Credit Line: Yale Center for British Art, Paul Mellon Fund / Creator: Cox, David, 1783–1859 / Subject Terms: trees - YCBA Collections Search Search Results

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Credit Line Yale Center for British Art, Paul Mellon Fund

Creator Cox, David, 1783–1859

Subject Terms trees

1. Landscape with a Man Washing His Feet at a Fountain, after Poussin

Landscape with a Man Washing His Feet at a Fountain, after Poussin

Creator:: David Cox, 1783–1859, British
Date:: ca. 1821
Medium:: Watercolor, pen and brown ink, gum arabic, and scratching out on very thick, slightly textured, beige cardboard
Dimensions:: Sheet: 11 3/4 x 15 5/8 inches (29.8 x 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

2. The Poplar Avenue, after Hobbema

The Poplar Avenue, after Hobbema

Creator:: David Cox, 1783–1859, British
Date:: ca. 1835
Medium:: Watercolor, gouache, and black chalk on moderately thick, moderately textured, beige wove paper
Dimensions:: Mount: 14 3/4 × 20 3/16 inches (37.5 × 51.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3. Changing Pasture

Changing Pasture

Creator:: Print made by Edward Radclyffe, 1809–1863, British
Date:: undated
Medium:: Etching on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 19 3/8 inches (34.3 x 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

4. Outskirts of the Forest

Outskirts of the Forest

Creator:: Print made by Edward Radclyffe, 1809–1863, British
Date:: undated
Medium:: Etching on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 5/8 x 19 1/2 inches (34.6 x 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

5. A Welsh Funeral

A Welsh Funeral

Creator:: Print made by Edward Radclyffe, 1809–1863, British
Date:: undated
Medium:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 19 3/8 inches (34.6 x 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund