pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
2
William Blake, 1757–1827, British
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
3
William Blake, 1757–1827, British
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
1827
4
William Blake, 1757–1827, British
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
5
William Blake, 1757–1827, British
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
6
William Blake, 1757–1827, British
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
7
William Blake, 1757–1827, British
Illustrations to Dante's Divine Comedy
1827
8
Print made by Thomas Goff Lupton, 1791–1873, British
Dover
1827
9
Print made by Thomas Goff Lupton, 1791–1873, British
Dover
1827
10
Print made by Thomas Goff Lupton, 1791–1873, British
Calais Pier - the English Packet Arriving
1827
11
Print made by Thomas Goff Lupton, 1791–1873, British
Ramsgate
1827
12
Print made by Thomas Goff Lupton, 1791–1873, British
Ramsgate
1827
13
Print made by Thomas Goff Lupton, 1791–1873, British
Ramsgate
1827
14
Print made by Thomas Jeavons, ca. 1800–1867, British
Exeter
1827-1838
15
Print made by Thomas Jeavons, ca. 1800–1867, British
Exeter
1827-1838
16
Print made by Thomas Jeavons, ca. 1800–1867, British
Exeter
1827-1838
17
Print made by W. R. Smith, active 1819–1851
Tynemouth, Northumberland
1827-1838
18
Print made by Edward Goodall, 1795–1870, British
Old London Bridge and Vicinity
1827
19
Print made by James T. Willmore, 1800–1863, British
Kilgarren Castle, Pembroke
1827-1838
20
Print made by Edward Francis Finden, 1791–1857, British
Temple of Minerva, Cape Colonna
ca. 1832
21
Print made by Robert Wallis, 1794–1878, British
Buckfastleigh Abbey, Devonshire
1827
22
Print made by Thomas Jeavons, ca. 1800–1867, British
Vesuvius in Eruption
1827
23
Print made by Thomas Jeavons, ca. 1800–1867, British
Exeter
1827-1838
24
Print made by W. R. Smith, active 1819–1851
Tynemouth, Northumberland
1827-1838
25
Print made by Edward Goodall, 1795–1870, British
Aldborough, Suffolk
1827-1838
26
Print made by Edward Goodall, 1795–1870, British
Aldborough, Suffolk
1827-1838
27
Print made by Robert Brandard, 1805–1862, British
Orford, Suffolk
1827-1838
28
Print made by Robert Brandard, 1805–1862, British
Orford, Suffolk
1827-1838
29
Print made by Edward Goodall, 1795–1870, British
Prudoe Castle, Northumberland
1827-1838
30
Print made by William Miller, 1796–1882, British
Straits of Dover
1827-1838
31
Print made by J. C. Varrall, active 1815–1827
Valle Crucis Abbey, Denbighshire
1827-1838
32
Print made by Robert Wallis, 1794–1878, British
Buckfastleigh Abbey, Devonshire
1827-1838
33
Print made by W. R. Smith, active 1819–1851
Entrance to Fowey Harbour, Cornwall
1827-1838
34
Print made by Robert Brandard, 1805–1862, British
Lancaster Sands
1827-1838
35
Print made by J. C. Varrall, active 1815–1827
Malmsbury Abbey, Wiltshire
1827-1838
36
Print made by Robert Brandard, 1805–1862, British
Lancaster Sands
1827-1838
37
Print made by J. C. Varrall, active 1815–1827
Malmsbury Abbey, Wiltshire
1827-1838
38
Print made by Robert Brandard, 1805–1862, British
Lancaster Sands
1827-1838
39
Print made by Thomas Jeavons, ca. 1800–1867, British
Knaresborough, Yorkshire
1827-1838
40
Print made by Thomas Jeavons, ca. 1800–1867, British
Knaresborough, Yorkshire
1827-1838
41
Print made by William Radclyffe, 1780–1855, British
Louth, Lincolnshire
1827-1838
42
Print made by William Radclyffe, 1780–1855, British
Louth, Lincolnshire
1827-1838
43
Print made by William Radclyffe, 1780–1855, British
Louth, Lincolnshire
1827-1838
44
Print made by William Radclyffe, 1780–1855, British
Louth, Lincolnshire
1827-1838
45
Print made by William Miller, 1796–1882, British
Great Yarmouth, Norfolk
1827-1838
46
Print made by William Miller, 1796–1882, British
Great Yarmouth, Norfolk
1827-1838
47
Print made by Charles Westwood, active 1819–1838
Hampton Court Palace
1827-1838
48
Print made by Thomas Jeavons, ca. 1800–1867, British
Devonport and Dockyard, Devonshire
1827-1838
49
Print made by Charles Westwood, active 1819–1838
Hampton Court Palace
1827-1838
50
Print made by Robert Brandard, 1805–1862, British
Dunstanborough Castle, Northumberland
1827-1838
51
Print made by Charles Westwood, active 1819–1838
Carisbrook Castle, Isle of Wight
1827-1838
52
Print made by Robert Brandard, 1805–1862, British
Dunstanborough Castle, Northumberland
1827-1838
53
Print made by Robert Wallis, 1794–1878, British
Cowes, Isle of Wight
1827-1838
54
Print made by Charles Westwood, active 1819–1838
Carisbrook Castle, Isle of Wight
1827-1838
55
Print made by William Miller, 1796–1882, British
Stamford, Lincolnshire
1827-1838
56
Print made by William Miller, 1796–1882, British
Stamford, Lincolnshire
1827-1838
57
Print made by James T. Willmore, 1800–1863, British
Alnwick Castle, Northumberland
1827-1838
58
Print made by James T. Willmore, 1800–1863, British
Alnwick Castle, Northumberland
1827-1838
59
Print made by James T. Willmore, 1800–1863, British
Alnwick Castle, Northumberland
1827-1838
60
Print made by William Miller, 1796–1882, British
Stamford, Lincolnshire
1827-1838
61
Print made by James H. Kernot, active early 19th century
St. Mawes, Cornwall
1827-1838
62
Print made by James H. Kernot, active early 19th century
St. Mawes, Cornwall
1827-1838
63
Print made by Robert Wallis, 1794–1878, British
Ludlow Castle, Shropshire
1827-1838
64
Print made by Robert Wallis, 1794–1878, British
Ludlow Castle, Shropshire
1827-1838
65
Print made by W. R. Smith, active 1819–1851
Saltash, Cornwall
1827-1838
66
Print made by W. R. Smith, active 1819–1851
Saltash, Cornwall
1827-1838
67
Print made by W. R. Smith, active 1819–1851
Saltash, Cornwall
1827-1838
68
Print made by W. R. Smith, active 1819–1851
Saltash, Cornwall
1827-1838
69
Print made by J. C. Varrall, active 1815–1827
Launceston, Cornwall
1827-1838
70
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1827-1838
71
Print made by Robert Wallis, 1794–1878, British
Colchester, Essex
1827-1838
72
Print made by Robert Wallis, 1794–1878, British
Colchester, Essex
1827-1838
73
Print made by Robert Wallis, 1794–1878, British
Colchester, Essex
1827-1838
74
Print made by Robert Wallis, 1794–1878, British
Bolton Abbey, Yorkshire
1827-1838
75
Print made by Robert Wallis, 1794–1878, British
Bolton Abbey, Yorkshire
1827-1838
76
Print made by Edward Goodall, 1795–1870, British
Tivoli, a Composition
1827
77
Print made by Edward Goodall, 1795–1870, British
Aldborough, Suffolk
1827-1838
78
Print made by Edward Goodall, 1795–1870, British
Prudoe Castle, Northumberland
1827-1838
79
Print made by W. R. Smith, active 1819–1851
Entrance to Fowey Harbour, Cornwall
1827-1838
80
Print made by Robert Wallis, 1794–1878, British
Buckfastleigh Abbey, Devonshire
1827-1838
81
Print made by J. C. Varrall, active 1815–1827
Valle Crucis Abbey, Denbighshire
1827-1838
82
Print made by W. R. Smith, active 1819–1851
Entrance to Fowey Harbour, Cornwall
1827-1838
83
Print made by James T. Willmore, 1800–1863, British
Okehampton, Devonshire
1827-1838
84
Print made by James T. Willmore, 1800–1863, British
Okehampton, Devonshire
1827-1838
85
Print made by James T. Willmore, 1800–1863, British
Okehampton, Devonshire
1827-1838
86
Print made by J. C. Varrall, active 1815–1827
Malmsbury Abbey, Wiltshire
1827-1838
87
Print made by Thomas Jeavons, ca. 1800–1867, British
Knaresborough, Yorkshire
1827-1838
88
Print made by Thomas Jeavons, ca. 1800–1867, British
Devonport and Dockyard, Devonshire
1827-1838
89
Print made by Thomas Jeavons, ca. 1800–1867, British