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Print made by William Blake, 1757–1827, British

Jerusalem, Plate 84, "Highgates heights & Hampstead...."

1804 to 1820

Print made by William Blake, 1757–1827, British

There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)

ca. 1788

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."

between 1797 and 1798

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 91, "The Triumphs of Owen."

between 1797 and 1798

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

1826

Richard Dadd, 1817–1886, British

Sketch for the Passions: Jealousy

1853

William Nutter, 1754–1802, British

Mr. Macklin and Mrs. Pope in the Characters of Shylock and Portia

1789

Print made by Thomas Gaugain, 1748–1812, French

Diligence and Dissipation: The Wanton Dying in Poverty and Disease Visited by the Modest Girl (Plate 9)

1797

Print made by Benjamin Fawcett, 1808–1893, British

Scene Illustration: Milton's 'L'Allegro'

between 1860 and 1885

Johann Jacobus Haid, 1704–1767

Mr. Garrick in "The Farmer's Return"

1766