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John Constable Male Nude
John Constable, 1776–1837, British
Male Nude
1808
Samuel Palmer Study of a Pilgrim
attributed to Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Study of a Pilgrim
undated
George Stubbs Plate VIII, Human Body, Posterior View
Print made after George Stubbs, 1724–1806, British
Plate VIII, Human Body, Posterior View
1804
George Stubbs Plate VII, Human Body, Lateral View
Print made after George Stubbs, 1724–1806, British
Plate VII, Human Body, Lateral View
1804
George Stubbs Plate VI, Human Body, Frontal View
Print made after George Stubbs, 1724–1806, British
Plate VI, Human Body, Frontal View
1804
George Stubbs Human Figure, Anterior View, Skin and Underlying Fascial Layers Removed (Finished Study for Table XI)
George Stubbs, 1724–1806, British
Human Figure, Anterior View, Skin and Underlying Fascial Layers Removed (Finished Study for Table XI)
1795 to 1806
George Stubbs Human Figure, Lateral View (Outline Study in Reverse of Table VIII)
George Stubbs, 1724–1806, British
Human Figure, Lateral View (Outline Study in Reverse of Table VIII)
1795 to 1806
George Stubbs Human Figure, Lateral View (For the key figure to Table XIII)
George Stubbs, 1724–1806, British
Human Figure, Lateral View (For the key figure to Table XIII)
1795 to 1806
George Stubbs Human Figure, Lateral View
George Stubbs, 1724–1806, British
Human Figure, Lateral View
1795 to 1806
George Stubbs Human Figure, Lateral View (Preliminary draft for the final study for Table VIII)
George Stubbs, 1724–1806, British
Human Figure, Lateral View (Preliminary draft for the final study for Table VIII)
1795 to 1806
George Stubbs Human Figure, Lateral View (Prepared for transfer to the plate of the key figure to Table XIII)
George Stubbs, 1724–1806, British
Human Figure, Lateral View (Prepared for transfer to the plate of the key figure to Table XIII)
1795 to 1806
George Stubbs Human Figure, Lateral View (Related to Table XIII, detailed study of the blood vessels supplying the muscles)
George Stubbs, 1724–1806, British
Human Figure, Lateral View (Related to Table XIII, detailed study of the blood vessels supplying the muscles)
1795 to 1806
George Stubbs Human Figure, Lateral View
George Stubbs, 1724–1806, British
Human Figure, Lateral View
1795 to 1806
George Stubbs Human Skeleton, Lateral View
George Stubbs, 1724–1806, British
Human Skeleton, Lateral View
1795 to 1806
George Stubbs Human Skeleton, Lateral View (Close to the Final Study for Table III But Differs in Detail)
George Stubbs, 1724–1806, British
Human Skeleton, Lateral View (Close to the Final Study for Table III But Differs in Detail)
Between 1795 and 1806
George Stubbs Human Skeleton, Lateral View
George Stubbs, 1724–1806, British
Human Skeleton, Lateral View
1795 to 1806
George Stubbs Human Skeleton, Lateral View (Outline of the skeleton for the key figure to Table III)
George Stubbs, 1724–1806, British
Human Skeleton, Lateral View (Outline of the skeleton for the key figure to Table III)
1795 to 1806
George Stubbs Human Skeleton, Lateral View
George Stubbs, 1724–1806, British
Human Skeleton, Lateral View
1795 to 1806
George Stubbs Human Skeleton, Lateral View
George Stubbs, 1724–1806, British
Human Skeleton, Lateral View
1795 to 1806
George Stubbs Human Figure, Lateral View
George Stubbs, 1724–1806, British
Human Figure, Lateral View
1795 to 1806
George Stubbs Human Skeleton, Lateral View (May have been initially prepared for use as a key figure to Table III but later abandoned)
George Stubbs, 1724–1806, British
Human Skeleton, Lateral View (May have been initially prepared for use as a key figure to Table III but later abandoned)
1795 to 1806
George Stubbs Human Skeleton, Posterior View
George Stubbs, 1724–1806, British
Human Skeleton, Posterior View
1795 to 1806
George Stubbs Human Skeleton, Posterior View (Right Arm Outstretched; finished study for an unpublished table)
George Stubbs, 1724–1806, British
Human Skeleton, Posterior View (Right Arm Outstretched; finished study for an unpublished table)
1795 to 1806
George Stubbs Human Skeleton, Lateral View (in Crawling Posture; finished study for an unpublished table)
George Stubbs, 1724–1806, British
Human Skeleton, Lateral View (in Crawling Posture; finished study for an unpublished table)
1795 to 1806
George Stubbs Human Skeleton, Lateral View
George Stubbs, 1724–1806, British
Human Skeleton, Lateral View
1795 to 1806
George Stubbs Human Skeleton, Lateral View
George Stubbs, 1724–1806, British
Human Skeleton, Lateral View
1795 to 1806
George Stubbs Human Skeleton, Lateral View (in Crouching Posture; finished study for an unpublished table)
George Stubbs, 1724–1806, British
Human Skeleton, Lateral View (in Crouching Posture; finished study for an unpublished table)
1795 to 1806
George Stubbs Human Figure, Posterior View, Undissected (Finished Study for Table VII)
George Stubbs, 1724–1806, British
Human Figure, Posterior View, Undissected (Finished Study for Table VII)
1795 to 1806
George Stubbs Human Skeleton, Lateral View (Study for a key figure to an unpublished table showing the abdominal viscera)
George Stubbs, 1724–1806, British
Human Skeleton, Lateral View (Study for a key figure to an unpublished table showing the abdominal viscera)
1795 to 1806
George Stubbs Human Figure, Lateral View
George Stubbs, 1724–1806, British
Human Figure, Lateral View
1795 to 1806
George Stubbs Human Skeleton, Lateral View
George Stubbs, 1724–1806, British
Human Skeleton, Lateral View
1795 to 1806
George Stubbs Human Skeleton, Anterior View
George Stubbs, 1724–1806, British
Human Skeleton, Anterior View
1795 to 1806
William Hogarth Study of a Female Nude
William Hogarth, 1697–1764, British
Study of a Female Nude
undated
Edward Lear Egyptian Man
Edward Lear, 1812–1888, British
Egyptian Man
1867
Edward Lear Korti
Edward Lear, 1812–1888, British
Korti
1867
George Romney Back View of a Standing Classical Male Figure
George Romney, 1734–1802, British
Back View of a Standing Classical Male Figure
undated
George Romney Figure Standing, with a Bent Knee
George Romney, 1734–1802, British
Figure Standing, with a Bent Knee
undated
George Romney Figure Supporting a Fainting Figure
George Romney, 1734–1802, British
Figure Supporting a Fainting Figure
undated
George Romney The Witches' Cavern
George Romney, 1734–1802, British
The Witches' Cavern
between 1792 and 1793
George Romney Prison Scene
George Romney, 1734–1802, British
Prison Scene
undated
George Romney Female Figure Kneeling on a Promontory, Waving
George Romney, 1734–1802, British
Female Figure Kneeling on a Promontory, Waving
undated
George Romney Rape
George Romney, 1734–1802, British
Rape
undated
George Romney Female Figures
George Romney, 1734–1802, British
Female Figures
undated
George Romney Reclining Nude
George Romney, 1734–1802, British
Reclining Nude
undated
George Romney Standing Figure
George Romney, 1734–1802, British
Standing Figure
undated
George Romney Two Nude Children
George Romney, 1734–1802, British
Two Nude Children
undated
George Romney Howard Visiting a Prison
George Romney, 1734–1802, British
Howard Visiting a Prison
undated
George Romney Women and Children Fleeing and Three Sketches of a Standing Female Figure
George Romney, 1734–1802, British
Women and Children Fleeing and Three Sketches of a Standing Female Figure
undated
George Romney Rape Scene: Hell
George Romney, 1734–1802, British
Rape Scene: Hell
undated
George Romney Two Figures, with One Male Nude Kneeling
George Romney, 1734–1802, British
Two Figures, with One Male Nude Kneeling
undated
George Romney Seated Female Nude
George Romney, 1734–1802, British
Seated Female Nude
undated
George Romney Reclining Figure
George Romney, 1734–1802, British
Reclining Figure
undated
George Romney Seated Female Nude, Probably for "Susannah and the Elders"
George Romney, 1734–1802, British
Seated Female Nude, Probably for "Susannah and the Elders"
undated
George Romney Caladon and Amelia (So-called)
George Romney, 1734–1802, British
Caladon and Amelia (So-called)
undated
George Romney The Bath of Bath-sheba
George Romney, 1734–1802, British
The Bath of Bath-sheba
undated
George Romney Seated Nude Woman (Hygeia at Doctor Graham's)
George Romney, 1734–1802, British
Seated Nude Woman (Hygeia at Doctor Graham's)
undated
George Romney Pharmarus and Kunaza
George Romney, 1734–1802, British
Pharmarus and Kunaza
undated
George Romney Charity
George Romney, 1734–1802, British
Charity
undated
George Romney Classical Male Nude with a Rearing Horse
George Romney, 1734–1802, British
Classical Male Nude with a Rearing Horse
undated
George Romney Classical Male Nude
George Romney, 1734–1802, British
Classical Male Nude
undated
George Romney Charity
George Romney, 1734–1802, British
Charity
undated
George Romney Ladies in Waiting
George Romney, 1734–1802, British
Ladies in Waiting
undated
George Romney Female Figure
George Romney, 1734–1802, British
Female Figure
undated
George Romney Two Sketches of a Mother and Child
George Romney, 1734–1802, British
Two Sketches of a Mother and Child
undated
George Romney Two Sketches of a Nude Woman
George Romney, 1734–1802, British
Two Sketches of a Nude Woman
undated
George Romney Achilles Wounded
George Romney, 1734–1802, British
Achilles Wounded
undated
George Romney Borghese Gladiator
George Romney, 1734–1802, British
Borghese Gladiator
undated
George Romney Standing Male Nude
George Romney, 1734–1802, British
Standing Male Nude
undated
George Romney Two Sketches: Seated Male Nude, Rear View; Standing Figure, Gesticulating
George Romney, 1734–1802, British
Two Sketches: Seated Male Nude, Rear View; Standing Figure, Gesticulating
undated
George Romney Two Sketches of a Seated Male Nude, Rear View
George Romney, 1734–1802, British
Two Sketches of a Seated Male Nude, Rear View
undated
William Blake Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
1789
William Blake Abraham and Isaac
William Blake, 1757–1827, British
Abraham and Isaac
1799 to 1800
William Blake An Angel with a Trumpet
William Blake, 1757–1827, British
An Angel with a Trumpet
between 1805 and 1808
William Blake Songs of Innocence and of Experience
William Blake, 1757–1827, British
Songs of Innocence and of Experience
1789-1794
William Blake The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 83, "The Descent of Odin."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
William Blake There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
ca. 1788
William Blake Jerusalem, Plate 40, "Los shudderd at beholding Albion...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 40, "Los shudderd at beholding Albion...."
1804 to 1820
William Blake Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
1797
William Blake There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
ca. 1788
William Blake Jerusalem, Plate 69, "Then all the Males...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 69, "Then all the Males...."
1804 to 1820
William Blake Jerusalem, Plate 71, "And above Albions Land...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 71, "And above Albions Land...."
1804 to 1820
William Blake Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
1797
William Blake Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"
1797
William Blake The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 3, "Ode on the Spring."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 5, "Ode on the Spring."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 5, "Ode on the Spring."
between 1797 and 1798
William Blake Jerusalem, Plate 76
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 76
1804 to 1820
William Blake Jerusalem, Plate 80, "Encompassd by the frozen net...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 80, "Encompassd by the frozen net...."
1804 to 1820
William Blake Jerusalem, Plate 81, "I have mockd those...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 81, "I have mockd those...."
1804 to 1820
William Blake Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"
1797
William Blake Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
1797
William Blake Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
1789
William Blake The Book of Thel, Plate 2, Title Page
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 2, Title Page
1789
William Blake Songs of Innocence, Plate 26, "Spring" (Bentley 23)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 26, "Spring" (Bentley 23)
1789
William Blake Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
1797
William Blake Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"
1797
William Blake Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
1797