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Date 1827

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William Blake pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
William Blake, 1757–1827, British
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
William Blake, 1757–1827, British
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
William Blake Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
William Blake, 1757–1827, British
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
William Blake, 1757–1827, British
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
William Blake, 1757–1827, British
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
T. Levens Ancient Sculpture on the Walls of St. Dunstans Stebenlethe
T. Levens
Ancient Sculpture on the Walls of St. Dunstans Stebenlethe
1827
Richard Parkes Bonington Trees and a Cottage by a River
Richard Parkes Bonington, 1802–1828, British
Trees and a Cottage by a River
1827
George Cruikshank Blear-Eyed Moll
Print made by George Cruikshank, 1792–1878, British
Blear-Eyed Moll
ca. 1832
James Ward A Mare: Possibly a Study for "L'Amour de Cheval", Dated 1827, in the Tate Gallery
James Ward, 1769–1859, British
A Mare: Possibly a Study for "L'Amour de Cheval", Dated 1827, in the Tate Gallery
1827
Charles Picart William Shakspeare
Charles Picart, c.1780–1837, British
William Shakspeare
1827
Shakspeare
Shakspeare
1827
Henry Heath A Complete Turn-Out among the Cabinet-Makers
Print made by Henry Heath, active 1824–1835, British
A Complete Turn-Out among the Cabinet-Makers
1827
Henry Heath Diogenes in Search of an Honest Ministry
Print made by Henry Heath, active 1824–1835, British
Diogenes in Search of an Honest Ministry
1827
Shakspeare
Shakspeare
1827
Edward Goodall Rievaulx Abbey, Yorkshire
Print made by Edward Goodall, 1795–1870, British
Rievaulx Abbey, Yorkshire
1827
Edward Goodall Rievaulx Abbey, Yorkshire
Print made by Edward Goodall, 1795–1870, British
Rievaulx Abbey, Yorkshire
1827
Robert Wallis Bolton Abbey, Yorkshire
Print made by Robert Wallis, 1794–1878, British
Bolton Abbey, Yorkshire
1827
J. C. Varrall Launceston, Cornwall
Print made by J. C. Varrall, active 1815–1827
Launceston, Cornwall
1827
J. C. Varrall Launceston, Cornwall
Print made by J. C. Varrall, active 1815–1827
Launceston, Cornwall
1827
J. C. Varrall Launceston, Cornwall
Print made by J. C. Varrall, active 1815–1827
Launceston, Cornwall
1827
Robert Brandard Orford, Suffolk
Print made by Robert Brandard, 1805–1862, British
Orford, Suffolk
1827
Edward Goodall Fall of the Trees, Yorkshire
Print made by Edward Goodall, 1795–1870, British
Fall of the Trees, Yorkshire
1827
W. R. Smith Richmond, Yorkshire
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1827
W. R. Smith Richmond, Yorkshire
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1827
Robert Wallis Barnard Castle, Durham
Print made by Robert Wallis, 1794–1878, British
Barnard Castle, Durham
1827
Henry Heath Extravaganza's of 1827
Print made by Henry Heath, active 1824–1835, British
Extravaganza's of 1827
1827
Augustus Welby Northmore Pugin Design for Gothic Ornamentation
Augustus Welby Northmore Pugin, 1812–1852, British
Design for Gothic Ornamentation
undated
Robert Brandard Orford, Suffolk
Print made by Robert Brandard, 1805–1862, British
Orford, Suffolk
1827
Edward Goodall Aldborough, Suffolk
Print made by Edward Goodall, 1795–1870, British
Aldborough, Suffolk
1827
Robert Brandard Orford, Suffolk
Print made by Robert Brandard, 1805–1862, British
Orford, Suffolk
1827
Edward Goodall Aldborough, Suffolk
Print made by Edward Goodall, 1795–1870, British
Aldborough, Suffolk
1827
Robert Brandard Orford, Suffolk
Print made by Robert Brandard, 1805–1862, British
Orford, Suffolk
1827
Augustus Welby Northmore Pugin Designs for Architectural Ornamentation: Columns, Capitals and Pilasters
Print made by Augustus Welby Northmore Pugin, 1812–1852, British
Designs for Architectural Ornamentation: Columns, Capitals and Pilasters
undated
Richard Parkes Bonington Campos sur les bords du Rio das Velhas
Print made by Richard Parkes Bonington, 1802–1828, British
Campos sur les bords du Rio das Velhas
1827
Capt. Thomas Hastings Shanklin, Isle of Wight
Capt. Thomas Hastings, 1778–1854, British
Shanklin, Isle of Wight
1827
George Gladwin York House: Plan of the Ground Floor
George Gladwin, active 1820s–1830s
York House: Plan of the Ground Floor
1827
George Gladwin York House: Longitudinal Section from North to South
George Gladwin, active 1820s–1830s
York House: Longitudinal Section from North to South
1827
Charles Williams Tears of Repentance. Cabinet In's and Out's
Print made by Charles Williams, active 1796–1830, British
Tears of Repentance. Cabinet In's and Out's
1827
John Phillips Removing Rubbish. Cabinet In's and Out's
Print made by John Phillips, active 1840–1852
Removing Rubbish. Cabinet In's and Out's
1827
John Phillips The King Commander in Chief; or, the Upset of Waterloo - Man, Bags & Baggage
Print made by John Phillips, active 1840–1852
The King Commander in Chief; or, the Upset of Waterloo - Man, Bags & Baggage
1827