Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
1797
12
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
13
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
1797
14
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)
ca. 1788
15
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 77, "To the Christians...."
1804 to 1820
16
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
1797
17
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
18
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
between 1797 and 1798
19
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 10, "The Ecchoing Green" (Bentley 6)
1789
20
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
1789
21
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
1789
22
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 6, "The Little Girl Found" (Bentley 35)
1789
23
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 54, "In Great Eternity...."
1804 to 1820
24
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
between 1797 and 1798
25
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 51, "The Progress of Poesy."
between 1797 and 1798
26
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)
1789
27
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
1789
28
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 13, "The present moment terminates our sight"
ca. 1797
29
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 24 (Bentley 26)
1794
30
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
ca. 1797
31
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 18 (Bentley 21)
1794
32
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 19, "Stretch'd for a work of eternity . . . ." (Bentley 20)
1794
33
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."
1789
34
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
1789
35
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
ca. 1797
36
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
ca. 1797
37
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
1794
38
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."
ca. 1797
39
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"
ca. 1797
40
Print made by William Blake, 1757–1827, British
What is Man!, Frontispiece; Plate 1
1793
41
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
1789
42
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."
1789
43
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)
1794
44
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."
1789
45
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
1789
46
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."
1789
47
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 18 (Bentley 21)
1794
48
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)
1794
49
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"
1826
50
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 2, Title Page (Bentley 3)
1789
51
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
1789
52
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)
1789
53
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
1789
54
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 26, "Spring" (Bentley 23)
1789
55
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)
1789
56
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"
1797
57
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
58
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 23, "A Long Story."
between 1797 and 1798
59
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 27, "A Long Story."
between 1797 and 1798
60
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
61
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
1797
62
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
1789
63
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 22, "Stretch'd for a Work of Eternity...." (Bentley 20)
1794
64
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 25 (Bentley 26)
1794
65
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"
1826
66
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"
1826
67
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 9, "Alas!"
1826
68
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)
1794
69
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 1, Title Page
1826
70
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"
1826
71
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"
1826
72
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"
1826
73
Print made by Henry William Bunbury, 1750–1811, British
The Battle of the Cataplasm
between 1773 and 1817
74
Sir John Gilbert, 1817–1897, British
Apotheosis of Shakespeare's Characters
1871
75
Julius Caesar Ibbetson, 1759–1817, British
Title page for "The Guardian"
undated
76
Richard Westall, 1765–1836, British
Greatheart's Battle with Grim
undated
77
James Northcote, 1746–1831, British
Study for Burying the Royal Children
ca. 1790
78
Mary Hoare, 1744–1820, British
Antigonus Disposing of Perdita
ca. 1781
79
John Flaxman, 1755–1826, British
To Phoebus at His Birth, From Aeschylus, Furies
undated
80
Print made by George Cruikshank, 1792–1878, British
Mr. Wood Offers to Adopt Little Jack Sheppard
1835
81
Carington Bowles, 1724–1793, British
Twelve Illustrations of Robinson Crusoe
1783
82
Print made by Robert Thew, 1758–1802, British
King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)
1789
83
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
1745
84
unknown artist
Mrs. Yates in the Character of Medea
after 1771
85
Robert Smirke, 1752–1845, British
Illustration for Shakespeare's " A Winter's Tale" or '"Cymbeline"
undated
86
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Descent of Man into the Vale of Death
1808, published 1813
87
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Meeting of a Family in Heaven
1808, published 1813
88
Print made by Henry Thomas Alken, 1785–1851, British
The School-Boy
1824
89
Print made by Henry Thomas Alken, 1785–1851, British
The Infant
1824
90
Print made by Thomas Gaugain, 1748–1812, French
Diligence and Dissipation: The Wanton Dying in Poverty and Disease Visited by the Modest Girl (Plate 9)
1797
91
Robert Smirke, 1752–1845, British
Falstaff at Herne's Oak
1821
92
Print made by James Gillray, 1756–1815, British
Shakespeare Sacrificed; or, The Offering to Avarice
1789
93
Print made by Benjamin Fawcett, 1808–1893, British
Scene Illustration: Milton's 'L'Allegro'
between 1860 and 1885
94
Print made by William Skelton, 1763–1848, British
Richard III: Act IV, Scene III, Tower of London
1795
95
Johann Jacobus Haid, 1704–1767
Mr. Garrick in "The Farmer's Return"
1766
96
Print made by Ralph Hudson, active ca. 1820, British
The Pilgrim's Progress Illustrated, Uncut Panorama
ca. 1820
97
Print made by Ralph Hudson, active ca. 1820, British
Pilgrim's Progress Illustrated, Uncut Panorama
ca. 1820
98
Print made by Luigi Schiavonetti, 1765–1810, Italian