On-site Access: Accessible by appointment in the Study Room / Date: 1853 / Image Use: Free to Use

Harry John Johnson, 1826–1884, British

Alicante, Spain

1853

Frank W. Warwick Topham, 1838–1924, British

Coastal Landscape

undated

George Richmond, 1809–1896, British

Margate, Great Cloud

1853

Sir John Everett Millais, 1829–1896, British

Accepted

1853

Sir John Everett Millais, 1829–1896, British

Rejected

1853

Sir John Everett Millais, 1829–1896, British

The Blind Man

1853

Newton Limbird Smith Fielding, 1799–1856, British

Death

1853

James Baylis Allen, 1803–1876, British

Westminster Bridge

1853

James Ward, 1769–1859, British

Snowdon, an Approaching Storm

1853

Godfrey Thomas Vigne, 1801–1863, British

Fort Snelling

1853

Cornelius Varley, 1781–1873, British

Landscape with Windmill

1853

Horatio Ross, 1801–1886, British

The Lone Pine Tree

ca. 1858

Horatio Ross, 1801–1886, British

The Lone Pine Tree

ca. 1858

Henry White, 1819–1903, British

Study of Foreground near Betws-y-Coed

ca. 1858

Print made by William Miller, 1796–1882, British

Loch Achray (Vignette)

1853 reprint

Charles Denton, active 1853, British

Abergavenny Steeple Chase: "Taking the Wall" / Pontiff, General, Thurgarton, Dearest Mae, Ploughboy

1853

Charles Denton, active 1853, British

Abergavenny Steeple Chase: "Taking the Brook" / Dearest Mae, The Nun, Pontiff, General, Physician, Thurgarton, Ploughboy

1853

Charles Denton, active 1853, British

Abergavenny Steeple Chase: "The Finish" / (1) General (2) Dearest Mae (3) Ploughboy

1853

David George Thompson, active 1852–died 1870

Fox-hunting: Thomas Assheton Smith Esq

1853

Sir John Everett Millais, 1829–1896, British

Awful Protection Against Midges

1853

Print made by Thomas Picken, active 1838–died 1870, British

The Funeral of the Duke of Wellington. The Funeral Car Passing the Archway at Apsley House, November 18th 1852

1853

unknown artist, nineteenth century

Descent of the Ganges, Mamallapuram

ca. 1858

unknown artist, nineteenth century

Ganesha Ratha, Mamallapuram

ca. 1858

Richard Dadd, 1817–1886, British

Sketch for the Passions: Jealousy

1853

Richard Dadd, 1817–1886, British

Sketch to Illustrate the Passions: Treachery

1853

Richard Dadd, 1817–1886, British

Sketch for the Passions: Love

1853

Richard Dadd, 1817–1886, British

Juvenile Members of the Yacht Club

1853

Print made by George Baxter, 1804–1867, British

Australia, News from Home

1853

unknown artist, (C. R. E.)

The Rose in Fenchurch St. - Taken down in 1730

1853

John Frederick Tayler, 1802–1889, British

Two Huntsmen

1853

Print made by Henry J. Townsend, 1810–1890, British

Where the Bee Sucks. The Tempest, Act V, Scene I, Ariel on a Hammock of Convolvulus

1853

William B. Rye, active 1851–1853

The Old Assembly House, Kentish Town

1853

Print made by James T. Willmore, 1800–1863, British

Farne Island - Shipwreck

1853-1874

Sir Edwin Henry Landseer, 1802–1873, British

Reading out the List of the Aberdeen Ministry

1853

George Bryant Campion, 1796–1870, British

Camp at Chobham, 1853 with Officers and Sentry

1853

Ford Madox Brown, 1821–1893, British

The Artist's Wife Emma, on her Wedding Day

1853

Print made by William Miller, 1796–1882, British

Venice - the Piazzetta

1853-1874

Print made by William Miller, 1796–1882, British

Venice - the Piazzetta

1853-1874

Print made by James T. Willmore, 1800–1863, British

Farne Island - Shipwreck

1853-1874

George C. Finden, 1811–1885, British

A Mythological Battle

1853

James Baylis Allen, 1803–1876, British

London Bridge, 1745

1853

Thomas Webster, 1800–1886, British

Autolycus' Song - A Winter's Tale, Act 4, Scene 2 and 3 songs

1853

unknown artist, (G., R. E.)

Kentish Town Chapel

1853

Charles Denton, active 1853, British

Abergavenny Steeple Chase: The Start / Doe, Harkaway, Nun, Pontiff, General, Thurgarton, Physician, Dearest Mae, Ploughboy

1853

Thomas Henwood, 1797–1861, British

The Procession of the Lewes Bonfire Boys

1853

William Haydon Fuge, active ca. 1849–1866, British

Archdeacon Forster

1853

Print made by William Miller, 1796–1882, British

Venice, the Piazzetta

1853-1874