Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
1762
2
unknown artist, eighteenth century
Woman wearing a Feathered Headdress
undated
3
Print made by Charles Bretherton, ca. 1760–1783, British
Sir James Thornhill
1782
4
John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain
Sir James Thornhill
1732
5
L. Truchy, 1721–1764
Pamela undressing herself (Mrs Jewkes being first got to bed) while Mr. B. disguised in the maids clothes, with the apron thrown over his face, is impatiently waiting for the execution of his plot
1745
6
L. Truchy, 1721–1764
Pamela dressed in order to meet Mr. B. at Sir Simon Darnford's, is prevented by the sudden arrival of Lady Davers, who forceibly detains her, & loads her with the bitterest reproaches that rage & disdain could suggest, her Nephew is looking over..
1745
7
L. Truchy, 1721–1764
Mr. B. Expostulating with Pamela in the Summer house after some liberties taken Mrs. Jervis (who is seen through the window) having just before left her
8
L. Truchy, 1721–1764
Pamela asking the Blessing of Sr. Jacob Swinford, Mr. B's unkle, a rough old fox hunter, who after the most obstinate resolution to the contrary, relents, and becomes her great admirer, Mr. B. behind, whispering Lady Davers she having conceived the..
1745
9
L. Truchy, 1721–1764
Pamela on her knees before her Father, whom she had discovered behind the door having overturned the card table in the way. Sr. Simon Darnford his Lady & c. observing her with eagerness and admiration Mr. B struck with this scene is waiting the issue
1745
10
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
1745
11
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
12
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
1745
13
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
1745
14
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
15
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
1745
16
Print made by Caroline Watson, 1760–1814, British
Samuel Richardson
1804
17
John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain
Caroline (Queen of George II)
18
L. Truchy, 1721–1764
Pamela is represented in this first Piece, writing in her late Lady's dressing room, her History being known only by her letters. She is here surprised by Mr. B. who improves this occasion to further his designs
1762
19
Guillaume Philippe Benoist, 1725–ca. 1770, French
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
1762
20
Guillaume Philippe Benoist, 1725–ca. 1770, French
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
1762
21
Print made by L. Truchy, 1721–1764
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
1762
22
Guillaume Philippe Benoist, 1725–ca. 1770, French
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
1762
23
L. Truchy, 1721–1764
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
1762
24
Guillaume Philippe Benoist, 1725–ca. 1770, French
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
1762
25
Guillaume Philippe Benoist, 1725–ca. 1770, French
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
1762
26
Print made by L. Truchy, 1721–1764
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
1762
27
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
1762
28
L. Truchy, 1721–1764
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
1762
29
Print made by John Tinney, died 1761, British
An Oblique View of the East Front of Hampton Court, with part of garden
1744
30
Print made by John Tinney, died 1761, British
The Pavilion Belonging to the Bowling Green at the end of the Terras Walk, at Hampton Court
1744
31
John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain
Sir James Thornhill
1732
32
Print made by John Tinney, died 1761, British
A Perspective view of the East Front of Hampton Court, taken from the Park Gate
1744
33
Print made by John Tinney, died 1761, British
The Diagonal Walk, fountain and canal in the Garden of Hampton Court
1744
34
Print made by John Tinney, died 1761, British
The South Front of Hampton Court with part of the garden
1744
35
John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain
Teresia Constantia Phillips
36
Highmore, Joseph, 1692-1780
A critical examination of those two paintings on the cieling [sic] of the banqueting-house at Whitehall
1754
37
Highmore, Joseph, 1692-1780
The practice of perspective, on the principles of Dr. Brook Taylor