attributed to Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Study of Waves
undated
2
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Cornfield and Church by Moonlight
early 1830s
3
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
A Shepherd and his Flock under the Moon and Stars
ca. 1827
4
Edward Lear, 1812–1888, British
Siracusa, 12. June 1847
1847
5
James Clark, 19th century
View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below
1812
6
James Duffield Harding, 1798–1863, British
View of the Clifton Suspension Bridge
undated
7
Leon J. B. Sabatier, active 1827–m.1887, French
Liverpool
1840
8
Sir Charles Barry, 1795–1860, British
Perspective View: the New Houses of Parliament
ca. 1840-1849
9
Samuel Austin, 1796–1834, British
Church of Notre Dame, Bruges
undated
10
Print made by James C. Allen, active 1821–1831, British
The Ivy Bridge, Devonshire
1816
11
Print made by Samuel Middiman, ca. 1750–1831, British
Weathercote Cave when Half Filled with Water
1821
12
William Alexander, 1767–1816, British
Wigmore Castle, Herefordshire
undated
13
Samuel Prout, 1783–1852, British
The Monnow Bridge, Monmouthshire
before 1814
14
George Edmund Street, 1824–1881, British
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
15
Sir John Soane, 1753–1837, British
Design for Hyde Park and St. James' Park Entrance
ca. 1826
16
George Vicat Cole, 1833–1893, British
The Mill Pond, Evelyn Woods
1860
17
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1818-1823
18
Print made by John Horsburgh, 1791–1869, British
Folkestone: Harbour, and Coast to Dover, Kent
1831
19
Richard Henry Nibbs, 1816–1893, British
Hay and Log Barges on the Conway
undated
20
Print made by John Pye, 1782–1874, British
A View of Oxford from the Abingdon Road
1818
21
Print made by Samuel Rawle, 1771–1860, British
Hylton Castle, County of Durham
1816 to 1823
22
unknown artist, nineteenth century
Tintern Abbey
undated
23
Print made by Edward Goodall, 1795–1870, British
Tivoli, a Composition
1827
24
Print made by Edward Goodall, 1795–1870, British
Tivoli, a Composition
1827
25
Conrad Martin Metz, 1749–1827, German
The Resurrection of the Dead
1801
26
Frederic Leighton, 1830–1896, British
The Reconciliation of the Montagues and the Capulets
1854
27
Unknown artist (Company style), nineteenth century, Indian
Widow with the Burning Corpse of her Husband Becoming a Sati, Patna
between 1820 and 1830
28
Attributed to John Ruskin, 1819–1900, British
Study after the Story of Apollo and Daphne
undated
29
Unknown artist (Company style), nineteenth century, Indian
A Muslim Wedding Procession by Night, Patna
between 1820 and 1830
30
Print made by Richard Cooper the Younger, 1740–1814, British
Sir William Beechey, R. A
1814
31
Charles Denton, active 1853, British
Abergavenny Steeple Chase: "Taking the Wall" / Pontiff, General, Thurgarton, Dearest Mae, Ploughboy
1853
32
Charles Denton, active 1853, British
Abergavenny Steeple Chase: "Taking the Brook" / Dearest Mae, The Nun, Pontiff, General, Physician, Thurgarton, Ploughboy
1853
33
Charles Denton, active 1853, British
Abergavenny Steeple Chase: "The Finish" / (1) General (2) Dearest Mae (3) Ploughboy
1853
34
Charles Hunt, 1803–1877, British
Steeple-chasing [set of six]: St. Albans Grand Steeple Chase. / 8 March 1832. Plate 6. The Winning Post ..
1832
35
Print made by William Daniell, 1769–1837, British
A View of the East India Docks
1808
36
Charles Hunt, 1803–1877, British
Steeple-chasing [set of six]: St. Albans Grand Steeple Chase. / 8 March 1832. Plate 5. Within View..
1832
37
Charles Bentley, 1806–1854, British
Steeple-chasing [set of six]: St. Albans Grand Steeple Chase. / 8 March 1832. Plate 3. Turning an Angle..
1832
38
Edward Duncan, 1803–1882, British
Study of Fishermen and Gear
undated
39
Upper print made by unknown artist
King Leopold's Public Entry into Brussels and Weighing Cotton at Bombay for the English Market; Page from Illustrated London News
1862
40
Robert MacPherson, 1814–1872, British
Forum of Trajan
ca. 1857
41
Robert MacPherson, 1814–1872, British
Bas-relief of the Biga, Arch of Titus
ca. 1860
42
Print made by B. Winkles, active 1830–1840, British
Interior of Westminster Hall as Prepared for the Banquet
ca. 1821
43
Charles Hunt, 1803–1877, British
Steeple-chasing [set of six]: St. Albans Grand Steeple Chase. / 8 March 1832. Plate 1. Preparing to Start ..
1832
44
George Hunt, active 1820–1840, British
Angling [a pair]: 1. Fly Fishing
undated
45
George Hunt, active 1820–1840, British
Angling [a pair]: 1. Fly Fishing
undated
46
William Ward, 1766–1826, British
Racing: "Smolensko" / By Sorcerer his Dam Wowski by Mentor out of Maria who was the / Dam of Waxy and Worthy Tuesday in the first Spring Meeting at / Newmarket ..
1813
47
James Pollard, 1792–1867, British
Trotting Match in Harness Against Time
1817
48
Joseph Crawhall, 1861–1913, British
Tangier
1887
49
James Pollard, 1792–1867, British
The Ceremony of the Procession ad Montem
50
Print made by Thomas Girtin, 1775–1802, British
A View of Pont Neuf, the Mint, & c
1803
51
Peter Simon, 1750–1810
King Henry IV: Part I, Act III, Scene I, The Archdeacon of Bangor's House in Wales. Hotspur, Worcester, Mortimer, & Owen Glendower
1803
52
Charles Turner, 1774–1857, British
James Gillray
1819
53
Attributed to John Carter, 1748–1817, British
New East Front, St Stephen's Chapel
ca. 1801
54
Frederick Christian Lewis the Elder, 1779–1856, British
James Northcote
1824
55
Attributed to John Leech, 1817–1864, British
The Hunting Doctor
undated
56
Print made by William Daniell, 1769–1837, British
William Hodges, R.A
1810
57
Print made by Samuel Bellin, 1799–1894, British
David Cox
undated
58
Print made by William Carpenter, 1818–1899, British
Charles Fox
1849
59
Henry Pyall, 1795–1833, British
Steeple-chasing [set of six]: St. Albans Grand Steeple Chase. / 8 March 1832. Plate 4. Struggle at the Bank ..
1832
60
Henry Pyall, 1795–1833, British
Steeple-chasing [set of six]: St. Albans Grand Steeple Chase. / 8 March 1832. Plate 2. First Leap ..
1832
61
James Pollard, 1792–1867, British
Royal Hunt in Windsor Park
1820
62
James Pollard, 1792–1867, British
The North Country Mails at The Peacock Inn, Islington
1815
63
Print made by unknown artist
North East View of Henry VII Chapel Westminster
ca. 1813
64
Print made by John Doyle ('H.B.'), 1797–1868, Irish
This is NOT the Baron of Oakland, in the Opera of the Haunted Tower
1831
65
after George Chinnery, 1774–1852, British
Rocks, River and Boats
undated
66
John Sell Cotman, 1782–1842, British
Capitals in the Abbey Church of St. Georges de Bocherville, near Rouen, Normandy
1818
67
John Sell Cotman, 1782–1842, British
Abbey Church at Fecamp, Normandy
ca. 1818
68
Studio of Sir Jeffry Wyatville, 1766–1840, British
Elevation of an Unidentified Church
undated
69
Studio of Sir Jeffry Wyatville, 1766–1840, British
Wollaton Park, Nottingham: South Elevation
ca. 1801
70
Charles Turner, 1774–1857, British
Francis Noel Clark Mundy and His Grandson, William
1810
71
Sir David Young Cameron, 1865–1945, British
Joannis Darius
1900
72
John Varley, 1778–1842, British
Harlech Castle and Twgwyn Ferry
1804
73
Print made by John Young, 1755–1825, British
A Woman Swearing her Child to a Grave Citizen
1816
74
Print made by Paul Adolphe Rajon, 1842–1888, French
Charles Robert Darwin
1882
75
Peltro W. Tomkins, 1760–1840, British
Miss Linwood
1806
76
Print made by Edward Goodall, 1795–1870, British
Caligula's Palace and Bridge
1842
77
Print made by Edward Goodall, 1795–1870, British
Caligula's Palace and Bridge
1842
78
Samuel William Reynolds, 1773–1835, British
James Hare
1804
79
Print made by unknown artist, eighteenth century
John Willett Payne
1813
80
William Say, 1768–1834, British
The Right Honourable Henry Herbert, Lord Porchester, 2nd Earl of Carnarvon
1811
81
Print made by Edward Goodall, 1795–1870, British
Oxford from North Hinksey
1841
82
Print made by Robert Brandard, 1805–1862, British
Crossing the Brook
1838
83
Print made by Thomas Girtin, 1775–1802, British
View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance
1803
84
Print made by Thomas Girtin, 1775–1802, British
The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629
1803
85
Richard Parkes Bonington, 1802–1828, British
The Church of St. Wulfran, Abbeville: The North Door of the West Front
ca. 1823
86
Print made by Thomas Girtin, 1775–1802, British
View of the Thuilleries and Bridge, taken from the Quai d'Orsai
1802
87
Print made by Thomas Girtin, 1775–1802, British
View of the City with the Louvre & Taken from Pont Marie
1802
88
Etched by Thomas Girtin, 1775–1802, British
View of the Pont St. Michael, taken from the Pont Neuf
1803
89
Print made by Thomas Girtin, 1775–1802, British
View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf
1802
90
Print made by Thomas Girtin, 1775–1802, British
View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde
1803
91
Print made by Thomas Girtin, 1775–1802, British
A General View of Paris, taken from Chaillot 1803
1803
92
Print made by Thomas Girtin, 1775–1802, British
View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations
1803
93
Print made by Thomas Girtin, 1775–1802, British
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, & c. Taken from Pont Notre Dame
1803
94
Print made by Thomas Girtin, 1775–1802, British
View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802
1802
95
Print made by Thomas Girtin, 1775–1802, British
Views of the Pantheon, taken from the Arsenal
1803
96
Print made by Thomas Girtin, 1775–1802, British
View of the Palace and Village of Choisi, on the Banks of the Siene
1803
97
Print made by Thomas Girtin, 1775–1802, British
View of the Gate of St. Denis Taken from the Suburbs
1803
98
Print made by Henry Hoppner Meyer, ca. 1782–1847, British
Mrs. Huddesford
between 1810 and 1825
99
follower of John Varley, 1778–1842, British
Saint Peter's Church, Hereford, from Butcher's Row
1802
100
Charles Hunt, 1803–1877, British
'Eclipse' / 'He was bred in 1764, by H.R.H. Wm. Cuke of Cumberland, got by Marsk, son of squirt, a son of Gartletts Childers, own brother to Flying Childers..