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Credit Line Yale Center for British Art, Paul Mellon Fund

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Date 1797

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Period 18th century

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Francis Haward Cymon and Iphigenia
Print made by Francis Haward, 1759–1797, British
Cymon and Iphigenia
1797
Charles Knight Lady Hamilton as a Bacchante
Print made by Charles Knight, 1743–c.1826, British
Lady Hamilton as a Bacchante
1797
William Nelson Gardiner Mr. Kemble, of the Theatre Royal, Drury Lane
Print made by William Nelson Gardiner, 1766–1814, Irish
Mr. Kemble, of the Theatre Royal, Drury Lane
1797
Thomas Gaugain Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)
Print made by Thomas Gaugain, 1748–1812, French
Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)
1797
Thomas Gaugain Diligence and Dissipation: The Modest Girl in her Bed Chamber (Plate 4)
Print made by Thomas Gaugain, 1748–1812, French
Diligence and Dissipation: The Modest Girl in her Bed Chamber (Plate 4)
1797
Thomas Gaugain Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)
Print made by Thomas Gaugain, 1748–1812, French
Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)
1797
Thomas Gaugain Diligence and Dissipation: The Modest Girl rejects the Illicit Addresses of her Master (Plate 6)
Print made by Thomas Gaugain, 1748–1812, French
Diligence and Dissipation: The Modest Girl rejects the Illicit Addresses of her Master (Plate 6)
1797
Thomas Gaugain Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)
Print made by Thomas Gaugain, 1748–1812, French
Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)
1797
Thomas Gaugain Diligence and Dissipation: The Good Girl Married to her Master/ The Wanton laid in her Grave (Plate 10)
Print made by Thomas Gaugain, 1748–1812, French
Diligence and Dissipation: The Good Girl Married to her Master/ The Wanton laid in her Grave (Plate 10)
1797
Thomas Gaugain Diligence and Dissipation: The Wanton Dying in Poverty and Disease Visited by the Modest Girl (Plate 9)
Print made by Thomas Gaugain, 1748–1812, French
Diligence and Dissipation: The Wanton Dying in Poverty and Disease Visited by the Modest Girl (Plate 9)
1797
Thomas Gaugain Diligence and Dissipation: The Modest Girl and the Wanton/ Fellow Servants in a Gentleman's House (Plate 1)
Print made by Thomas Gaugain, 1748–1812, French
Diligence and Dissipation: The Modest Girl and the Wanton/ Fellow Servants in a Gentleman's House (Plate 1)
1797
Thomas Gaugain Diligence and Dissipation: The Wanton turn'd out of Doors for Misconduct (Plate 5)
Thomas Gaugain, 1748–1812, French
Diligence and Dissipation: The Wanton turn'd out of Doors for Misconduct (Plate 5)
1797
Thomas Gaugain Diligene and Dissipation: The Good Girl Receives the Honourable Addresses of her Master (Plate 8)
Print made by Thomas Gaugain, 1748–1812, French
Diligene and Dissipation: The Good Girl Receives the Honourable Addresses of her Master (Plate 8)
1797
Charles Wilkin The Right Honourable Charlotte Viscountess St. Asaph
Print made by Charles Wilkin, 1750–1814, British
The Right Honourable Charlotte Viscountess St. Asaph
1797
William Ward The Daughters of Sir Thomas Frankland
Print made by William Ward, 1766–1826, British
The Daughters of Sir Thomas Frankland
1797
Charles Wilkin The Right Honourable Lady Charlotte Duncombe
Print made by Charles Wilkin, 1750–1814, British
The Right Honourable Lady Charlotte Duncombe
1797
Paul Sandby Munn Shanklin Chine, Isle of Wight
Paul Sandby Munn, 1773–1845, British
Shanklin Chine, Isle of Wight
1797
George Cruikshank A Fancy Sketch, to the Memory of Shakespeare
Print made by George Cruikshank, 1792–1878, British
A Fancy Sketch, to the Memory of Shakespeare
1797