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Credit Line Yale Center for British Art, Paul Mellon Fund

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Emily Mary Osborn The Governess
Emily Mary Osborn, 1828–1925, British
The Governess
1860
Not on view
Albert Joseph Moore Beads (study)
Albert Joseph Moore, 1841–1893, British
Beads (study)
ca. 1875
Not on view
Robert Smirke The Seven Ages of Man: Second Childishness, 'As You Like It,' II, vii
Robert Smirke, 1752–1845, British
The Seven Ages of Man: Second Childishness, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
Robert Smirke The Seven Ages of Man: The Lover, 'As You Like It,' II, vii
Robert Smirke, 1752–1845, British
The Seven Ages of Man: The Lover, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
Robert Smirke The Seven Ages of Man: The Justice, 'As You Like It,' II, vii
Robert Smirke, 1752–1845, British
The Seven Ages of Man: The Justice, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
Emily Calmady Sir Thomas Lawrence's Painting Room in 1824
Emily Calmady, 19th century, British
Sir Thomas Lawrence's Painting Room in 1824
1824
Henry Thomas Alken The Lover
Print made by Henry Thomas Alken, 1785–1851, British
The Lover
1824
Henry Thomas Alken The Infant
Print made by Henry Thomas Alken, 1785–1851, British
The Infant
1824
Frederick Walker Strange Faces
Frederick Walker, 1840–1875, British
Strange Faces
1862 to 1863
Thomas Gaugain Diligene and Dissipation: The Good Girl Receives the Honourable Addresses of her Master (Plate 8)
Print made by Thomas Gaugain, 1748–1812, French
Diligene and Dissipation: The Good Girl Receives the Honourable Addresses of her Master (Plate 8)
1797