On-site Access: Accessible by appointment in the Study Room / Date: 1827 / Image Available: Unavailable

William Blake, 1757–1827, British

Illustrations to Dante's Divine Comedy

1827

William Blake, 1757–1827, British

Illustrations to Dante's "Divine Comedy"

1827

William Blake, 1757–1827, British

Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]

1827

William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?'weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

William Blake, 1757–1827, British

Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?'weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

1827

William Blake, 1757–1827, British

Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,' Hell; Canto xxv. line 45.]

1827

William Blake, 1757–1827, British

Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]

1827

William Blake, 1757–1827, British

Illustrations to Dante's Divine Comedy

1827

William Blake, 1757–1827, British

Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm,/ And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]

1827

William Blake, 1757–1827, British

Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]

1827

Samuel William Reynolds, 1773–1835, British

Meditation

1827

Henry Harris Lines, 1801–1899, British

Album of 50 sketches made in the years 1827 and 1828 for H.C

1827-1828

Thomas D. W. Dearn, 1777–1853

Woman by a Fence outside a Thatched Cottage

1827

George Hunt, active 1820–1840, British

1st of September

1827

George Hunt, active 1820–1840, British

1st of October

1827

George Hunt, active 1820–1840, British

1st of October

1827

Henry Bernard Chalon, 1771–1849, British

Passions of the Horse an entirely New Work described in Six subjects. 4. Affection. Each plate dedicated to George IV

1827

Henry Bernard Chalon Passions of the Horse an entirely New Work described in Six subjects. 3. Joy, or Gladness an Old Favourite Hunter. Each plate dedicated to George IV.

Henry Bernard Chalon, 1771–1849, British

Passions of the Horse an entirely New Work described in Six subjects. 3. Joy, or Gladness an Old Favourite Hunter. Each plate dedicated to George IV

1827

George Alken, 1794–active 1837, British

Set of Four - Racing: Running

1827

George Alken, 1794–active 1837, British

Set of Four - Racing: Coming In

1827

Frederick Rosenberg, active 1816–1832

Coaching: The Mail Coach in a Flood

1827

George Alken, 1794–active 1837, British

Set of Four - Racing: Exercising

1827

after Henry Thomas Alken, 1785–1851, British

Fox Hunting: Leicestershire - Getting Away

1827

Henry Bernard Chalon, 1771–1849, British

Passions of the Horse an entirely New Work described in Six subjects. 5. Courage. Each plate dedicated to George IV

1827

Henry Bernard Chalon, 1771–1849, British

Passions of the Horse an entirely New Work described in Six subjects. 6. Terror. Each plate dedicated to George IV

1827

George Alken, 1794–active 1837, British

Set of Four - Racing: Preparing to Start

1827

Print made by Charles Turner, 1774–1857, British

Robert Dundas, second Viscount Melville

1827

Print made by Charles Turner, 1774–1857, British

Robert Dundas, second Viscount Melville

1827

unknown artist, nineteenth century

Vine Cottage

1827

Print made by unknown artist

The Tempest or Prospero Triumphant a Sketch from the Picture lately Exhibited at the National Gallery

1827

Print made by Charles Williams, active 1796–1830, British

Tears of Repentance. Cabinet In's and Out's

1827

Print made by John Phillips, active 1840–1852

Removing Rubbish. Cabinet In's and Out's

1827

Print made by John Phillips, active 1840–1852

The King Commander in Chief; or, the Upset of Waterloo - Man, Bags & Baggage

1827

Print made by Thomas Jones, active 1828

Transubstantiation -or Symptoms of Dictating- Cabaling- Conspiring- Overawing

1827

Print made by unknown artist

Achilles in the Sulks after his Retreat, or, The Great Captain on the Stool of Repentance!!

1827

Print made by Thomas Goff Lupton, 1791–1873, British

Dover

1827

Thomas Cundy, 1790–1867, British

Design for Grosvenor House, London: Chamber Floor and Principal Floor Plans

1827

Thomas Cundy, 1790–1867, British

Design for Grosvenor House, London: Plan

1827

Thomas Cundy, 1790–1867, British

Design for Grosvenor House, London: Chamber Floor Plan

1827

Thomas Cundy, 1790–1867, British

Design for Grosvenor House, London: Plan

1827

Thomas Cundy, 1790–1867, British

Design for Grosvenor House, London: Plan

1827

Thomas Cundy, 1790–1867, British

Design for Grosvenor House, London: Plan

1827

Thomas Cundy, 1790–1867, British

Design for Grosvenor House, London: Chamber Floor Plan

1827

Thomas Cundy, 1790–1867, British

Design for Grosvenor House, London: Plan

1827

Frederick Tatham, 1805–1878, British

Life of Blake

ca. 1832

John Martin, 1789–1854, British

Illustrations to Milton's 'Paradise Lost'

1827