Credit Line: Yale Center for British Art, Paul Mellon Fund / Image Available: Available / Width [cm]: 23

Anne Seymour Damer, 1748–1828, British

Bust of Niobe's Daughter, after the Antique

1780

Not on view

George Romney, 1734–1802, British

Figure Composition Study 12

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George Romney, 1734–1802, British

Figure Composition Study 18

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George Romney, 1734–1802, British

Figure Composition Study 22

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George Romney, 1734–1802, British

Figure Composition Study 32

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George Romney, 1734–1802, British

Figure Composition Study 47

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George Romney, 1734–1802, British

Figure Composition Study 26

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George Romney, 1734–1802, British

Figure Composition Study 44

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George Romney, 1734–1802, British

Figure Composition Study 45

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George Romney, 1734–1802, British

Figure Composition Study 31

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William Blake, 1757–1827, British

Copy of the Laocoön, for Rees's Cyclopædia

1815

Laura Sylvia Gosse, 1881–1968, British

Woman in Bed

ca. 1920

Edward Francis Burney, 1760–1848, British

MacBeth: The Banquet Scene - MacBeth, Act II, Scene IV

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William Hamilton, 1751–1801, British

Nature unveils herself to the infant Shakespeare: Thomas Gray, The Progress of Poesy, III.1

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Sir Walter Thomas Monnington, 1902–1976, British

Landscape with Shepherd

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Hannah Linnell Palmer, 1818–1893, British

Bridge at Corpo di Cava

1838

Print made by William Ward, 1766–1826, British

Thoughts on Matrimony

1786

Calvert Richard Jones, 1802–1877, British

Bay of Baia

1846

George Cressal Ellis, ca. 1810–1875

Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2

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George Cressal Ellis, ca. 1810–1875

Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4

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George Cressal Ellis, ca. 1810–1875

Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1

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George Cressal Ellis, ca. 1810–1875

Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 3

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George Cressal Ellis, ca. 1810–1875

Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2

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George Cressal Ellis, ca. 1810–1875

Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1

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Print made by Benjamin Green, ca. 1736–ca. 1800, British

A Flower Piece

1779

Benjamin Holl, 1808–1884, British

Shakspeare

1827

Isaac Mendes Belisario, 1795–1849

Lady Rowe, Standing Small Full Length on a Terrace, a Moonlit Jamaican Landscape beyond

1835

William Henry Fox Talbot, 1800–1877, British

Ancient Doorway, Magdalen College, Oxford

1843

William Marshall Craig, 1763 or 1764–1829, British

Macbeth and the Apparition of the Armed Head

ca. 1820

Robert Cooper, ca. 1800–1836, British

Shakspeare

1811

Print made by John Smith, 1652–1743, British

Annunciatio Beatae Mariae Virginis

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Print made by John Smith, 1652–1743, British

Heraclytus et Democritus

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Print made by Thomas Watson, 1743–1781, British

Maria

1796

Print made by John Friedrich Leonart, 1633–1680, Flemish

Portrait of Justus van Meerstraeten

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Print made by Richard Purcell, active 1746–1766, Irish

Lady (La Bella?)

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Print made by Johann Jacobus Haid, 1704–1767

La colombe chérie

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Print made by James McArdell, ca. 1729–1765, Irish

Sleepy Maid

1756

Print made by James McArdell, ca. 1729–1765, Irish

Lisabetta

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Print made by Bernard Lens II, 1659–1725, British

Bacchus

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Print made by Elias Nessenthaler, 1664–1714

S. Andreas

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Print made by Elias Nessenthaler, 1664–1714

S. Jacobus

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Print made by John Smith, 1652–1743, British

O Rare Show

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Print made by James McArdell, ca. 1729–1765, Irish

Lisabetta

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Print made by Andrew Miller, Died 1763, British

The Magnificent Lover

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Print made by Jacob Mannl, 1654–1712

Judith with the Head of Holofernes

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Print made by James McArdell, ca. 1729–1765, Irish

Lady Elizabeth Montagu

ca. 1756

Print made by Charles Turner, 1774–1857, British

Lord Henry and Lady Charlotte Spencer : 'The Fortune Teller'

1823

Print made by John Dean, 1754–1798, British

The Bird Cage

1786

Print made by Charles Turner, 1774–1857, British

Crying Forfeits

c.1826

Print made by John Jones, ca. 1745–1797, British

Robinetta

1787

Print made by John Young, 1755–1825, British

Mrs. Bunbury

1791

Print made by William Faithorne the Younger, ca. 1669–1703, British

What's Humane Life, Where Nothing Long Can Stand? Time Flyes, Our Glory Fades, and Death's at Hand

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Print made by Nicolaas Verkolje, 1673–1746, Dutch

Man Showing a Miniature to a Girl

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Print made by James McArdell, ca. 1729–1765, Irish

Elizabeth, Countess of Berkeley

1757

Print made by Joseph Grozer, ca. 1755–1798, British

Miss Johnson

ca. 1794

Print made by Samuel Cousins, 1801–1887, British

The Countess of Blessington

1837

Print made by Charles Turner, 1774–1857, British

Mrs. Littleton

1827

Print made by Samuel Cousins, 1801–1887, British

Lady Lyndhurst

1836

Print made by George H. Phillips, active 1819–1825, British

Lady Wallscourt

1839

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Georgiana, Duchess of Devonshire

1778

Print made by John Condé, 1765–1794, French, active in Britain

His Royal Highness George Prince of Wales

1794

Print made by Robert Dunkarton, 1744–1811, British

Mrs. Billington

1786

Print made by James Watson, 1740–1790, British

Lucinda

1767

Print made by William Dickinson, 1746–1823, British

Mary Dickinson as the Country Girl

1778

Print made by James McArdell, ca. 1729–1765, Irish

Marshal Keith's Mistress

1753

Print made by James McArdell, ca. 1729–1765, Irish

Marshal Keith's Mistress

1753

Print made by Cornelis Dusart, 1660–1704, Dutch

The Patriotic Peasant

1695