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Credit Line Yale Center for British Art, Paul Mellon Fund

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Fund

Creator Bunbury, Henry William, 1750–1811

Remove constraint Creator: Bunbury, Henry William, 1750–1811

Width [cm] 49

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Rosalind, Celia and Touchstone - "As You Like It," Act II, Scene III
Creator:
John Chapman, active ca. 1792–1823, British
Date:
1792
Medium:
Engraving and stipple engraving
Dimensions:
Sheet: 16 3/8 x 19 1/8in. (41.6 x 48.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Taming the Shrew, Act III, Scene II
Creator:
William S. Leney, 1769–1831, British
Date:
1793
Medium:
Engraving and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 9/16 × 19 1/8 inches (42.1 × 48.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II
Creator:
Robert Mitchell Meadows, Died before 1812, British
Date:
1794
Medium:
Engraving and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 5/8 × 19 1/4 inches (42.2 × 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Fallstaff Playing the Prince, The Prince Playing the King
Creator:
Print made by Thomas Macklin, active 1779–1793, British
Date:
1796
Medium:
Engraving and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 11/16 × 19 3/8 inches (42.4 × 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III
Creator:
Peltro W. Tomkins, 1760–1840, British
Date:
1792
Medium:
Line engraving and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 5/8 × 19 1/4 inches (42.2 × 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund