 4:30 pm, 28 March 1867 (23)
1867
Edward Lear Gantara (Suez Canal), 5:25 am, 27 March 1867 (20)
Edward Lear, 1812–1888, British
Gantara (Suez Canal), 5:25 am, 27 March 1867 (20)
1867
Edward Lear Near Beer El Abt
Edward Lear, 1812–1888, British
Near Beer El Abt
1867
Edward Lear Between Bir El Abt
Edward Lear, 1812–1888, British
Between Bir El Abt
1867
Edward Lear Near El Areesh, 3:30 pm, 30 March 1867 (27)
Edward Lear, 1812–1888, British
Near El Areesh, 3:30 pm, 30 March 1867 (27)
1867
Edward Lear El Areesh
Edward Lear, 1812–1888, British
El Areesh
1867
Edward Lear El Areesh, 6:30 pm, 31 March 1867 (33)
Edward Lear, 1812–1888, British
El Areesh, 6:30 pm, 31 March 1867 (33)
1867
Edward Lear Kourayim
Edward Lear, 1812–1888, British
Kourayim
1867
Edward Lear Belbeis
Edward Lear, 1812–1888, British
Belbeis
1867
Edward Lear Boat on the Nile
Edward Lear, 1812–1888, British
Boat on the Nile
1867
Edward Lear Salahiyeh
Edward Lear, 1812–1888, British
Salahiyeh
1867
Edward Lear El Areesh
Edward Lear, 1812–1888, British
El Areesh
1867
Edward Lear El Areesh
Edward Lear, 1812–1888, British
El Areesh
1867
Edward Lear Kurayim
Edward Lear, 1812–1888, British
Kurayim
1867
Edward Lear Salahiyeh
Edward Lear, 1812–1888, British
Salahiyeh
1867
Edward Lear Kurayim
Edward Lear, 1812–1888, British
Kurayim
1867
Edward Lear Zereeba, near Belbeis
Edward Lear, 1812–1888, British
Zereeba, near Belbeis
1867
Edward Lear View near Palermo
Edward Lear, 1812–1888, British
View near Palermo
1847
Edward Lear Gozo, near Malta
Edward Lear, 1812–1888, British
Gozo, near Malta
1866
Edward Lear Albania
Edward Lear, 1812–1888, British
Albania
between 1848 and 1849
Edward Lear Wied Zurrik (Malta)
Edward Lear, 1812–1888, British
Wied Zurrik (Malta)
1848
Edward Lear Rocky Valley of Mosta, Malta, 2:15 p.m. (April 3, 1866)
Edward Lear, 1812–1888, British
Rocky Valley of Mosta, Malta, 2:15 p.m. (April 3, 1866)
1866
Edward Lear Rocky Valley of Mosta, Malta, 1:30 p.m. (April 3, 1866)
Edward Lear, 1812–1888, British
Rocky Valley of Mosta, Malta, 1:30 p.m. (April 3, 1866)
1866
Edward Lear Indian River Landscape
Edward Lear, 1812–1888, British
Indian River Landscape
1874
Edward Lear Deir Kadige
Edward Lear, 1812–1888, British
Deir Kadige
1867
Edward Lear Landscape Near Segni
Edward Lear, 1812–1888, British
Landscape Near Segni
1838
Edward Lear A View of Cannes
Edward Lear, 1812–1888, British
A View of Cannes
1882
Edward Lear Venice, the Doge's Palace
Edward Lear, 1812–1888, British
Venice, the Doge's Palace
undated
Edward Lear Benares
Edward Lear, 1812–1888, British
Benares
1873
Edward Lear A Weasel
Edward Lear, 1812–1888, British
A Weasel
1832
Edward Lear Abu Simbel, 11-11:30 am, 8 February 1867 (374)
Edward Lear, 1812–1888, British
Abu Simbel, 11-11:30 am, 8 February 1867 (374)
1867
Edward Lear Sketches of Athens
Edward Lear, 1812–1888, British
Sketches of Athens
1848
Edward Lear Salonica, from my Room Window, 11 Sept. 1848, after Sunset
Edward Lear, 1812–1888, British
Salonica, from my Room Window, 11 Sept. 1848, after Sunset
1848
Edward Lear Nice from the Genoa Road
Edward Lear, 1812–1888, British
Nice from the Genoa Road
1865
Edward Lear Albenga
Edward Lear, 1812–1888, British
Albenga
1864
George Romney Glade of Trees
George Romney, 1734–1802, British
Glade of Trees
undated
George Romney Sketch of Trees
George Romney, 1734–1802, British
Sketch of Trees
undated
George Romney Viscountess Bulkeley as Hebe
George Romney, 1734–1802, British
Viscountess Bulkeley as Hebe
undated
George Romney The Two Friends
George Romney, 1734–1802, British
The Two Friends
undated
George Romney Lady Leaning on a Column: (Possibly a Sketch for "Miss Woodley")
George Romney, 1734–1802, British
Lady Leaning on a Column: (Possibly a Sketch for "Miss Woodley")
undated
George Romney Seated Figure
George Romney, 1734–1802, British
Seated Figure
undated
George Romney Two Sisters
George Romney, 1734–1802, British
Two Sisters
undated
George Romney Glade in a Forest
George Romney, 1734–1802, British
Glade in a Forest
undated
George Romney Howard Visiting a Prison
George Romney, 1734–1802, British
Howard Visiting a Prison
between 1749 and 1802
George Romney Howard Visiting a Prison
George Romney, 1734–1802, British
Howard Visiting a Prison
between 1790 and 1794
George Romney Temptation of Christ
George Romney, 1734–1802, British
Temptation of Christ
undated
George Romney Children with a Goat and a Dog
George Romney, 1734–1802, British
Children with a Goat and a Dog
undated
George Romney Howard Visiting a Prison
George Romney, 1734–1802, British
Howard Visiting a Prison
undated
George Romney River God
George Romney, 1734–1802, British
River God
undated
George Romney Mother and Son
George Romney, 1734–1802, British
Mother and Son
undated
George Romney Sketches of a Prostrate Woman
George Romney, 1734–1802, British
Sketches of a Prostrate Woman
undated
George Romney Two Lovers (Man Awakening from a Dream)
George Romney, 1734–1802, British
Two Lovers (Man Awakening from a Dream)
undated
George Romney Classical Male Nude
George Romney, 1734–1802, British
Classical Male Nude
undated
George Romney Prostrate Woman
George Romney, 1734–1802, British
Prostrate Woman
undated
George Romney Pamela
George Romney, 1734–1802, British
Pamela
undated
George Romney Ladies in Waiting
George Romney, 1734–1802, British
Ladies in Waiting
undated
George Romney Iphigenia Kneeling over an Altar
George Romney, 1734–1802, British
Iphigenia Kneeling over an Altar
undated
George Romney Duke of Dorset (So-called)
George Romney, 1734–1802, British
Duke of Dorset (So-called)
undated
George Romney Lord Salisbury, Standing by a Pillar
George Romney, 1734–1802, British
Lord Salisbury, Standing by a Pillar
undated
George Romney Prison Scene
George Romney, 1734–1802, British
Prison Scene
undated
George Romney A Procession of the Damned: Study for the Damned in Dante's "Inferno"
George Romney, 1734–1802, British
A Procession of the Damned: Study for the Damned in Dante's "Inferno"
undated
George Romney Learning to Walk
George Romney, 1734–1802, British
Learning to Walk
undated
George Romney Seated Woman Feeding an Animal
George Romney, 1734–1802, British
Seated Woman Feeding an Animal
undated
George Romney Mythological Group of Women and Children
George Romney, 1734–1802, British
Mythological Group of Women and Children
undated
George Romney Studies for the Head of a Lady (Studies of a Woman's Head)
George Romney, 1734–1802, British
Studies for the Head of a Lady (Studies of a Woman's Head)
undated
George Romney A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
George Romney, 1734–1802, British
A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
undated
William Blake Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
ca. 1797
William Blake Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
ca. 1797
William Blake Young's Night Thoughts, Page 23, "We censure nature for a span too short"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 23, "We censure nature for a span too short"
ca. 1797
William Blake Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
1789
William Blake Spring, from Songs of Innocence
Print made by William Blake, 1757–1827, British
Spring, from Songs of Innocence
ca. 1795
William Blake The Shepherd, from Songs of Innocence
William Blake, 1757–1827, British
The Shepherd, from Songs of Innocence
ca. 1795
William Blake The Book of Thel, Plate 4, "Why should the mistress . . . ."
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
William Blake Christ Giving Sight to Bartimaeus
William Blake, 1757–1827, British
Christ Giving Sight to Bartimaeus
1799 to 1800
William Blake The Entrance Front of Hayley's House at Eartham
William Blake, 1757–1827, British
The Entrance Front of Hayley's House at Eartham
1801
William Blake Joseph and Potiphar's Wife
William Blake, 1757–1827, British
Joseph and Potiphar's Wife
1803 to 1805
William Blake The Parable of the Wise and Foolish Virgins
William Blake, 1757–1827, British
The Parable of the Wise and Foolish Virgins
ca. 1825
William Blake Christ Appearing to the Apostles after the Resurrection
Print made by William Blake, 1757–1827, British
Christ Appearing to the Apostles after the Resurrection
1795 to 1805
William Blake Pity
Print made by William Blake, 1757–1827, British
Pity
ca. 1795
William Blake The Widow Embracing Her Husband's Grave
William Blake, 1757–1827, British
The Widow Embracing Her Husband's Grave
1805 to 1808
William Blake Mary Magdalen at the Sepulchre
William Blake, 1757–1827, British
Mary Magdalen at the Sepulchre
ca. 1805
William Blake Satan Approaching the Court of Chaos
William Blake, 1757–1827, British
Satan Approaching the Court of Chaos
1784 to 1785
William Blake Moses Receiving the Law
William Blake, 1757–1827, British
Moses Receiving the Law
ca. 1780
William Blake Tiriel Supporting the Dying Myratana and Cursing His Sons
William Blake, 1757–1827, British
Tiriel Supporting the Dying Myratana and Cursing His Sons
1786 to 1789
William Blake Thomas Alphonso Hayley, Half-Length Drawing
attributed to William Blake, 1757–1827, British
Thomas Alphonso Hayley, Half-Length Drawing
ca. 1800
William Blake Sealing the Stone and Setting a Watch
William Blake, 1757–1827, British
Sealing the Stone and Setting a Watch
1800 to 1803
William Blake A Woody Landscape
William Blake, 1757–1827, British
A Woody Landscape
ca. 1801
William Blake Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
ca. 1797
William Blake Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"
1797
William Blake Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
1797
William Blake The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798