Abandonment and Rescue of Perdita from "The Winter's Tale" (Tampered with but Not Fake)
undated
7
George Romney, 1734–1802, British
Lear Awakened by Cordelia
ca. 1774
8
George Romney, 1734–1802, British
Birth of Man
undated
9
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
10
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
11
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
12
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
13
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
14
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
15
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
16
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
17
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
18
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
19
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
20
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
21
George Romney, 1734–1802, British
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
22
George Romney, 1734–1802, British
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
23
George Romney, 1734–1802, British
Tempest, Version A
undated
24
George Romney, 1734–1802, British
The Banquet Scene
ca. 1792
25
George Romney, 1734–1802, British
Sketch for Canidia and the Youth
undated
26
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
27
George Romney, 1734–1802, British
Titania's Attendants Chasing Bats
undated
28
George Romney, 1734–1802, British
Exit Pursued by a Bear, or "The Abandonment of Perdita" from "The Winter's Tale"
undated
29
George Romney, 1734–1802, British
Miranda, Prospero, and Caliban: The Tempest
undated
30
George Romney, 1734–1802, British
Prospero and Miranda
ca. 1787
31
George Romney, 1734–1802, British
Daphnis and Chloe
undated
32
George Romney, 1734–1802, British
Standing Figure, Probably for Lady Macbeth
undated
33
George Romney, 1734–1802, British
MacBeth at the Witches' Cave: Second Visit, or Canidia and the Youth, or The Opening of the Ark
undated
34
George Romney, 1734–1802, British
Witches' Cavern: MacBeth's Second Visit
undated
35
George Romney, 1734–1802, British
MacBeth: Banquet Scene
undated
36
George Romney, 1734–1802, British
MacBeth: Banquet Scene
undated
37
George Romney, 1734–1802, British
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
38
George Romney, 1734–1802, British
Unidentified Subjects
undated
39
George Romney, 1734–1802, British
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
40
George Romney, 1734–1802, British
Three Studies of a Standing Woman, Possibly Lady MacBeth
undated
41
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
42
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
43
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
44
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
45
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
46
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
47
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
48
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
49
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
50
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
51
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
52
George Romney, 1734–1802, British
Witches' Cavern: MacBeth's Second Visit
undated
53
George Romney, 1734–1802, British
A Procession of the Damned: Study for the Damned in Dante's "Inferno"
undated
54
George Romney, 1734–1802, British
Lear Awakened by Cordelia
between 1774 and 1775
55
unknown artist
The Death of Cordelia
undated
56
John Massey Wright, 1777–1866, British
Falstaff Disguised as Herne
undated
57
Theodor von Holst, 1810–1844, British
Sheet of Sketches
undated
58
Theodor von Holst, 1810–1844, British
Prospero Watching Ferdinand and Miranda
ca. 1840
59
Theodor von Holst, 1810–1844, British
Faust and Margaret
undated
60
Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on)
Study for 'Finding of the Body of Bassanio'
1804
61
Robert Smirke, 1752–1845, British
Anne Page and Slender
1821
62
Robert Smirke, 1752–1845, British
Prospero and Ariel
1821
63
Robert Smirke, 1752–1845, British
Falstaff Instructing Bardolph
1825
64
Robert Smirke, 1752–1845, British
Falstaff Dragging the Body of Hotspur
1825
65
John Flaxman, 1755–1826, British
Seventeen Sketches chiefly of Mrs. Siddons in the Roles of Titania or Constance (King John) and including a Sketch of Kemble as Hamlet and a Study of Puck
ca. 1795
66
Robert Smirke, 1752–1845, British
Lysander Awakening to See Helena
1825
67
John Hamilton Mortimer, 1740–1779, British
Literary Characters Assembled Around the Medallion of Shakespeare
1776
68
James Northcote, 1746–1831, British
Macbeth and the Witches
between 1777 and 1778
69
Thomas Rowlandson, 1756–1827, British
Henderson in the Character of Falstaff
undated
70
unknown artist
Infant Shakespeare, wih Comedy and Tragedy
undated
71
unknown artist
Troilus and Cressida?
undated
72
unknown artist
A Midsummer Night's Dream: Three Figures
undated
73
unknown artist
Scene from the Inferno
undated
74
Sawrey Gilpin, 1733–1807, British
Study for the Figure of Gulliver
ca. 1769
75
Print made by George Richmond, 1809–1896, British
The Fatal Bellman
1827
76
unknown artist
Troilus and Cessida: Six Women on the Walls of Illion
undated
77
unknown artist
Reclining Nude, Possibly Titania
undated
78
unknown artist
Apparition: Banquo?
undated
79
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Illustration from Orlando Furioso: "Che deb'bo sar? che poss'io sar qui sola? / che mi da ajuto, oime, che mi consola?"
1773
80
John Massey Wright, 1777–1866, British
The Rustics Perform from "A Midsummer Night's Dream"
undated
81
George Augustus Sala, 1828–1895, British
Mefistofile II
1880
82
Edward Francis Burney, 1760–1848, British
Study for the Figures of Demitrius and Two Workmen
undated
83
Benjamin Robert Haydon, 1786–1846, British
The Murder of Duncan - Macbeth Stabbing Duncan
between 1809 and 1811
84
Robert Smirke, 1752–1845, British
Malvolio abusing Maria, Fabian and Sir Toby
1822
85
Robert Smirke, 1752–1845, British
Isabella and Mariana Kneeling Before the Duke
1822
86
Robert Smirke, 1752–1845, British
Falstaff with Mistress Quickly and Bardolph
1825
87
Robert Smirke, 1752–1845, British
Ford in a Rage After Seeing Falstaff
1821
88
Robert Smirke, 1752–1845, British
Lady Mortimer's Welsh Song
1825
89
Robert Smirke, 1752–1845, British
Master William Page and Sir Hugh Evans
1821
90
Robert Smirke, 1752–1845, British
Falstaff at Herne's Oak
1821
91
Robert Smirke, 1752–1845, British
Hotspur and the Plotters at Bangor
1825
92
Robert Smirke, 1752–1845, British
Oberon and Puck
1825
93
Robert Smirke, 1752–1845, British
The Death of Ophelia
ca. 1810
94
Benjamin Robert Haydon, 1786–1846, British
The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
between 1809 and 1811
95
Benjamin Robert Haydon, 1786–1846, British
The Murder of Duncan - Macbeth with the Daggers
between 1809 and 1811
96
Benjamin Robert Haydon, 1786–1846, British
The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
between 1809 and 1811
97
Robert Smirke, 1752–1845, British
Claudio and Isabella
1823
98
Robert Smirke, 1752–1845, British
Ferdinand Reunited with his Father
1821
99
Robert Smirke, 1752–1845, British
Prospero Conjuring a Masque for Ferdinand and Miranda