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Credit Line Yale Center for British Art, Paul Mellon Fund

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Width [cm] 29

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Subject Terms women

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1. The Land of Beulah

The Land of Beulah
Creator:
Edward Burne-Jones, 1833–1898, British
Date:
1881
Medium:
Pen and black ink, pen and brown ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 7/8 x 11 3/8 inches (20 x 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

2. Little Missenden Church from the Southeast

Little Missenden Church from the Southeast
Creator:
Print made by Lydia Bates, active 1784
Date:
1784
Medium:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 7/16 x 17 1/8 inches (29 x 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3. A Choral Band

A Choral Band
Creator:
Print made by Lydia Bates, active 1784
Date:
ca. 1777
Medium:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 9/16 x 16 3/4 inches (29.4 x 42.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

4. Deucalion and Pyrrha after the Flood

Deucalion and Pyrrha after the Flood
Creator:
Print made by Lydia Bates, active 1784
Date:
1784
Medium:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 1/2 x 16 1/4 inches (29.2 x 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

5. Meuse and Sambre, from the Gate of the Sambre

Meuse and Sambre, from the Gate of the Sambre
Creator:
Print made by George Arnald, 1763–1841, British
Date:
1822
Medium:
Etching and mezzotint, printed in brown ink on moderately thick, rough, beige laid paper
Dimensions:
Sheet: 8 13/16 × 11 5/16 inches (22.4 × 28.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

6. Dinant, No. 1: Southwest View

Dinant, No. 1: Southwest View
Creator:
Print made by George Arnald, 1763–1841, British
Date:
between 1818 and 1828
Medium:
Etching and mezzotint, printed in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 3/4 x 11 3/4 inches (22.3 x 29.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

7. Dinant, No. 1: Southwest View

Dinant, No. 1: Southwest View
Creator:
Print made by George Arnald, 1763–1841, British
Date:
between 1818 and 1828
Medium:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 9/16 x 11 11/16 inches (21.7 x 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

8. Lady Time Present and Lady Time Past

Lady Time Present and Lady Time Past
Creator:
Print made by unknown artist, eighteenth century
Date:
1773
Medium:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 16 5/8 x 11 1/4 inches (42.2 x 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

9. Caen - Eglise Saint-Sauveur

Caen - Eglise Saint-Sauveur
Creator:
Print made by Richard Parkes Bonington, 1802–1828, British
Date:
1824
Medium:
Lithograph with yellow tint on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 14 1/16 x 11 5/16 inches (35.7 x 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

10. Morning on a Hillside

Morning on a Hillside
Creator:
Print made by John Copley, 1875–1950, British
Date:
1936
Medium:
Etching with gray wash on moderately thick, slightly textured, cream Asian paper
Dimensions:
Sheet: 14 7/16 x 11 7/16 inches (36.7 x 29 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

11. The Tomb of Mary Magdalene

No cover image available
Creator:
Print made by Bernard Lens II, 1659–1725, British
Date:
1690s
Medium:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 × 11 7/16 inches (22.9 × 29.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund