Heneage Finch fourth Earl of Aylesford, 1751–1812, British
Landscape with a Bridge
1790 to 1795
115
John Emes, 1762–1810, British
The Lake, Hawkstone Park, Shropshire
1790
116
John Augustus Atkinson, 1775–1831, British
A Rifleman at Musketry Practice
undated
117
John Augustus Atkinson, 1775–1831, British
A Fireman
undated
118
John Augustus Atkinson, 1775–1831, British
A Milkmaid
undated
119
John Augustus Atkinson, 1775–1831, British
An Old Woman Carrying a Basket
undated
120
Thomas Daniell, 1749–1840, British, active in India
Ruins on Pir Pahar, near Monghy, Bihar
1790
121
Attributed to John Augustus Atkinson, 1775–1831, British
The School at Wells, Somerset
undated
122
John Augustus Atkinson, 1775–1831, British
Young Woman with Dog Outside a Cottage Doorway
undated
123
John Augustus Atkinson, 1775–1831, British
A Battle Scene
undated
124
John Robert Cozens, 1752–1797, British
The Bay of Naples from Capodimonte
1790
125
James Gillray, 1756–1815, British
Lieu't Gover'r Gall-Stone, inspired by Alecto; or The Birth of Minerva
1790
126
Gangaram Chintaman Tambat, active 1790s, Indian
A Rhinoceros in the Peshwa's Menagerie at Poona
1790
127
Attributed to John Carter, 1748–1817, British
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
128
John Carter, 1748–1817, British
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
129
Attributed to John Carter, 1748–1817, British
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
130
Attributed to John Carter, 1748–1817, British
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
131
Attributed to John Carter, 1748–1817, British
Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
between 1790 and 1802
132
Attributed to John Carter, 1748–1817, British
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
133
Attributed to John Carter, 1748–1817, British
Impost moldings, St Stephen's Chapel
between 1790 and 1802
134
Attributed to John Carter, 1748–1817, British
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
135
Attributed to John Carter, 1748–1817, British
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
136
T. Simpson, active 1790–1814
Set of four: 1. Hare Shooting
1790
137
Isaac Cruikshank, 1764–1811, British
Frith the Madman Hurling Treason at the King
1790
138
James Heath, 1757–1834, British
Kolquall 1790
1790
139
James Heath, 1757–1834, British
Kolquall 1790
1790
140
James Moore, 1762–1799, British
Unidentified Castle
undated
141
James Gillray, 1756–1815, British
Swearing to the Cutting Monster or A Scene in Bow Street
1790
142
James Gillray, 1756–1815, British
The Monster going to take his Afternoons Luncheon
1790
143
John Carter, 1748–1817, British
East View of Modern Buildings in Continuation from St Stephen's Chapel
between 1790 and 1802
144
Print made by John Carter, 1748–1817, British
PLATE XXVIII. St Stephen's Chapel, East Front, Westminster
between 1790 and 1802
145
John Carter, 1748–1817, British
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
146
Attributed to John Carter, 1748–1817, British
Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
between 1790 and 1802
147
Attributed to John Carter, 1748–1817, British
Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
between 1790 and 1802
148
Attributed to John Carter, 1748–1817, British
Capitals, St Stephen's Chapel
between 1790 and 1802
149
Attributed to John Carter, 1748–1817, British
Springing of an Arch, St Stephen's Chapel
between 1790 and 1802
150
Thomas Rowlandson, 1756–1827, British
Interior of a Dressing Room with Jack Bannister
between 1790 and 1795
151
James Heath, 1757–1834, British
Rachamah
1790
152
James Heath, 1757–1834, British
Rachamah
1790
153
Thomas Rowlandson, 1756–1827, British
Ladies at Tea
between 1790 and 1795
154
Thomas Rowlandson, 1756–1827, British
Labourers at Rest
between 1790 and 1795
155
Edward Scriven, 1775–1841, British
Nollekens
undated
156
T. Simpson, active 1790–1814
2. Hare Shooting
1790
157
unknown artist
The Tipperary Duellists or Margate Heroes
1790
158
Isaac Cruikshank, 1764–1811, British
Revolution
1790
159
Joseph Constantine Stadler, active 1780–1812, British
A View of Westminster Bridge including Westminster Hall and the Abbey
1790
160
Joseph Constantine Stadler, active 1780–1812, British
A View of Blackfriars Bridge and St. Paul's Cathedral
1790
161
James Heath, 1757–1834, British
Bee Cuckoo
1790
162
Attributed to John Carter, 1748–1817, British
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
163
Attributed to John Carter, 1748–1817, British
Details of one of the Figures
ca. 1795
164
James Heath, 1757–1834, British
Hyoena
1790
165
James Heath, 1757–1834, British
Binny
1790
166
James Heath, 1757–1834, British
Binny
1790
167
Thomas Rowlandson, 1756–1827, British
Female Dancer with a Tambourine
between 1790 and 1795
168
Print made by unknown artist
A View of the Harbour of Nantes
1790
169
Print made by unknown artist
A View of the Harbour of Cherburg
1790
170
Thomas Girtin, 1775–1802, British
Saltwood Castle, Kent
ca. 1795
171
Thomas Girtin, 1775–1802, British
St. Paul's Cathedral, from St. Martin's-le-Grand, London
ca. 1795
172
Thomas Girtin, 1775–1802, British
Layer Marney Hall, Essex
ca. 1795
173
Thomas Girtin, 1775–1802, British
Tolleshunt-Beckingham, Essex
ca. 1795
174
Thomas Girtin, 1775–1802, British
Great Marlow Church, Buckinghamshire
ca. 1795
175
Thomas Girtin, 1775–1802, British
The Tithe Barn at Abbotsbury with the Abbey on the hill..
ca. 1795
176
Thomas Girtin, 1775–1802, British
Ruins of Savoy Palace
ca. 1795
177
attributed to Thomas Girtin, 1775–1802, British
In the Farnese Gardens, Rome
ca. 1795
178
William Anderson, 1757–1837, British
A Two-Decker Running up the Estuary with Figures on the Beach in the Foreground
1790
179
Sir Thomas Lawrence, 1769–1830, British
Mrs. Thomas Linley, née Mary Johnson
1790 to 1800
180
John Warwick Smith, 1749–1831, British
The Ruins of Cymer Abbey on the Mawddach River
1790
181
John Warwick Smith, 1749–1831, British
Ruins of Criccieth Castle and Part of the Town on the Bay on Cardigan. East View, Caernarfonshire
1790
182
Richard Crosse, 1742–1810, British
Young Man in a Brown Jacket
ca. 1795
183
Samuel Daniell, 1775–1811, British
Three Horses
undated
184
William Alfred Delamotte, 1775–1863, British
Christ Church, Canon's Garden, Oxford
undated
185
William Alfred Delamotte, 1775–1863, British
A Bridge over the Arno (?)
undated
186
Dr. William Crotch, 1775–1847
Tom Tower, Christ Church, Oxford
undated
187
Samuel Daniell, 1775–1811, British
Near Eucheconing Point, Java
undated
188
Thomas Girtin, 1775–1802, British
Rye, Sussex
ca. 1795
189
Thomas Girtin, 1775–1802, British
Near Ramsgate, Kent
ca. 1795
190
Thomas Girtin, 1775–1802, British
Writtle Church, Essex
ca. 1795
191
unknown artist, (BQ)
Fishing near a Waterfall
1790
192
Print made by unknown artist
View of the City of Vienna in Germany
1790
193
Thomas Girtin, 1775–1802, British
Lincoln Cathedral
ca. 1795
194
Thomas Girtin, 1775–1802, British
The Land Gate, Rye, Sussex
ca. 1795
195
Thomas Girtin, 1775–1802, British
Pevensey Castle, Sussex
ca. 1795
196
Thomas Girtin, 1775–1802, British
View of Winchelsea, Sussex
ca. 1795
197
Print made by R. Stanier, 18th century
Collection of Prints by Notable Dilettanti
1790
198
Thomas Rowlandson, 1756–1827, British
The Duchess of Devonshire and the Countess of Bessborough