Print made by Charles Bretherton, ca. 1760–1783, British
Lady Pointing with a Stick
1782
36
Henry Swinburne, 1743–1803, British
Albano
1777 to 1778
37
Henry Swinburne, 1743–1803, British
Sketch of a Landscape with Hills and Valleys
undated
38
Henry Swinburne, 1743–1803, British
Part of the Ruins Seen From the East End of the Church
undated
39
Henry Swinburne, 1743–1803, British
Wooded Landscape, Showing a View of a City, Built on a Hillside, in the background, and Two Figures Walking up a Dirt Path, in the Foreground
undated
40
Henry Swinburne, 1743–1803, British
Bagneres-de-Bigorre, France
undated
41
Luigi Balugani, 1737–1770, Italian
Gibara
undated
42
Luigi Balugani, 1737–1770, Italian
Abutilon Longicuspe
undated
43
Print made by Charles Cameron, 1742–1812, British
Two Studies of a Shell-Shaped Vessel Supported by Three Dolphins and Two Studies of a Hand Holding a Vase
1773
44
Print made by Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on)
The Mighty Mother Sails Through the Air
1787
45
Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)
Design for Medal: Both Hands Fil'd for Britain
undated
46
Paul Sandby, 1731–1809, British
James Gandon and Family
1780
47
Luigi Balugani, 1737–1770, Italian
Secretary Bird
undated
48
James Bruce, 1730–1794, British
Wolf
1764
49
William Hodges, 1744–1797, British
Sheet of Studies of Oriental Figures
undated
50
William Taverner, 1703–1772, British
Diana
undated
51
Louis Philippe Boitard, active 1734–1760
Man Asleep in a Bunk on Board a Ship
undated
52
Giles Hussey, 1710–1788, British
Study of classical sculpture of Faun with Pipes
between 1730 and 1768
53
Thomas Hearne, 1744–1817, British
Unloading Pit Props at Coalbrookdale
after 1790
54
Louis Philippe Boitard, active 1734–1760
View near Aldenham, Herts
undated
55
Giles Hussey, 1710–1788, British
Study of Classical figure holding broken sword
between 1730 and 1768
56
Francis Wheatley, 1747–1801, British
Soldiers and Country Women
undated
57
Dominic Serres, 1722–1793, French, active in Britain (from the 1750s)
Agropoli, The Temples of Paestum, and the Bay of Salerno
1758-1793
58
Thomas Carwitham, active 1723, British
Neptune and Coronis: Ovid, Metamorphoses, Book 2
1723
59
Monro School
Fanali di Villa Franca
ca. 1795
60
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Lord Burghersh as a Boy
1788
61
unknown artist
Westminster Bridge, Abbey and Church
1799
62
unknown artist, eighteenth century
St. Pauls Cathedral
undated
63
Thomas Carwitham, active 1723, British
Ceres and Abas: Ovid, Metamorphoses, Book 5
ca. 1723
64
William Lock II, 1767–1847, British
Portrait of the Pugilist Johnson
1790
65
Allan Ramsay, 1713–1784, British
Margaret Ramsay, the Artist's Second Wife (Died 1782)
1754
66
John Flaxman, 1755–1826, British
Seventeen Sketches chiefly of Mrs. Siddons in the Roles of Titania or Constance (King John) and including a Sketch of Kemble as Hamlet and a Study of Puck
ca. 1795
67
John Vanderbank, 1694–1739, British
Two Ladies and A Gentleman
1736
68
Thomas Carwitham, active 1723, British
The Daughters of Cecrops discover Ericthonius: Ovid, Metamorphoses, Book 2
1723
69
Thomas Carwitham, active 1723, British
Illustration to Homer's Iliad
1723
70
John Hamilton Mortimer, 1740–1779, British
Studies of Groups of Heads
undated
71
John Hamilton Mortimer, 1740–1779, British
Studies of Academics
undated
72
John Hamilton Mortimer, 1740–1779, British
Three Soldiers in Armour Sitting on Stone Blocks
undated
73
John Nixon, ca. 1760–1818, British
Eastbourne from Lord G.: Cavendish's Seat in the Park
1787
74
Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)
Design for a Medal: Figure of Britannia (?) and Fortune (?) or Victory (?)
undated
75
Mauritius Lowe, 1746–1793, British
Allegorical Subject
undated
76
Michael "Angelo" Rooker, 1746–1801, British
View in Oxford
undated
77
James Bruce, 1730–1794, British
Studies of a Woman Wearing Headdress
undated
78
Print made by William Angus, 1752–1821, British
Fonthill House, Wiltshire
1800
79
Allan Ramsay, 1713–1784, British
Study of a Hand Holding a Hat
undated
80
P. Brown, c. 1760–1791
A European Goldfinch in a Snare
undated
81
Thomas Girtin, 1775–1802, British
View of Rochester
1791
82
Thomas Girtin, 1775–1802, British
Harrow-on-the-Hill, Middlesex
ca. 1794
83
Print made by Elizabeth Blackwell, died 1774, British
Pastinaca (Parsnip), Plate 379 from 'A Curious Herbal', volume II, London, 1737
1737
84
John Michael Rysbrack, 1694–1770, Flemish, active in Britain (from 1720)
Study of a Horse's Head
undated
85
Sawrey Gilpin, 1733–1807, British
Newmarket, 1760, Studies of Men's Heads
1760
86
Print made by Georg Dionysius Ehret, 1708–1770, German
The Banana Tree, Plate 16
1750
87
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Cupid and Psyche
1789
88
Thomas Rowlandson, 1756–1827, British
The Love Letter
ca. 1790
89
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Ticket to a Concert of Ancient Vocal and Instrumental Music
1786
90
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Ticket to Concert of Ancient Vocal and Instrumental Music
1786
91
Rev. William Gilpin, 1724–1804, British
Classical Landscape with Ruin on Left, Two Figures on Right
between 1745 and 1748
92
Rev. William Gilpin, 1724–1804, British
Mountainous Landscape with River, Trees and Foliage in Foreground
between 1745 and 1748
93
Rev. William Gilpin, 1724–1804, British
Two Figures on a Road with Castle in Center Distance
between 1745 and 1748
94
Rev. William Gilpin, 1724–1804, British
Two Figures on a Road by a Lake
between 1745 and 1748
95
John Downman, 1750–1824, British
Portrait of a Divine Called Reverend John Wesley
ca. 1781
96
Sir William Chambers, 1723–1796, British
Headfort House: Alterations in the Cellar
1765
97
Sir William Chambers, 1723–1796, British
Headfort House: Alterations in the Ground Floor
1765
98
Rev. William Gilpin, 1724–1804, British
A Rocky Landscape
between 1745 and 1748
99
Rev. William Gilpin, 1724–1804, British
Landscape with a Ruined Castle on the Right
between 1745 and 1748
100
Rev. William Gilpin, 1724–1804, British
Landscape with a Castle on a Hill in Center Distance