On-site Access: Accessible by appointment in the Study Room / Genre: marine art / Height [cm]: 32

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Flounder Fishing, Battersea

between 1813 and 1823

Print made by George Cooke, 1781–1834, British

Hythe, Kent

1824

Print made by Robert Wallis, 1794–1878, British

Folkstone, Kent

1826

Print made by James T. Willmore, 1800–1863, British

Tancarville

1834

John Baverstock Knight, 1785–1859, British

The Beach at Charmouth

undated

Print made by William Bernard Cooke, 1778–1855, British

The Mewstone, Entrance of Plymouth Sound

1815

Print made by Robert Wallis, 1794–1878, British

Ramsgate

1814 to 1826

Print made by James Basire the younger, 1769–1822, British

South View of Christ Church, etc., From the Meadows..

1799

Print made by William Miller, 1796–1882, British

Coombe-Martin, Devonshire

1814 to 1826

John Webber, 1752–1793, British

A Sailing Canoe of Otaheite

1792

Henry Papprill, 1816–d.after 1883, American

This View of the Capture of Amoy, on the Coast of China, on the 26th August, 1841

1842

Edward Duncan, 1803–1882, British

Study of Fishermen and Gear

undated

unknown artist

A View of the Fleet at Spithead; taken from the Platform at Portsmouth (A) the Watch Tower at Portsmouth (B) Gilkiker upon Gosport Shoar (C) The Sea Mark on Ashey Down

unknown artist, (Toms)

A Squadron of Ships Sailing before the Wind

Nathaniel Parr, active 1742–1751, British

The taking of the Princessa a Spanish Man of War, April 8, 1740 by His Majesties Ships the Lenox, Kent, and Oxford

Remi Parr The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds.

Print made by Remi Parr, active 1723–1750, British

The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds

undated