On-site Access: Accessible by appointment in the Study Room / Genre: landscape / Width [cm]: 15

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold: Early Morning

ca. 1880

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Timber Wagon Crossing a Stream

undated

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sepulchre

etching begun ca. 1800; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Moeris and Galatea

1880-1883

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Cypress Grove

plate etched between ca. 1880 and 1883; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

begun ca. 1880

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Moeris and Galatea

plate etched between 1880 and 1883; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Cypress Grove

between 1880 and 1883

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sepulchre

between 1880 and 1883

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Willow

1850

Edward Lear, 1812–1888, British

Near Edfu

1867

Edward Lear, 1812–1888, British

Edfu

1867

Edward Lear, 1812–1888, British

Sunset on the Nile

1867

Edward Lear, 1812–1888, British

Opposite Melaghara, 5:20 PM

undated

Edward Lear, 1812–1888, British

Philae

1867

Edward Lear, 1812–1888, British

Near Dishna

1867

Edward Lear, 1812–1888, British

Between Ibreem and Wady Halfeh, 3.15 pm, 2 February 1867 (330)

1867

Edward Lear, 1812–1888, British

Haram el Ketab

1867

Edward Lear, 1812–1888, British

Haram el Ketab

1867

Edward Lear, 1812–1888, British

Silsilis

1854

Edward Lear, 1812–1888, British

Gebel Sheikh Eredi

1867

Edward Lear, 1812–1888, British

Boat on the Nile

January - March 1867

Edward Lear, 1812–1888, British

Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'

undated

Edward Lear, 1812–1888, British

Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'

undated

Edward Lear, 1812–1888, British

Deir Kadige

1867

Edward Lear, 1812–1888, British

Above Kalabashe; 12:20 P.M., 31 Jan. 1867 (297)

1867

Edward Lear, 1812–1888, British

Dishne; 4:30 P.M., 27 Feb. 1867 (554)

1867

George Romney, 1734–1802, British

Ms. notes

undated

Capt. Thomas Hastings, 1778–1854, British

Brighton, 26 September 1815

1815

Henry Swinburne, 1743–1803, British

Barcelona, Spain

1775 to 1776

Henry Swinburne, 1743–1803, British

Near Campo Lautrecco, Naples

1777 to 1778

Henry Swinburne, 1743–1803, British

Coastal Landscape

undated

Henry Swinburne, 1743–1803, British

View of the Road Near Borchetta

undated

Henry Swinburne, 1743–1803, British

Dordogne, France

undated

Henry Swinburne, 1743–1803, British

Menars, France

undated

Henry Swinburne, 1743–1803, British

Wooded Clearing, with a River Landscape and Cottage

undated

Henry Swinburne, 1743–1803, British

Landscape, with a Village in the Distance

undated

Henry Swinburne, 1743–1803, British

Rocky Landscape with Grotto

undated

Henry Swinburne, 1743–1803, British

Madrid, Spain

1775 to 1776

Henry Swinburne, 1743–1803, British

Bord du Loiret

undated

Henry Swinburne, 1743–1803, British

River View of Bridge and Village in a Distance

undated

Print made by J. Carwitham, active 1720–1740

A New Drawing Book of Variety of Landskips

ca. 1730

John Glover, 1767–1849, British

Greenwich

undated

Attributed to William Havell, 1782–1857, British, active in India (1820–26)

Welsh Landscape

undated

John Frederick Lewis, 1804–1876, British

The Via Mala

1827

Print made by Robert Wallis, 1794–1878, British

Tornaro

1834

Print made by Edward Goodall, 1795–1870, British

St. Pierre's Cottage

1834

Print made by Edward Goodall, 1795–1870, British

Valombre

1834

Print made by Edward Goodall, 1795–1870, British

A Village – Evening

1834

Print made by Edward Goodall, 1795–1870, British

Leaving Home

1834

Print made by Edward Goodall, 1795–1870, British

Datur Hora Quieti

1834

Print made by Edward Goodall, 1795–1870, British

St. Anne's Hill, No. I

1834

Print made by Edward Goodall, 1795–1870, British

An Old Oak

1834

Print made by Edward Goodall, 1795–1870, British

St. Anne's Hill, No. II

1834

John Glover, 1767–1849, British

River with Fishermen

1792

Print made by William Miller, 1796–1882, British

Loch Achray

1834

Print made by John Pye, 1782–1874, British

Tivoli (vignette)

1830

Print made by James T. Willmore, 1800–1863, British

Tancarville

1834

unknown artist, nineteenth century

View of Swanage Bay, Dorset

1816

James Ward, 1769–1859, British

A Thatched Cottage and Trees at the Turn of a Country Road

undated

John Martin, 1789–1854, British

The Rescue of Lot

1833

unknown artist, nineteenth century

Moonlit Scene of Castle and Ships

undated

unknown artist

Col. Floyd's Villa L -- (?) near Worthing

undated

Print made by Robert Sargent Austin, 1895–1973, British

Plane Tree Cottage

1926

Thomas Lindsay, 1793–1861, British

Oast House at Dusk

undated

Attributed to Thomas Lindsay, 1793–1861, British

Cloud Study - Blue and Red Flecked Alto - Cumulus

undated

Attributed to Thomas Lindsay, 1793–1861, British

Wispy Cloud Above an Alpine Formation

undated

Print made by James Walker, 1748–1808, British

Wakefield

1798

Print made by James Heath, 1757–1834, British

Inverary

1805

Print made by unknown artist, nineteenth century

The Little Devil's Bridge

between 1816 and 1820

Print made by William Bernard Cooke, 1778–1855, British

Parnassus

1821

Print made by William Miller, 1796–1882, British

A Garden

1834

Print made by Edward Goodall, 1795–1870, British

A Hurricane in the Desert

1834

Print made by Edward Goodall, 1795–1870, British

St. Pierre's Cottage

1834

Print made by Edward Goodall, 1795–1870, British

Valombre

1834

Print made by Robert Wallis, 1794–1878, British

Bolton Abbey

1834

John Linnell, 1792–1882, British

Figures on a Bank, Kensington Gravel Pits

1812

unknown artist, nineteenth century

Sunset Sky

undated

John Varley, 1778–1842, British

View of Rugged Coastline, Bamburgh, Northumberland

undated

John Varley, 1778–1842, British

Cattle Watering at Sunset

undated

James Ward, 1769–1859, British

Study of a Tree

undated

James Heath, 1757–1834, British

Patterdale

1805

Print made by James Heath, 1757–1834, British

Loch Lomond

1805

Print made by John Pye, 1782–1874, British

Tivoli

1830

Print made by William Bernard Cooke, 1778–1855, British

The Vale of Ashburnham, Replication of Right Half

1817

Print made by Edward Goodall, 1795–1870, British

A Village – Evening

1834

Print made by Edward Goodall, 1795–1870, British

Leaving Home

1834

Print made by Edward Goodall, 1795–1870, British

St. Anne's Hill, No. I

1834

Print made by Edward Goodall, 1795–1870, British

A Hurricane in the Desert

1834

Print made by Edward Goodall, 1795–1870, British

St. Anne's Hill, No. I

1834

Print made by Edward Goodall, 1795–1870, British

St. Anne's Hill, No. I

1834

Print made by Edward Goodall, 1795–1870, British

An Old Oak

1834

Print made by Robert Wallis, 1794–1878, British

Bolton Abbey

1834

Print made by Edward Goodall, 1795–1870, British

The Boy of Egremond

1834

Print made by Edward Goodall, 1795–1870, British

The Alps at Daybreak

1834

Print made by Edward Goodall, 1795–1870, British

St. Anne's Hill, No. II

1834

Print made by Edward Goodall, 1795–1870, British

The Boy of Egremond

1834

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On-site Access Accessible by appointment in the Study Room

Genre landscape

Width [cm] 15

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On-site Access Accessible by appointment in the Study Room

Genre landscape

Width [cm] 15

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