Landscape Scene From Hilltop, Looking into Sunlit Valley
undated
209
Thomas Sully, 1783–1872, American
Landscape with Trees and Lake With Figures and Boat
undated
210
Thomas Sully, 1783–1872, American
Landscape with Ruined Castle, Trees
undated
211
Thomas Sully, 1783–1872, American
Landscape with Trees and Windmill
undated
212
Thomas Sully, 1783–1872, American
Street Scene, Lined with Buildings
undated
213
Thomas Sully, 1783–1872, American
City Scene with Buildings
undated
214
Thomas Sully, 1783–1872, American
Shore Scene with Buildings and Boats
undated
215
Thomas Sully, 1783–1872, American
Hilly Landscape with House, Path, and Figures
undated
216
Thomas Sully, 1783–1872, American
Small Waterfall in Forest
undated
217
Thomas Sully, 1783–1872, American
Rolling Fields, Mountains in Distance
undated
218
Thomas Sully, 1783–1872, American
Hilly Landscape
undated
219
Thomas Sully, 1783–1872, American
Tree-lined Lane
undated
220
Thomas Sully, 1783–1872, American
The Hudson From Phillips
undated
221
Thomas Sully, 1783–1872, American
From "Charley's Hope" Mrs. Griffiths Place, Near Brunswick, New Jersey
undated
222
Thomas Sully, 1783–1872, American
Two Figures in Stream, Bordered by Large Trees
undated
223
Thomas Sully, 1783–1872, American
Horse, Cart and Driver on Wide, Tree-lined Lane
undated
224
Thomas Sully, 1783–1872, American
Lyme Regis, Dorsetshire, a Squall
undated
225
Thomas Sully, 1783–1872, American
Landscape with Mountains, Castle, Trees and Lake
undated
226
Thomas Sully, 1783–1872, American
Fort Putnam From Constitution Island
undated
227
Thomas Sully, 1783–1872, American
Figures Among Ruins on Hill
undated
228
Thomas Sully, 1783–1872, American
Ridge Road
undated
229
Thomas Sully, 1783–1872, American
Landscape with Figures in Field
undated
230
Thomas Sully, 1783–1872, American
Landscape with Trees and Lake
undated
231
Thomas Sully, 1783–1872, American
Landscape, with Winding River, Figure on Hill in Foreground
undated
232
Thomas Sully, 1783–1872, American
Mountainous Landscape with Lake and Figure in Foreground
undated
233
Thomas Sully, 1783–1872, American
Landscape with Castle, Hills and Mountains
undated
234
Thomas Sully, 1783–1872, American
Wooded River Scene
undated
235
Thomas Sully, 1783–1872, American
Sloans Spring New Jersey
undated
236
Thomas Sully, 1783–1872, American
Fort Putnam From Across the River
undated
237
Thomas Sully, 1783–1872, American
Twilight
undated
238
Thomas Sully, 1783–1872, American
Two Hunters and Two Dogs in Winter Scene
undated
239
Thomas Sully, 1783–1872, American
Catskill - from J R Livingstons. TS
undated
240
unknown artist, nineteenth century
Portrait of a Girl in a Blue Dress
undated
241
Print made by George Dawe, 1781–1829, British
Miss Mary Anne Kirkley
1801
242
Print made by Thomas Hodgetts, active 1801–1846
Lady Beresford
undated
243
Print made by John Raphael Smith, 1752–1812, British
John Philpot Curran
1801
244
Print made by Charles Turner, 1774–1857, British
The Milk Maid
1801
245
Thomas Sully, 1783–1872, American
Figures at a Table Inside a Cottage
undated
246
Thomas Sully, 1783–1872, American
Two Drawings on One Sheet: Landscape with Mountains in Distance and Seated Figures in Foreground (no. 1); Landscape with River and Building, Mountains in Distance (no. 2)
undated
247
Thomas Sully, 1783–1872, American
Two Drawings on One Sheet: Landscape with Large Cliff in Foreground - Cuyp's Principle (no. 3); Landscape with Tree in Foreground, Mountains in Distance - Both's Principle (no. 4)
undated
248
Thomas Sully, 1783–1872, American
Landscape with Knoll with Trees, Figure on Horseback
undated
249
Thomas Sully, 1783–1872, American
Two Drawings on One Sheet: Sky Study - Turner's Principle (no. 11); Landscape With Hills and Tree (no. 12)
undated
250
Thomas Sully, 1783–1872, American
Two Drawings on One Sheet: Landscape with Castle - Modern Manner (no. 13); Landscape with Figures in Foreground (no. 14)
undated
251
Woodward, Active 1801–1802, nationality unknown
Prayers & Journals
1801-1802
252
Woodward, Active 1801–1802, nationality unknown
Prayers & Journals
1801-1802
253
Woodward, Active 1801–1802, nationality unknown
Prayers & Journals
1801-1802
254
Woodward, Active 1801–1802, nationality unknown
Prayers & Journals
1801-1802
255
Robert Streatfeild, 1786–1852
Spa, Germany - a road flanked by a high bank
undated
256
Thomas Sully, 1783–1872, American
Cottage
undated
257
Thomas Sully, 1783–1872, American
Landscape with Trees and Mountains, Lake in Foreground
undated
258
Anthony Cardon, 1772–1813, Flemish
Negroes Sunday-Market at Antiqua
ca. 1806
259
Print made by James Bretherton, ca. 1730–1806, British
The Salutation Tavern
1801
260
Print made by James Bretherton, ca. 1730–1806, British
Strephon and Chloe
1801
261
Samuel William Reynolds, 1773–1835, British
Right Honorable Lord Keith
1801
262
James Clark, 19th century
A View of the Cape of Good Hope; below, The Battle previous to the Surrender of the Cape of Good Hope, January 8th, 1806
ca. 1806
263
Joseph Collyer, 1748–1827, British
His Majesty Reviewing the Armed Associations the Fourth of June in Hyde Park
1801
264
James Ward, 1769–1859, British
Sir William Fawcett
1801
265
Philip Audinet, 1766–1837, British
The Right Honourable Lord Keith K.B., Vice Admiral of the Red
1801
266
William Ward, 1766–1826, British
Alehouse Politicians
1801
267
unknown artist
Lothbury Court, Bank
1801
268
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Reverend Hugh Blair, D.D
1801
269
unknown artist, nineteenth century
View of London Bridge as it appeared after the Conflagration of the Temporary Bridge, April 11th, 1758
1801
270
B. Pym, active 1793–1805
Henry James Pye, Esq
1801
271
Samuel Rawle, 1771–1860, British
Premier Map of London and Suburbs: Undertakers regaling themselves at Death's Door, Battersea Rise, Surry
1801
272
unknown artist
Study of Birds
undated
273
Joseph Constantine Stadler, active 1780–1812, British
The Pump Room at Bath
1801
274
Thomas Rowlandson, 1756–1827, British
Undertakers Regaling
1801
275
W. Pickett, active 1792–1820, British
Hitcham House
1801
276
unknown artist
Bridge in Countryside
undated
277
John Ogborne the Elder, 1755–1795, British
As You Like It: Act II, Scene VII: The Seven Ages Man (second age)
1801-1803
278
John Ogborne the Elder, 1755–1795, British
As You Like It: Act II, Scene VII: The Seven Ages Man (fourth age)
1801
279
Peter Simon, 1750–1810
As You Like It: Act II, Scene VII: The Seven Ages Man (fifth age)
1801
280
William S. Leney, 1769–1831, British
As You Like It: Act II, Scene VII: The Seven Ages Man (sixth age)
1801
281
Peltro W. Tomkins, 1760–1840, British
As You Like It: Act II, Scene VII: The Seven Ages of Man (First Age)
1801
282
Peter Simon, 1750–1810
As You Like It: Act II, Scene VII: The Seven Ages Man (seventh age)
1801
283
Richard Earlom, 1743–1822, British
His Majesty Reviewing the Volunteer Corps Assembled in Hyde Park
1801
284
John Raphael Smith, 1752–1812, British
Edward Jenner, M.D. F.R.S. & c
1801
285
Charles Turner, 1774–1857, British
The Female Peddler
1801
286
James Ward, 1769–1859, British
The Clean Face Rewarded
1801
287
Print made by Alexander George Fraser, 1786–1865, British
A Seated Man Drinking
undated
288
Francis Jukes, 1747–1812, British
View of O'Sullivans Waterfall, Lake of Killarney, Ireland
1801
289
Print made by Alexander George Fraser, 1786–1865, British
A Highland Interior
undated
290
Johannes Swertner, 1746–1813, Dutch
London
1801
291
unknown artist
Stock Exchange
1801
292
William Angus, 1752–1821, British
Perry's Dock Yard Blackwall
1801
293
George Hawkins, 1819–1852, British
Internal View of Westminster Hall
1801
294
George Hawkins, 1819–1852, British
Internal View of Westminster Hall
1801
295
James Gillray, 1756–1815, British
Corpor(e)al (!) Stamina
1801
296
Charles Williams, active 1796–1830, British
The Union Club
1801
297
unknown artist
Set of four: 1. Duck Shooting
1801
298
Robert Dighton, 1752–1814, British
Lord Dashalong Bent on Driving
1801
299
Isaac Cruikshank, 1764–1811, British
The Russian Bruiser Getting his Dose - With his Seconds Thirds bottle Holder and (?) coming in for their Share