Print made by James T. Willmore, 1800–1863, British
Llandberis Lake, Wales
1834
104
Print made by Robert Wallis, 1794–1878, British
Virginia Water No. 1
1828-1832
105
Print made by William Radclyffe, 1780–1855, British
Blenheim, Oxfordshire
1833
106
Gangaram Chintaman Tambat, active 1790s, Indian
Two Jeyties Weightlifting
undated
107
Print made by James Redway, active 1827–1838
Christ Church College, Oxford
1834
108
Print made by James Redway, active 1827–1838
Christ Church College, Oxford
1834
109
Print made by James T. Willmore, 1800–1863, British
Llandberis Lake, Wales
1834
110
Print made by William Radclyffe, 1780–1855, British
Caernarvon Castle, Wales
1835
111
Print made by James T. Willmore, 1800–1863, British
Ullswater, Cumberland
1835
112
Print made by James T. Willmore, 1800–1863, British
Powis Castle, Montgomery
1835
113
Print made by James T. Willmore, 1800–1863, British
Powis Castle, Montgomery
1835
114
Print made by James T. Willmore, 1800–1863, British
Richmond Terrace, Surrey
1838
115
Print made by James T. Willmore, 1800–1863, British
Richmond Terrace, Surrey
1838
116
Print made by Robert Wallis, 1794–1878, British
Virginia Water No. 1
1828-1832
117
Thomas Rowlandson, 1756–1827, British
Drawing Cover
undated
118
Thomas Rowlandson, 1756–1827, British
Landscape with a Hunting Party
undated
119
Sawrey Gilpin, 1733–1807, British
Studies of Figures on Horseback
undated
120
Sawrey Gilpin, 1733–1807, British
Jockey on a horse with three figures
undated
121
James Valentine, 1815–1879, British
Study of the Royal Stag
ca. 1865
122
James Valentine, 1815–1879, British
Study of the Royal Stag
ca. 1865
123
Sawrey Gilpin, 1733–1807, British
Hunters approaching a lion being held at bay by hounds
undated
124
Sawrey Gilpin, 1733–1807, British
Hound Trial with hounds named
undated
125
Print made by Robert Wallis, 1794–1878, British
Virginia Water
1830
126
Print made by Pellissier & Allen, active late 19th century, British
Snowdon
1900
127
Lionel Edwards, 1878–1966, British
`Now then! Are you ready?'
1905
128
Jack Butler Yeats, 1871–1957, Irish
The Last Bank
1897
129
unknown artist
Insult to Injury
undated
130
Anna Katrina Zinkeisen, 1901–1976, British
Richmond Horse Show
1934
131
Percy Drake Brookshaw, 1907–1993
Boat Race
1937
132
Sir Edwin Henry Landseer, 1802–1873, British
A Shooting Party: Lord Ossulston, Mr. W. Wells, Lord Abercorn and Sir E. Landseer
1833
133
Print made by Edward Goodall, 1795–1870, British
A Village Fair
1834
134
Print made by John Doyle ('H.B.'), 1797–1868, Irish
The Seven Bold Swabians - Who Sallied forth with One Spear, Vide Fairy Ring
1847
135
Print made by John Doyle ('H.B.'), 1797–1868, Irish
Breaking Cover, Desperate Struggle for the Lead, Consequences of Leaping Short
1849
136
Jan Wyck, ca. 1645–1700, Dutch, active in Britain (from ca. 1664)
A Race Meeting at Newmarket Heath
ca. 1671
137
unknown artist
Lancier d'Orleans
undated
138
Heneage Finch fourth Earl of Aylesford, 1751–1812, British
The Race of Daldey
undated
139
Thomas Gainsborough, 1727–1788, British
Study of a Cow
between 1755 and 1760
140
Capt. Francis Grose, 1731–1791, British
Holy Island and Castle, Northumberland
undated
141
James Seymour, 1702–1752, British
Profile of a Horse Facing Left
undated
142
Philip William May, 1864–1903, British
A Man and a Boy Riding on a Beach
undated
143
James Ward, 1769–1859, British
Study of a Plunging Eagle
undated
144
Thomas Rowlandson, 1756–1827, British
The Enraged Vicar
undated
145
Tessa Pullan, born 1953, British
Racing Scene: three racehorses with jockeys up
1994
146
James Seymour, 1702–1752, British
Six Studies of Horses and Riders
undated
147
unknown artist, eighteenth century
Morning
1799
148
unknown artist
Evening
1799
149
George Alken, 1794–active 1837, British
Foxhunting: Rider, Taking a Fence
undated
150
Henry Thomas Alken, 1785–1851, British
"Scraps", No. 27: Two Dismounted Riders Drinking at an Alehouse Door
1823
151
Henry Thomas Alken, 1785–1851, British
"Scraps", No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds
1823
152
Henry Thomas Alken, 1785–1851, British
Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week
between 1818 and 1822
153
Henry Thomas Alken, 1785–1851, British
Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
between 1818 and 1822
154
Henry Thomas Alken, 1785–1851, British
Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth
between 1818 and 1822
155
Henry Thomas Alken, 1785–1851, British
Knight Falling From His Horse at a Squire's Tilt
undated
156
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
between 1831 and 1832
157
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
158
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
between 1831 and 1832
159
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
between 1831 and 1832
160
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
161
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
162
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
163
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
164
Henry Thomas Alken, 1785–1851, British
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
165
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
between 1831 and 1832
166
Henry Thomas Alken, 1785–1851, British
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
167
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
168
Henry Thomas Alken, 1785–1851, British
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
169
Henry Thomas Alken, 1785–1851, British
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
170
Henry Thomas Alken, 1785–1851, British
An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
1842
171
Henry Thomas Alken, 1785–1851, British
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'
undated
172
Henry Thomas Alken, 1785–1851, British
"Doing the Thing: and the Thing Done:" Morning. Turning Out in Prime Twig. Doing the Least you Can
1818
173
Henry Thomas Alken, 1785–1851, British
"Doing the Thing: and the Thing Done:" Doing the Down Leap
1818
174
Henry Thomas Alken, 1785–1851, British
"Doing the Thing: and the Thing Done:" Doing it No How
1818
175
Henry Thomas Alken, 1785–1851, British
"Doing the Thing: and the Thing Done:" Doing the Thing Well - [giving Dribblers the go bye]
1818
176
Henry Thomas Alken, 1785–1851, British
"Doing the Thing: and the Thing Done:" Doing it Somehow
1818
177
Henry Thomas Alken, 1785–1851, British
"Doing the Thing: and the Thing Done:" The Down Leap Done
1818
178
Henry Thomas Alken, 1785–1851, British
"Doing the Thing: and the Thing Done:" Afternoon. Returning Home in Fine Trim. Doing the Most you Can
1818
179
Henry Thomas Alken, 1785–1851, British
"Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty
between 1848 and 1851
180
Henry Thomas Alken, 1785–1851, British
"Some Do and Some Don't: It is All a Notion:" Getting a Dive
between 1848 and 1851
181
Henry Thomas Alken, 1785–1851, British
"Some Do and Some Don't: It is All a Notion:" Getting into a Bog
between 1848 and 1851
182
Henry Thomas Alken, 1785–1851, British
"Some Do and Some Don't: It is All a Notion:" Getting Dead Beat
between 1848 and 1851
183
Henry Thomas Alken, 1785–1851, British
Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could
between 1809 and 1823
184
Henry Thomas Alken, 1785–1851, British
Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
between 1822 and 1827
185
Henry Thomas Alken, 1785–1851, British
Two Pointers, Facing Right with a Sportsman
undated
186
Henry Thomas Alken, 1785–1851, British
Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark
between 1822 and 1827
187
Hablot Knight Browne, 1815–1882, British
Point-to-Point Racing
undated
188
Henry William Bunbury, 1750–1811, British
An Illustration of H. Bunbury ('Geoffrey Gambado'), "An Academy for Grown Horsemen: 'A Bit of Blood'
undated
189
Robert Dighton, 1752–1814, British
"The King and Noblemen Before the Stag is Turn'd Out"
undated
190
Edward Duncan, 1803–1882, British
Pheasant Shooting
1825
191
Edward Duncan, 1803–1882, British
Wild Duck Shooting
1825
192
Sawrey Gilpin, 1733–1807, British
Two Riders Conversing
undated
193
Sawrey Gilpin, 1733–1807, British
Seven Studies of Jockeys' Caps
undated
194
Sawrey Gilpin, 1733–1807, British
Rubbing Down a Horse in a Paddock at a Racetrack
undated
195
Sawrey Gilpin, 1733–1807, British
Hunting Sketch: Gone to Earth
undated
196
John Hoppner, 1758–1810, British
A Young Man with a Horse, with Studies of Hounds and Dead Hare