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Credit Line Yale Center for British Art, Paul Mellon Fund

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Date 1682

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Catherine of Braganza
Creator:
Print made by Edward Le Davis, active 1671–1691, British
Date:
1682
Medium:
Line engraving and etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 18 7/8 × 10 13/16 inches (47.9 × 27.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Keay Nabee Naia-wi-Praia & Keay Abi Jaya Sedana, Ambassadors from the Sultan of Bantam to His Majesties of Great Britain
Creator:
Edward Luttrell, active 1680–1724, British
Date:
1682
Medium:
Mezzotint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/16 x 8 inches (16.3 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Virgin and Child
Creator:
Print made by Elisha Kirkall, ca. 1682–1742, British
Date:
undated
Medium:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 1/2 × 14 1/4 inches (49.5 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Flowers in a Glass Vase with Fruit and Butterflies
Creator:
Print made by Robert Robinson, active 1674–1706, British
Date:
1682
Medium:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/16 × 6 9/16 inches (23 × 16.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Apollo and Daphne
Creator:
Print made by Elisha Kirkall, ca. 1682–1742, British
Date:
undated
Medium:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 9/16 × 9 1/8 inches (16.7 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Flight into Egypt
Creator:
Print made by Elisha Kirkall, ca. 1682–1742, British
Date:
undated
Medium:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 1/8 × 13 11/16 inches (28.3 × 34.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund