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On-site Access Accessible by appointment in the Study Room

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Date 1816

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Width [cm] 31

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Entrance of Calais Harbour
Creator:
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Date:
1816
Medium:
Etching and mezzotint, printed in brown ink Engraver's proof (d) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 × 16 3/4 inches (30.5 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Entrance of Calais Harbour
Creator:
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Date:
1816
Medium:
Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/8 × 16 1/2 inches (29.5 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Entrance of Calais Harbour
Creator:
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Date:
1816
Medium:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 × 16 inches (27.9 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Southwest View of the Principal Quadrangle or Court Yard of Crosby Hall
Creator:
Samuel Rawle, 1771–1860, British
Date:
1816
Medium:
Engraving
Dimensions:
Sheet: 10 3/4 x 12 1/8in. (27.3 x 30.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Northeast View of Crosby Hall
Creator:
William Wise, Active 1823–1876, British
Date:
1816
Medium:
Engraving
Dimensions:
Sheet: 10 1/4 x 12 1/4in. (26 x 31.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Flower Garden Porch at Farnley
Creator:
Print made by unknown artist, nineteenth century
Date:
1816
Medium:
Line engraving, published state
Dimensions:
Sheet: 17 1/4 × 12 inches (43.8 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Falmouth, Cornwall
Creator:
Print made by William Bernard Cooke, 1778–1855, British
Date:
1816
Medium:
Engraving and etching , first published state on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 1/4 × 14 1/8 inches (26 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plymouth Dock, from Mount Edgecumbe
Creator:
Print made by William Bernard Cooke, 1778–1855, British
Date:
1816
Medium:
Etching and engraving, first published state on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 × 17 1/4 inches (27.9 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Harewood House
Creator:
Print made by John Scott, 1774–1828, British
Date:
1816
Medium:
Line engraving, engraver's proof
Dimensions:
Sheet: 11 3/8 × 17 3/4 inches (28.9 × 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Gledhow

Gledhow
Creator:
Print made by George Cooke, 1781–1834, British
Date:
1816
Medium:
Line engraving, engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 17 1/4 inches (28.9 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Soliders in Costume of the Middle Ages around a Blazing Idol
Creator:
William West of Clifton near Bristol, 1801–1861, British
Date:
undated
Medium:
Gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 12 5/16 inches (22.9 × 31.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by Samuel Cousins, 1801–1887, British
Date:
undated
Medium:
Mezzotint (first state) on moderately thick, moderately textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 23 3/8 × 18 1/2 inches (59.4 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund