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Date 1797

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William Blake The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 35, "Ode to Adversity."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 35, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 65, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 65, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 83, "The Descent of Odin."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 97, "Ode for Music."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 97, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 21, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 21, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 3, "Ode on the Spring."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 5, "Ode on the Spring."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 5, "Ode on the Spring."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 53, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 53, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 55, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 55, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 57, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 57, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 27, "A Long Story."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 27, "A Long Story."
between 1797 and 1798
William Blake Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
1797
William Blake Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
1797
William Blake Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"
1797
John Sell Cotman A Bridge
Print made by John Sell Cotman, 1782–1842, British
A Bridge
undated
Thomas Gainsborough Wooded Landscape with Herdsman and Cows
Print made by Thomas Gainsborough, 1727–1788, British
Wooded Landscape with Herdsman and Cows
1797
William Havell Welsh Landscape
Attributed to William Havell, 1782–1857, British, active in India (1820–26)
Welsh Landscape
undated
Paul Sandby The Entrance to Chepstow Castle
Paul Sandby, 1731–1809, British
The Entrance to Chepstow Castle
ca. 1802
James Baynes Rocks with Central Cavern Among Trees
James Baynes, 1766–1837, British
Rocks with Central Cavern Among Trees
1797
John Sell Cotman Castle in a Landscape
John Sell Cotman, 1782–1842, British
Castle in a Landscape
undated
John Sell Cotman The Norfolk Broads
John Sell Cotman, 1782–1842, British
The Norfolk Broads
undated
Thomas Rowlandson Entrance to Festiniog, Wales
Thomas Rowlandson, 1756–1827, British
Entrance to Festiniog, Wales
1797
Thomas Rowlandson Carnarvon Castle, North Wales
Thomas Rowlandson, 1756–1827, British
Carnarvon Castle, North Wales
1797
Thomas Girtin The Old Bridge in Devon
Thomas Girtin, 1775–1802, British
The Old Bridge in Devon
between 1797 and 1801
John Sell Cotman Mountainous Landscape, North Wales
John Sell Cotman, 1782–1842, British
Mountainous Landscape, North Wales
ca. 1802
Henry Edridge Michelham, Surrey
Henry Edridge, 1769–1821, British
Michelham, Surrey
1797
John Ferneley A Meet of the Quorn at Garrendon Park, Loughborough, Leicestershire
John Ferneley, 1782–1860, British
A Meet of the Quorn at Garrendon Park, Loughborough, Leicestershire
undated
John Ferneley The Duke of Cumberland Riding With Mr. de Burgh's Hunt
John Ferneley, 1782–1860, British
The Duke of Cumberland Riding With Mr. de Burgh's Hunt
undated
Thomas Rowlandson Mr. Drummond's Cottage, East Cowes, Isle of Wight
Thomas Rowlandson, 1756–1827, British
Mr. Drummond's Cottage, East Cowes, Isle of Wight
between 1797 and 1800
Francis Towne Vauxhall Stairs, from Millbank, July 5, 1797
Francis Towne, 1740–1816, British
Vauxhall Stairs, from Millbank, July 5, 1797
1797
John Warwick Smith River Landscape with a Single Arched Bridge
John Warwick Smith, 1749–1831, British
River Landscape with a Single Arched Bridge
1797
John Sell Cotman River and Windmill
John Sell Cotman, 1782–1842, British
River and Windmill
undated
Richard Cosway Portrait of a Lady Standing near a Lake
Richard Cosway, 1742–1821, British
Portrait of a Lady Standing near a Lake
ca. 1802
John Sell Cotman Study of Trees
pupil of John Sell Cotman, 1782–1842, British
Study of Trees
undated
John Sell Cotman Hever Castle, Kent
attributed to John Sell Cotman, 1782–1842, British
Hever Castle, Kent
undated
John Sell Cotman A Group of Trees by a Fence
John Sell Cotman, 1782–1842, British
A Group of Trees by a Fence
undated
Robert Dunkarton The Soldier's Widow; or Schoolboys' Collection
Robert Dunkarton, 1744–1811, British
The Soldier's Widow; or Schoolboys' Collection
ca. 1802
Thomas Burke Content and Innocence
Print made by Thomas Burke, 1749–1815, British
Content and Innocence
1797
Thomas Gainsborough Wooded Upland Landscape with Riders and Packhorse
Print made by Thomas Gainsborough, 1727–1788, British
Wooded Upland Landscape with Riders and Packhorse
1797