On-site Access: Accessible by appointment in the Study Room / Period: 19th century / Width [cm]: 24 - YCBA Collections Search Search Results

<< YCBA Home << YCBA Home

Start Over

You searched for:

On-site Access Accessible by appointment in the Study Room

Period 19th century

Width [cm] 24

Samuel Palmer The Homeward Star

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Samuel Palmer The Vine

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Vine

1852

Samuel Palmer The Bellman

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Bellman

1879

Samuel Palmer The Bellman

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Bellman

1879

Samuel Palmer The Bellman

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Bellman

1879

Samuel Palmer The Homeward Star

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

begun ca. 1880

Samuel Palmer The Lonely Tower

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Lonely Tower

1879

Joseph Mallord William Turner Margate

Joseph Mallord William Turner, 1775–1851, British

Margate

ca. 1822

Joseph Mallord William Turner Lulworth Castle, Dorset

Joseph Mallord William Turner, 1775–1851, British

Lulworth Castle, Dorset

ca. 1820

Joseph Mallord William Turner Gloucester Cathedral

Print made by Joseph Mallord William Turner, 1775–1851, British

Gloucester Cathedral

between 1820 and 1826

Edward Lear Manor (Knowsley Lane?)

Edward Lear, 1812–1888, British

Manor (Knowsley Lane?)

undated

Edward Lear Toara, 11:15 a.m., January 1, 1867 (9)

Edward Lear, 1812–1888, British

Toara, 11:15 a.m., January 1, 1867 (9)

1867

Edward Lear Sowadi, 8:30 am, 4 January 1867 (65)

Edward Lear, 1812–1888, British

Sowadi, 8:30 am, 4 January 1867 (65)

1867

Edward Lear Negadeh, 1:45 pm, 17 January 1867 (190)

Edward Lear, 1812–1888, British

Negadeh, 1:45 pm, 17 January 1867 (190)

1867

Edward Lear Gebel Sheikh Embarak

Edward Lear, 1812–1888, British

Gebel Sheikh Embarak

1867

William Blake For the Sexes: The Gates of Paradise, London, 1826

William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, London, 1826

1826

William Blake Europe. A Prophecy, Frontispiece Proof Impression

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Frontispiece Proof Impression

ca. 1820

William Blake For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

1826

William Blake For the Sexes: The Gates of Paradise, Plate 6, "Air"

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 6, "Air"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 7, "Fire"

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 7, "Fire"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

1826

William Blake For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "

1826

William Blake For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 4, "Water"

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 4, "Water"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 5, "Earth"

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 5, "Earth"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 1, Title Page

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 1, Title Page

1826

William Blake For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

1826

Sir Robert Smirke the younger Remains of the Temple of Aphaea, Island of Aigina

Sir Robert Smirke the younger, 1781–1867, British

Remains of the Temple of Aphaea, Island of Aigina

1802-1804

Sir Robert Smirke the younger Architectural Drawing of the Temple of Concordia

Sir Robert Smirke the younger, 1781–1867, British

Architectural Drawing of the Temple of Concordia

1802-1804

Sir Robert Smirke the younger Doric Capital Among the Ruiins of a Temple, Dedicated to Vulcan, at Agrigentum

Sir Robert Smirke the younger, 1781–1867, British

Doric Capital Among the Ruiins of a Temple, Dedicated to Vulcan, at Agrigentum

1802-1804

Sir Robert Smirke the younger Fragment of the Capital of a Pillar

Sir Robert Smirke the younger, 1781–1867, British

Fragment of the Capital of a Pillar

1804

Sir Robert Smirke the younger Fuori della Porta di S. Lucia, Vicenza

Sir Robert Smirke the younger, 1781–1867, British

Fuori della Porta di S. Lucia, Vicenza

1804

Sir Robert Smirke the younger Sketch of an Entrance to a Palace in the Streets of Prague

Sir Robert Smirke the younger, 1781–1867, British

Sketch of an Entrance to a Palace in the Streets of Prague

1804

Sir Robert Smirke the younger One of the Upper Prague Streets

Sir Robert Smirke the younger, 1781–1867, British

One of the Upper Prague Streets

1802-1804

Sir Robert Smirke the younger Villa in the Electoral Gardens Near Dresden

Sir Robert Smirke the younger, 1781–1867, British

Villa in the Electoral Gardens Near Dresden

1802-1804

Sir Robert Smirke the younger Studies of the Architecture in Litchfield Cathedral

Sir Robert Smirke the younger, 1781–1867, British

Studies of the Architecture in Litchfield Cathedral

1807

Capt. Thomas Hastings West Cowes, From East

Capt. Thomas Hastings, 1778–1854, British

West Cowes, From East

1826

Capt. Thomas Hastings Sketch of a Park Scene with East Cowes Castle in the Distance, Isle of Wight

Capt. Thomas Hastings, 1778–1854, British

Sketch of a Park Scene with East Cowes Castle in the Distance, Isle of Wight

between 1826 and 1830

Capt. Thomas Hastings Near Bonchurch, Isle of Wight, 28 May 1829

Capt. Thomas Hastings, 1778–1854, British

Near Bonchurch, Isle of Wight, 28 May 1829

1829

David Lucas Sir Richard Steele's Cottage

Print made by David Lucas, 1802–1881, British

Sir Richard Steele's Cottage

1845

David Lucas Spring

Print made by David Lucas, 1802–1881, British

Spring

1829 to 1830

David Lucas Stoke by Neyland, Suffolk

Print made by David Lucas, 1802–1881, British

Stoke by Neyland, Suffolk

1829

M. Gauci William Howley, Archbishop of Canterbury

M. Gauci, 1810–1846

William Howley, Archbishop of Canterbury

1839

J. P. Quilley R. P. Bonington

J. P. Quilley, active 1828

R. P. Bonington

1831

unknown artist Coastal Scene

unknown artist

Coastal Scene

undated

Sir Francis Seymour Haden Egham

Sir Francis Seymour Haden, 1818–1910, British

Egham

1859

Thomas Bradshaw From the Beach near Fort Blanc, Oct. 4, 1819

Thomas Bradshaw, Born 1767, British

From the Beach near Fort Blanc, Oct. 4, 1819

1819

John Thomas Smith Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

John Thomas Smith, 1766–1833, British

Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

1817

M. A. Gliddon Monger's Almshouse

M. A. Gliddon, active 1840, British

Monger's Almshouse

1843

M. A. Gliddon Clapton House

M. A. Gliddon, active 1840, British

Clapton House

1842

Lt. Gen. Charles Emilius Gold View near Auckland: Maori Warrior and Women

Lt. Gen. Charles Emilius Gold, 1803?–1871

View near Auckland: Maori Warrior and Women

1860

James Duffield Harding Fishermen's Houses at Sculcoats near Hull, Yorkshire

James Duffield Harding, 1798–1863, British

Fishermen's Houses at Sculcoats near Hull, Yorkshire

1827

Benjamin Robert Haydon Figure studies

Benjamin Robert Haydon, 1786–1846, British

Figure studies

undated

Walter Greaves Chelsea Bridge with Men in a Barge

Walter Greaves, 1846–1930, British

Chelsea Bridge with Men in a Barge

1860

Samuel Howitt Two Hyenas

Samuel Howitt, 1756–1822, British

Two Hyenas

ca. 1817

John Thomas Smith The Eleventh Hour

John Thomas Smith, 1766–1833, British

The Eleventh Hour

1817

William Bernard Cooke Lulworth Cove, Dorset

Print made by William Bernard Cooke, 1778–1855, British

Lulworth Cove, Dorset

1814

William Bernard Cooke Margate

Print made by William Bernard Cooke, 1778–1855, British

Margate

1822

William Bernard Cooke Margate

Print made by William Bernard Cooke, 1778–1855, British

Margate

1822

Robert Wallis Ramsgate

Print made by Robert Wallis, 1794–1878, British

Ramsgate

1814 to 1826

George Cooke Hythe, Kent

Print made by George Cooke, 1781–1834, British

Hythe, Kent

1824

George Cooke Hythe, Kent

Print made by George Cooke, 1781–1834, British

Hythe, Kent

1824

Edward Goodall Boscastle, Cornwall

Print made by Edward Goodall, 1795–1870, British

Boscastle, Cornwall

1814 to 1826

William Miller Coombe-Martin, Devonshire

Print made by William Miller, 1796–1882, British

Coombe-Martin, Devonshire

1814 to 1826

William Miller Portsmouth, Hampshire

Print made by William Miller, 1796–1882, British

Portsmouth, Hampshire

1825

Edward Goodall Boscastle, Cornwall

Print made by Edward Goodall, 1795–1870, British

Boscastle, Cornwall

1814 to 1826

George Cooke Brighton

Print made by George Cooke, 1781–1834, British

Brighton

1814 to 1826

George Cooke Brighton

Print made by George Cooke, 1781–1834, British

Brighton

1825

Robert Wallis Folkstone, Kent

Print made by Robert Wallis, 1794–1878, British

Folkstone, Kent

1825

Robert Wallis Folkstone, Kent

Print made by Robert Wallis, 1794–1878, British

Folkstone, Kent

1814 to 1826

Robert Wallis Folkstone, Kent

Print made by Robert Wallis, 1794–1878, British

Folkstone, Kent

1826

Robert Wallis Folkstone, Kent

Print made by Robert Wallis, 1794–1878, British

Folkstone, Kent

1825

Edward Goodall Mount Edgecomb, Devonshire

Print made by Edward Goodall, 1795–1870, British

Mount Edgecomb, Devonshire

1814 to 1826

George Cooke Dover from Shakespeare's Cliff

Print made by George Cooke, 1781–1834, British

Dover from Shakespeare's Cliff

1826

George Cooke Dover from Shakespeare's Cliff

Print made by George Cooke, 1781–1834, British

Dover from Shakespeare's Cliff

1826

George Cooke Dover from Shakespeare's Cliff

Print made by George Cooke, 1781–1834, British

Dover from Shakespeare's Cliff

1826

William Bernard Cooke Views in Sussex, Publisher's Printed Wrapper

Print made by William Bernard Cooke, 1778–1855, British

Views in Sussex, Publisher's Printed Wrapper

1819

William Bernard Cooke The Spot where Harold Fell

Print made by William Bernard Cooke, 1778–1855, British

The Spot where Harold Fell

1816 to 1820

George Cooke Dover from Shakespeare's Cliff

Print made by George Cooke, 1781–1834, British

Dover from Shakespeare's Cliff

1826

John Landseer Cascade of Terni

Print made by John Landseer, 1769–1852, British

Cascade of Terni

1818-1820

Robert Wallis Edinburgh from Leith Harbour, Vignette Title to Vol. II

Print made by Robert Wallis, 1794–1878, British

Edinburgh from Leith Harbour, Vignette Title to Vol. II

1826

Edward Goodall Tantallon Castle

Print made by Edward Goodall, 1795–1870, British

Tantallon Castle

1822

Edward Goodall Tantallon Castle

Print made by Edward Goodall, 1795–1870, British

Tantallon Castle

1822

Edward Goodall Tantallon Castle

Print made by Edward Goodall, 1795–1870, British

Tantallon Castle

1822

unknown artist Bridge on a Mountain Stream

unknown artist, nineteenth century

Bridge on a Mountain Stream

undated

unknown artist St. Margarita Church

Unknown artist

St. Margarita Church

between 1826 and 1866

unknown artist Fishermen at White Cliff Bay

unknown artist

Fishermen at White Cliff Bay

between 1826 and 1866

George Frederick Prosser The Deep-Dene. The Seat of Thomas Hope, Esq.

George Frederick Prosser, active 1828–1868

The Deep-Dene. The Seat of Thomas Hope, Esq

undated

William Callow Versailles

William Callow, 1812–1908, British, active in France

Versailles

1833

Capt. Thomas Hastings Henstridge Church, 23 August 1833

Capt. Thomas Hastings, 1778–1854, British

Henstridge Church, 23 August 1833

1833

Mary Dawson Turner Portrait of Benjamin Robert Haydon

Print made by Mary Dawson Turner, 1774–1850, British

Portrait of Benjamin Robert Haydon

1816