Headfort House, Ireland: Detail of Entablature in the Staircase
between 1771 and 1775
4
Willem van de Velde the Younger, 1633–1707, Dutch, active in Britain (from 1672)
An English Man of War, Starboard Quarter View: Possibly the Victory
ca. 1675
5
Print made by Samuel Middiman, ca. 1750–1831, British
High Street, Oxford
1811
6
Thomas Girtin, 1775–1802, British
View of the City with the Louvre &c., taken from Pont Marie
1802
7
etching by Thomas Girtin, 1775–1802, British
A General View of Paris taken from Chaillot
1803
8
Thomas Girtin, 1775–1802, British
A View of Pont Neuf, the Mint, &c
1803
9
Thomas Girtin, 1775–1802, British
View of the Gate of St. Denis taken from the Suburbs
1802
10
Thomas Girtin, 1775–1802, British
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
11
Thomas Girtin, 1775–1802, British
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
1803
12
Thomas Girtin, 1775–1802, British
View of the Pantheon taken from the Arsenal
1803
13
Thomas Girtin, 1775–1802, British
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
14
Thomas Girtin, 1775–1802, British
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
15
Thomas Girtin, 1775–1802, British
The Waterworks at Marli; and St. Germain en Laye seen in the distance
1802
16
Thomas Girtin, 1775–1802, British
View of the Palace and Village of Choisi on the Banks of the Seine
1803
17
Thomas Girtin, 1775–1802, British
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
18
Thomas Girtin, 1775–1802, British
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1802
19
Thomas Girtin, 1775–1802, British
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1803
20
Thomas Girtin, 1775–1802, British
The Water Mill above the Bridge at Charenton
1803
21
William Daniell, 1769–1837, British
Windsor Castle from near Brocas Meadows
1827
22
Print made by James Basire the younger, 1769–1822, British
Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823
1828
23
Thomas Daniell, 1749–1840, British, active in India
Tremal Naig's Choultry, Madura
1792
24
Richard Banks Harraden, 1778–1862, British
The Waterworks at Marli; and St. German en Laye seen in the distance
1803
25
Thomas Girtin, 1775–1802, British
View of Thuilleries and Bridge taken from the Quay d'Orsai
1802
26
Thomas Girtin, 1775–1802, British
View of the Thuilleries and Bridge taken f rom the Quai d'Orsai
1802
27
Thomas Girtin, 1775–1802, British
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
1802
28
Thomas Girtin, 1775–1802, British
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
1802
29
Thomas Girtin, 1775–1802, British
View of Pont St. Michel, taken from Pont Neuf
1803
30
Thomas Girtin, 1775–1802, British
View of the City with the Louvre &c. taken from Pont Marie
1802
31
Thomas Girtin, 1775–1802, British
View of Pont St. Michel, taken from Pont Neuf
1802
32
Thomas Girtin, 1775–1802, British
A General View of Paris taken from Chaillot
1802
33
Thomas Girtin, 1775–1802, British
A View of Pont Neuf, the Mint, &c
1802
34
Thomas Girtin, 1775–1802, British
View of the Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c. taken from Pont Notre Dame
1802
35
Thomas Girtin, 1775–1802, British
View of the Gate of St. Denis taken from the Suburbs
1802
36
Thomas Girtin, 1775–1802, British
View of the Palace and Village of Choisi on the Banks of the Seine
1802
37
Thomas Girtin, 1775–1802, British
View of the Village of Chaillot and &c., taken from Pont de la Concorde
1803
38
Charles Robert Cockerell, 1788–1863, British
Progetto di collocazione delle statue antiche esistenti nella galleria di Firenze che rappresentano la favola di Niobe [scheme for the configuration of the ancient statues in the gallery of Florence that represent the myth of Niobe](Florence, 1816)
1816
39
Thomas Girtin, 1775–1802, British
View of the Pantheon taken from the Arsenal
1802
40
Thomas Girtin, 1775–1802, British
View of the Village of Chaillot &c., taken from Pont de la Concorde
1802
41
Print made by Thomas Girtin, 1775–1802, British
On the Banks of the Marne below the Bridge at Charenton
1803
42
Print made by Axel Herman Haig, 1835–1921, British
Gefaler Cathedral
1901
43
Samuel Davis, 1760–1819, British
Mr. Croft's bungalow, Near Madras
undated
44
unknown artist, nineteenth century-twentieth century
Perspective View of a Church
ca. 1900
45
Samuel Davis, 1760–1819, British
Old Mosque at Rajemahl [Rajmahal]
undated
46
unknown artist, ( James Phelps )
A View of St. Katharine's Dock in the Month of January, 1828
1828
47
Robert Adam, 1728–1792, British
Headfort House: Lady's Room Ceiling
1772
48
John Wood, 1728–1781, British
The View from One Tree Hill in Greenwich Park
1744
49
Print made by James T. Willmore, 1800–1863, British
Ancient Italy - Ovid Banished from Rome
1842
50
Thomas Malton, 1726–1801, British
Lleweney Bleach Works
1798
51
Print made by Thomas Malton the Younger, 1748–1804, British
Cambridge University: Queens College
1800
52
Thomas Malton the Younger, 1748–1804, British
South Front of the Senate House and West End of St. Mary's Church in the University of Cambridge
1799
53
Thomas Malton the Younger, 1748–1804, British
The East Front of the Library of Trinity College in the University of Cambridge
1800
54
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Plan du Rez-de-Chaussee d'une Maison de la Rue Pigale...(indiquant) les Changements faits par Monsieur le Duc d'Otrante
undated
55
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Elevation View
undated
56
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Vue Perspective d'une Maison de la rue Pigale Appartenant a Madame la Comtesse Rapp - Cote du Jardin
undated
57
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer Appartenant a Madame la Comtesse Rap. Cote du Jardin
undated
58
Thomas Anburey, 1759–1840, British
Mahore, a Fortress Belonging to Nizam Alley (1 of 6)
ca. 1792
59
Print made by James Basire the younger, 1769–1822, British
PLATE XV. Elevation of a Window Bay &c
1805
60
Thomas Cundy, 1790–1867, British
Design for Grosvenor House, London: Chamber Floor Plan
1830
61
Rubbed by Townsend Rich, 1909–1998, American
John Strete, Rector, The Parish Church of St. Peter and St. Paul, Upper Hardres
1968
62
Thomas Cundy, 1790–1867, British
Design for Grosvenor House, London: Principal Floor Plan
1830
63
Rubbed by Townsend Rich, 1909–1998, American
Sir John Bernard and His Wife Lady Ellen Swinerton, the Parish Church of St. Andrew, Isleham
1966
64
Print made by William Miller, 1796–1882, British
Kilchurn Castle, Loch Awe
1847
65
Print made by Benedetto Pastorini, Italian, ca.1746–after 1803, Italian
Inside View of the Theatre Royal, Drury Lane
1775
66
George Howse, 1800–1860
The Cathedral of St. Pierre, Caen
1859
67
Print made by William Walcot, 1874–1943, British
Antony in Egypt No.2, Morning of the Festival
1916
68
Print made by William Walcot, 1874–1943, British
A Tragedy of Sophocles Performed before the Emperor Hadrian