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On-site Access Accessible by appointment in the Study Room

Period 19th century

Height [cm] 24

John Constable Salisbury Cathedral From the Meadows

John Constable, 1776–1837, British

Salisbury Cathedral From the Meadows

1829

Samuel Palmer Italian Hill Town

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Italian Hill Town

after 1838

Samuel Palmer Underriver Hills, near Sevenoaks, Kent, from the Grounds of J. Herries, Esq.

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Underriver Hills, near Sevenoaks, Kent, from the Grounds of J. Herries, Esq

ca. 1840

Samuel Palmer Boxhill

attributed to Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Boxhill

1868

Samuel Palmer The Rock Slip near Boscastle

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rock Slip near Boscastle

undated

Samuel Palmer The Sepulchre

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sepulchre

etching begun ca. 1800; impression printed in 1924

Joseph Mallord William Turner Stonehenge at Daybreak

Engraved by Joseph Mallord William Turner, 1775–1851, British

Stonehenge at Daybreak

1815 to 1819

Joseph Mallord William Turner Marine Dabblers

Etched by Joseph Mallord William Turner, 1775–1851, British

Marine Dabblers

1811

Joseph Mallord William Turner London from Greenwich

Etched by Joseph Mallord William Turner, 1775–1851, British

London from Greenwich

1811

Joseph Mallord William Turner Inverary Pier, Loch Fyne, Morning

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Inverary Pier, Loch Fyne, Morning

1811

Edward Lear Calder Bridge

Edward Lear, 1812–1888, British

Calder Bridge

1836

Edward Lear Oasis Village

Edward Lear, 1812–1888, British

Oasis Village

1854

Edward Lear Palermo

Edward Lear, 1812–1888, British

Palermo

Edward Lear Vignette

Edward Lear, 1812–1888, British

Vignette

Edward Lear Palermo

Edward Lear, 1812–1888, British

Palermo

Edward Lear Palermo

Edward Lear, 1812–1888, British

Palermo

Edward Lear Landscape Study

Edward Lear, 1812–1888, British

Landscape Study

Edward Lear Termini

Edward Lear, 1812–1888, British

Termini

Edward Lear Cefalù

Edward Lear, 1812–1888, British

Cefalù

Edward Lear Catania

Edward Lear, 1812–1888, British

Catania

Edward Lear Toske

Edward Lear, 1812–1888, British

Toske

1867

Edward Lear Gerf Hoseyn, 2:30 pm, 15 February 1867 (484)

Edward Lear, 1812–1888, British

Gerf Hoseyn, 2:30 pm, 15 February 1867 (484)

1867

Edward Lear Valmontone, from Views in Rome and its Environs, 1841

Edward Lear, 1812–1888, British

Valmontone, from Views in Rome and its Environs, 1841

1841

Edward Lear Rome from Via della Porta San Paolo, from Views in Rome and its Environs, 1841

Edward Lear, 1812–1888, British

Rome from Via della Porta San Paolo, from Views in Rome and its Environs, 1841

1841

Edward Lear Rocky Valley of Mosta, Malta

Edward Lear, 1812–1888, British

Rocky Valley of Mosta, Malta

1866

Edward Lear Albogasio

Edward Lear, 1812–1888, British

Albogasio

1837

Edward Lear Rocky Valley of Mosta, Malta, 2:15 p.m. (April 3, 1866)

Edward Lear, 1812–1888, British

Rocky Valley of Mosta, Malta, 2:15 p.m. (April 3, 1866)

1866

Edward Lear Rocky Valley of Mosta, Malta, 1:30 p.m. (April 3, 1866)

Edward Lear, 1812–1888, British

Rocky Valley of Mosta, Malta, 1:30 p.m. (April 3, 1866)

1866

Edward Lear The Pontine Marshes above Terracina

Edward Lear, 1812–1888, British

The Pontine Marshes above Terracina

ca. 1880

Edward Lear Cefalù

Edward Lear, 1812–1888, British

Cefalù

Edward Lear Rocca di Falconiera

Edward Lear, 1812–1888, British

Rocca di Falconiera

Edward Lear Segesta

Edward Lear, 1812–1888, British

Segesta

Edward Lear Borghetto

Edward Lear, 1812–1888, British

Borghetto

Edward Lear Monte Pellegrino

Edward Lear, 1812–1888, British

Monte Pellegrino

Edward Lear Segesta

Edward Lear, 1812–1888, British

Segesta

Edward Lear Sommantino

Edward Lear, 1812–1888, British

Sommantino

Edward Lear Landscape Study with Ancient Ruins

Edward Lear, 1812–1888, British

Landscape Study with Ancient Ruins

Edward Lear Agrigento

Edward Lear, 1812–1888, British

Agrigento

Edward Lear Agrigento

Edward Lear, 1812–1888, British

Agrigento

Edward Lear Pantalica

Edward Lear, 1812–1888, British

Pantalica

Edward Lear Favara

Edward Lear, 1812–1888, British

Favara

Edward Lear Pantalica

Edward Lear, 1812–1888, British

Pantalica

Edward Lear Agrigento

Edward Lear, 1812–1888, British

Agrigento

Edward Lear Syracuse

Edward Lear, 1812–1888, British

Syracuse

Edward Lear Syracuse

Edward Lear, 1812–1888, British

Syracuse

Edward Lear Taormina

Edward Lear, 1812–1888, British

Taormina

Edward Lear Castel D'Aci

Edward Lear, 1812–1888, British

Castel D'Aci

Edward Lear Taormina

Edward Lear, 1812–1888, British

Taormina

Edward Lear Syracuse

Edward Lear, 1812–1888, British

Syracuse

ca. 1845

Edward Lear Mola

Edward Lear, 1812–1888, British

Mola

Edward Lear Graphite sketch on loose sheet

Edward Lear, 1812–1888, British

Graphite sketch on loose sheet

William Blake Europe. A Prophecy, Frontispiece Proof Impression

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Frontispiece Proof Impression

ca. 1820

William Blake Jerusalem, Plate 53, "Jerusalem / Chap. 3"

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 53, "Jerusalem / Chap. 3"

1804 to 1820

William Blake pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]

William Blake, 1757–1827, British

pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]

1827

William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]

William Blake, 1757–1827, British

Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]

1827

William Blake Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]

William Blake, 1757–1827, British

Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]

1827

William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]

William Blake, 1757–1827, British

Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]

1827

William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]

William Blake, 1757–1827, British

Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]

1827

Sir Robert Smirke the younger Landscape of a Village

Sir Robert Smirke the younger, 1781–1867, British

Landscape of a Village

1802-1804

Sir Robert Smirke the younger Mount Parnassus

Sir Robert Smirke the younger, 1781–1867, British

Mount Parnassus

1802-1804

Sir Robert Smirke the younger Inscriptions in Greek Alphabet

Sir Robert Smirke the younger, 1781–1867, British

Inscriptions in Greek Alphabet

1802-1804

Sir Robert Smirke the younger Raised Carving of a Sundial on a Wall

Sir Robert Smirke the younger, 1781–1867, British

Raised Carving of a Sundial on a Wall

1802-1804

Capt. Thomas Hastings Carisbrooke Castle, 9 May 1826

Capt. Thomas Hastings, 1778–1854, British

Carisbrooke Castle, 9 May 1826

1826

Capt. Thomas Hastings Carisbrooke

Capt. Thomas Hastings, 1778–1854, British

Carisbrooke

1826

Capt. Thomas Hastings The Needles and Freshwater Cliffs, Isle of Wight

Capt. Thomas Hastings, 1778–1854, British

The Needles and Freshwater Cliffs, Isle of Wight

1826

Capt. Thomas Hastings Ventnor Down, 19 August 1826

Capt. Thomas Hastings, 1778–1854, British

Ventnor Down, 19 August 1826

1826

Capt. Thomas Hastings Shalcombe Down, 19 August 1826

Capt. Thomas Hastings, 1778–1854, British

Shalcombe Down, 19 August 1826

1826

Capt. Thomas Hastings Near Blackgang Chine, 19 August 1826

Capt. Thomas Hastings, 1778–1854, British

Near Blackgang Chine, 19 August 1826

1826

Capt. Thomas Hastings Near Ventnor Down, 19 August 1826

Capt. Thomas Hastings, 1778–1854, British

Near Ventnor Down, 19 August 1826

1826

Capt. Thomas Hastings Near Ventnor Cove, Isle of Wight

Capt. Thomas Hastings, 1778–1854, British

Near Ventnor Cove, Isle of Wight

1826

Capt. Thomas Hastings The Landslip over Niton, 13 August 1829

Capt. Thomas Hastings, 1778–1854, British

The Landslip over Niton, 13 August 1829

1829

Capt. Thomas Hastings Archery Ground, Carisbrooke, Isle of Wight

Capt. Thomas Hastings, 1778–1854, British

Archery Ground, Carisbrooke, Isle of Wight

1829

Capt. Thomas Hastings Freshwater Bay, 12 August 1829

Capt. Thomas Hastings, 1778–1854, British

Freshwater Bay, 12 August 1829

1829

Capt. Thomas Hastings Wootton Bridge, 17 August 1826

Capt. Thomas Hastings, 1778–1854, British

Wootton Bridge, 17 August 1826

1826

Capt. Thomas Hastings Carisbrooke Castle, Isle of Wight

Capt. Thomas Hastings, 1778–1854, British

Carisbrooke Castle, Isle of Wight

1829

John Crome Road Scene, Trowse Hall, near Norwich

Print made by John Crome, 1768–1821, British

Road Scene, Trowse Hall, near Norwich

1813

David Lucas Weymouth Bay, Dorsetshire

Print made by David Lucas, 1802–1881, British

Weymouth Bay, Dorsetshire

1830

Sir Frank Short Shipping at the Entrance of the Medway, No. 2

Print made by Sir Frank Short, 1857–1945, British

Shipping at the Entrance of the Medway, No. 2

1896

Robert Dixon The Greyfriars Tower, Lynn, as it appeared 1801

Robert Dixon, 1780–1815, British

The Greyfriars Tower, Lynn, as it appeared 1801

between 1810 and 1811

James McNeill Whistler Chelsea

Print made by James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)

Chelsea

ca. 1882

Richard Parkes Bonington Studies for Shylock

Richard Parkes Bonington, 1802–1828, British

Studies for Shylock

1825

Samuel Howitt Two Huskies

Samuel Howitt, 1756–1822, British

Two Huskies

ca. 1817

George Jones Fire on the Thames

George Jones, 1786–1869, British

Fire on the Thames

ca. 1808

George Cooke Hythe, Kent

Print made by George Cooke, 1781–1834, British

Hythe, Kent

1824

George Cooke Hythe, Kent

Print made by George Cooke, 1781–1834, British

Hythe, Kent

1824

Edward Goodall Boscastle, Cornwall

Print made by Edward Goodall, 1795–1870, British

Boscastle, Cornwall

1814 to 1826

George Cooke Brighton

Print made by George Cooke, 1781–1834, British

Brighton

1814 to 1826

George Cooke Brighton

Print made by George Cooke, 1781–1834, British

Brighton

1825

Robert Wallis Folkstone, Kent

Print made by Robert Wallis, 1794–1878, British

Folkstone, Kent

1825

Robert Wallis Folkstone, Kent

Print made by Robert Wallis, 1794–1878, British

Folkstone, Kent

1814 to 1826

Robert Wallis Folkstone, Kent

Print made by Robert Wallis, 1794–1878, British

Folkstone, Kent

1826

Robert Wallis Folkstone, Kent

Print made by Robert Wallis, 1794–1878, British

Folkstone, Kent

1825

George Cooke Dover from Shakespeare's Cliff

Print made by George Cooke, 1781–1834, British

Dover from Shakespeare's Cliff

1826

George Cooke Dover from Shakespeare's Cliff

Print made by George Cooke, 1781–1834, British

Dover from Shakespeare's Cliff

1826

William Bernard Cooke Bodiham Castle, Sussex

Print made by William Bernard Cooke, 1778–1855, British

Bodiham Castle, Sussex

1817

William Bernard Cooke Bodiham Castle, Sussex

Print made by William Bernard Cooke, 1778–1855, British

Bodiham Castle, Sussex

1817

John Byrne Rome from Monte Mario

Print made by John Byrne, 1786–1847, British

Rome from Monte Mario

1818-1820

George Cooke Naples, from the Mole

Print made by George Cooke, 1781–1834, British

Naples, from the Mole

1820

George Cooke Naples, from the Mole

Print made by George Cooke, 1781–1834, British

Naples, from the Mole

1819

Samuel Middiman Weathercote Cave when Half Filled with Water

Print made by Samuel Middiman, ca. 1750–1831, British

Weathercote Cave when Half Filled with Water

1821