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Period 18th century

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William Hogarth Strolling Actresses Dressing in a Barn
Print made by William Hogarth, 1697–1764, British
Strolling Actresses Dressing in a Barn
1738
George Romney Classical Male Nude with a Rearing Horse
George Romney, 1734–1802, British
Classical Male Nude with a Rearing Horse
undated
William Blake Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"
1797
William Blake Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
1797
William Blake Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
1797
William Blake Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
1797
William Blake Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
William Blake Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
1797
William Blake Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
1797
William Blake Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
1797
William Blake Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
1797
William Blake Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
1797
William Blake Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"
1797
William Blake Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
1797
William Blake Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"
1797
William Blake Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"
1797
William Blake Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
1797
William Blake Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"
1797
William Blake Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
1797
William Blake Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
1797
William Blake Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"
1797
William Blake Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
1797
William Blake Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"
1797
William Blake Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"
1797
William Blake Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"
1797
William Blake Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"
1797
William Blake Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
William Blake Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
1797
William Blake Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
1797
William Blake Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
1797
William Blake Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
1797
William Blake Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
William Blake Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
1797
William Blake Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
1797
William Blake Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
1797
William Blake Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
1797
William Blake Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"
1797
William Blake Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
1797
William Blake Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
1797
William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
1797
William Blake Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"
1797
William Blake Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
1797
William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
1797
Luigi Balugani Seyali Hindu (Acacia)
Luigi Balugani, 1737–1770, Italian
Seyali Hindu (Acacia)
undated
William Ward The Romps
William Ward, 1766–1826, British
The Romps
1796
Luigi Balugani A Fish from the Red Sea
Luigi Balugani, 1737–1770, Italian
A Fish from the Red Sea
undated
John Dixon Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
John Dixon, ca. 1740–1811, Irish
Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
1771
John Raphael Smith Bellsane and Parcival under the Enchantment of Urma
John Raphael Smith, 1752–1812, British
Bellsane and Parcival under the Enchantment of Urma
1782
Paul Sandby Bothwell Castle, from the South
Paul Sandby, 1731–1809, British
Bothwell Castle, from the South
ca. 1777
unknown artist Sketch for the Oil Painting "The Conversion of St. Paul"
unknown artist, eighteenth century
Sketch for the Oil Painting "The Conversion of St. Paul"
undated
Samuel Davis Rocky River Scene with Sepoys
Samuel Davis, 1760–1819, British
Rocky River Scene with Sepoys
undated
Samuel Davis The Former Winter Capital of Bhutan at Punakha Dzong
Samuel Davis, 1760–1819, British
The Former Winter Capital of Bhutan at Punakha Dzong
1783
Robert Dodd "The Indian Emperor" or "The Conquest of Mexico"
Robert Dodd, 1748–1816, British
"The Indian Emperor" or "The Conquest of Mexico"
1792
unknown artist The South West Prospect of St. Paul's Cathedral
unknown artist, eighteenth century
The South West Prospect of St. Paul's Cathedral
undated
George Barret Landscape with Trees and Sheep (Park Landscape with Sheep)
George Barret, ca. 1728/32–1784, Irish
Landscape with Trees and Sheep (Park Landscape with Sheep)
undated
Henry Hulsberg Cobham Hall, Kent: First and Second Floor Plans
Print made by Henry Hulsberg, active 1700s–died 1729, Netherlandish, active in London
Cobham Hall, Kent: First and Second Floor Plans
1715 to 1725
James Bruce Phlomis herba-venti L. : outline of habit of plant
James Bruce, 1730–1794, British
Phlomis herba-venti L. : outline of habit of plant
ca. 1769
Paul Sandby Design for a Church. Elevation of West Front
attributed to Paul Sandby, 1731–1809, British
Design for a Church. Elevation of West Front
undated
James Bruce St. Agnes (after Domenichino)
James Bruce, 1730–1794, British
St. Agnes (after Domenichino)
undated
Robert Blyth John Hamilton Mortimer
Robert Blyth, 1750–1784
John Hamilton Mortimer
1782
Roger Morris Whitton House, Middlesex: Two Alternate Elevations of the Court Front and Corresponding Ground Floor Plans
Roger Morris, 1695–1749, British
Whitton House, Middlesex: Two Alternate Elevations of the Court Front and Corresponding Ground Floor Plans
between 1732 and 1739
John Webber Rocks in Derbyshire
John Webber, 1752–1793, British
Rocks in Derbyshire
1789
Robert Adam Headfort House, Ireland: Elevation of the Eating Parlor
Robert Adam, 1728–1792, British
Headfort House, Ireland: Elevation of the Eating Parlor
1775
George Townly Stubbs Children Dancing
George Townly Stubbs, 1748–1815, British
Children Dancing
1798
Allan Ramsay Man Standing Holding a Staff in His Left Hand, Full Length
Allan Ramsay, 1713–1784, British
Man Standing Holding a Staff in His Left Hand, Full Length
undated
James Bruce Drawing of Temple Ruins and Figures
James Bruce, 1730–1794, British
Drawing of Temple Ruins and Figures
ca. 1768
James Bruce Plan of upright of the Tabernacle above the Niche of Temple at Baalbec
James Bruce, 1730–1794, British
Plan of upright of the Tabernacle above the Niche of Temple at Baalbec
undated
Henry Tresham The Ascent of Vesuvius
Henry Tresham, 1751–1814, British
The Ascent of Vesuvius
1785 to 1790
John Raphael Smith A Wife - Une Femme Mariee
John Raphael Smith, 1752–1812, British
A Wife - Une Femme Mariee
1791
John Raphael Smith What You Will - Ce Qui Vous Plaira
John Raphael Smith, 1752–1812, British
What You Will - Ce Qui Vous Plaira
1791
Sir William Chambers Drawing from the Madonna del Popolo, Santa Maria del Popolo, Rome
Sir William Chambers, 1723–1796, British
Drawing from the Madonna del Popolo, Santa Maria del Popolo, Rome
between 1750 and 1755
Richard Earlom James McArdell
Print made by Richard Earlom, 1743–1822, British
James McArdell
1771
George Vertue Procession of Queen Elizabeth
George Vertue, 1684–1756, British
Procession of Queen Elizabeth
1742
George Morland Shooting [a pair]: 2. Evening
Print made by George Morland, 1763–1804, British
Shooting [a pair]: 2. Evening
1792
Charles Townley Sir Joshua Reynolds
Charles Townley, 1746–c.1800
Sir Joshua Reynolds
William Doughty Samuel Johnson
William Doughty, 1757–1782, British
Samuel Johnson
1779
Charles Townley Sir Joshua Reynolds
Charles Townley, 1746–c.1800
Sir Joshua Reynolds
1777
Peter S. Lamborn A View of the West Front of Clare Hall, King's College Chapel..in the University of Cambridge
Peter S. Lamborn, 1722–1774
A View of the West Front of Clare Hall, King's College Chapel..in the University of Cambridge
William E. Emes Garden Design for Northwick Park
William E. Emes, 1729/30–1803, British
Garden Design for Northwick Park
1778
William Daniell Sankrydroog, Madras
William Daniell, 1769–1837, British
Sankrydroog, Madras
1792
Thomas Daniell Boats near a Dutch Folly Fort, Canton
Thomas Daniell, 1749–1840, British, active in India
Boats near a Dutch Folly Fort, Canton
ca. 1785
Benjamin West The Three Sisters
Benjamin West, 1738–1820, American, active in Britain (from 1763)
The Three Sisters
1783
John Robert Cozens The Bay of Naples from Capodimonte
John Robert Cozens, 1752–1797, British
The Bay of Naples from Capodimonte
1790
unknown artist Spilsbury's Views of Jamaica: A View Looking South of the Town and Harbour of Lucea in the Parish of Hanover the North Side of Jamaica
unknown artist, eighteenth century
Spilsbury's Views of Jamaica: A View Looking South of the Town and Harbour of Lucea in the Parish of Hanover the North Side of Jamaica
1770
John Collins The North Prospect of Westminster Abbey
Print made by John Collins, active ca. 1682
The North Prospect of Westminster Abbey
between 1680 and 1710
Bernard Baron The Four Times of Day, Plate III: Evening
Bernard Baron, 1696–1762, French
The Four Times of Day, Plate III: Evening
1738
Thomas Daniell Tremal Naig's Choultry, Madura
Thomas Daniell, 1749–1840, British, active in India
Tremal Naig's Choultry, Madura
1792
Thomas Daniell An Excavated Temple on the Island of Salsette: The Great Chaitya Temple (Cave 3), Kanheri
Thomas Daniell, 1749–1840, British, active in India
An Excavated Temple on the Island of Salsette: The Great Chaitya Temple (Cave 3), Kanheri
July 1795
George Keating A Party Angling
George Keating, 1762–1842, Irish
A Party Angling
1789
William Ward The Angler's Repast
William Ward, 1766–1826, British
The Angler's Repast
1789
Morton Elevation of the Front for the Register Offices in Scotland
Morton, active 1767
Elevation of the Front for the Register Offices in Scotland
1767
unknown artist Spilsbury's Views of Jamaica: A Prospect of Rio Bona Harbour in the Parish of St. Ann's, and the Tavern, Wharf, and Stores, in the Parish of St. James's, the North Side Jamaica
unknown artist, eighteenth century
Spilsbury's Views of Jamaica: A Prospect of Rio Bona Harbour in the Parish of St. Ann's, and the Tavern, Wharf, and Stores, in the Parish of St. James's, the North Side Jamaica
1769
Thomas Gaugain Turnips & Carrots ho
Print made by Thomas Gaugain, 1748–1812, French
Turnips & Carrots ho
1797
unknown artist Details of the Screen of Entrance Porch, St Stephen's Chapel
unknown artist
Details of the Screen of Entrance Porch, St Stephen's Chapel
undated
unknown artist Peter Oliver, A Celebrated Painter in the Reign of James I and Charles I
unknown artist
Peter Oliver, A Celebrated Painter in the Reign of James I and Charles I
ca. 1765
Robert Pollard View of London Bloomsbury Square
Print made by Robert Pollard, 1755–1838, British
View of London Bloomsbury Square
1787
unknown artist Spilsbury's Views of Jamaica: A Prospect of Ora Cabeca in the Parish of St. Maries the North Side Jamaica taken from the Road leading to St. Ann's 1766
unknown artist, eighteenth century
Spilsbury's Views of Jamaica: A Prospect of Ora Cabeca in the Parish of St. Maries the North Side Jamaica taken from the Road leading to St. Ann's 1766
1770
unknown artist Spilsbury's Views of Jamaica: A View of Dry Harbour in the Parish of St. Ann's Jamaica, Taken from the West end of the Tavern, with the Fort & Barracks view in Ruins
unknown artist, eighteenth century
Spilsbury's Views of Jamaica: A View of Dry Harbour in the Parish of St. Ann's Jamaica, Taken from the West end of the Tavern, with the Fort & Barracks view in Ruins
1769
Bernard Lens II Portraits of Four Indian Kings of Canada: The Four Indian Kings
Print made by Bernard Lens II, 1659–1725, British
Portraits of Four Indian Kings of Canada: The Four Indian Kings
1710
Butler Clowes A Rescue or the Tars Triumphant
Engraved by Butler Clowes, active 1768, died 1782, British
A Rescue or the Tars Triumphant
1768