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Credit Line Yale Center for British Art, Paul Mellon Fund

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George Romney Anne Wilson and Her Daughter, Sybill
George Romney, 1734–1802, British
Anne Wilson and Her Daughter, Sybill
between 1776 and 1777
Not on view
Sir David Wilkie The Pedlar
Sir David Wilkie, 1785–1841, British
The Pedlar
1814
Not on view
Alfred Elmore Pompeii, A.D. 79
Alfred Elmore, 1815–1881, Irish
Pompeii, A.D. 79
1878
Not on view
Sir Lawrence Alma-Tadema Sunny Days
Sir Lawrence Alma-Tadema, 1836–1912, Dutch, active in Britain (from 1870)
Sunny Days
1874
Not on view
Richard Redgrave The Deserter's Home
Richard Redgrave, 1804–1888, British
The Deserter's Home
1847
Not on view
Thomas Creswick Figures on a Balcony, probably at Westpoint
Thomas Creswick, 1811–1869, British
Figures on a Balcony, probably at Westpoint
ca. 1843
Not on view
Charles Ginner The Fruit Stall, King's Cross
Charles Ginner, 1878–1952, British
The Fruit Stall, King's Cross
1914
Not on view
James Barry The Education of Achilles
James Barry, 1741–1806, Irish
The Education of Achilles
ca. 1772
Not on view
Robert Smirke The Seven Ages of Man: Second Childishness, 'As You Like It,' II, vii
Robert Smirke, 1752–1845, British
The Seven Ages of Man: Second Childishness, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
George Cruikshank The First Appearance of William Shakespeare on the Stage of the Globe Theatre
George Cruikshank, 1792–1878, British
The First Appearance of William Shakespeare on the Stage of the Globe Theatre
1864 to 1865
Not on view
Robert Smirke The Seven Ages of Man: The Pantaloon, 'As You Like It,' II, vii
Robert Smirke, 1752–1845, British
The Seven Ages of Man: The Pantaloon, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
Michael Chuke The Stowe Reliefs: Mercury conducting Tragic and Comic Poetry to the Hill of Parnassus
Attributed to Michael Chuke, 1679–1742, British
The Stowe Reliefs: Mercury conducting Tragic and Comic Poetry to the Hill of Parnassus
ca. 1715
Not on view
Michael Chuke The Stowe Reliefs: Allegorical scene, possibly Truth revealing herself to the Liberal Arts
Attributed to Michael Chuke, 1679–1742, British
The Stowe Reliefs: Allegorical scene, possibly Truth revealing herself to the Liberal Arts
ca. 1715
Not on view