Credit Line: Yale Center for British Art, Paul Mellon Fund / On-site Access: Accessible by appointment in the Study Room / Width [cm]: 14

George Romney, 1734–1802, British

Figure Composition Study 20

undated

George Romney, 1734–1802, British

Figure Composition Study 6

undated

Richard Parkes Bonington, 1802–1828, British

Bergues - La Tour du March,

Thomas Worlidge, 1700–1766, British

The Painter's Study

John Massey Wright, 1777–1866, British

Mrs. Martha Udney

undated

Print made by Stephen Buckley, born 1944, British

Untitled

1979

Print made by Stephen Buckley, born 1944, British

Untitled

1979

Print made by Stephen Buckley, born 1944, British

Untitled

1979

Wenceslaus Hollar, 1607–1677, Bohemian

Portrait of Inigo Jones

1655

William Mulready, 1786–1863, Irish

The Disobedient Prophet

1848, retouched 1863

John Scarlett Davis, 1804–1845, British

Street Scene in Calais

undated

Print made by George Richmond, 1809–1896, British

The Fatal Bellman

1827

Paul Nash, 1889–1946, British

Winter, Hampden

1921

John Banting, 1902–1972, British

The 100th Lie

1931

William Holl, 1807–1871, British

Guglielm Shakspeare

1827

John Swaine, 1775–1860, British

Shakspeare from the First Folio Edition

Untitled: William Shakespeare

unknown artist

Shakspeare

unknown artist

Untitled: William Shakespeare

Shakspeare

Shakespeare

1807

Thomas Hollis, 1818–1843, British

Shakspeare

Thomas Trotter, ca. 1750–1803, British

William Shakspeare

1794

Shakspeare

Thomas Cook, 1744–1818, British

Shakespeare

George Vertue, 1684–1756, British

William Shakespeare

Benjamin Holl, 1808–1884, British

Untitled: Shakspeare

ca. 1827

William Holl, 1807–1871, British

William Shakspeare

Shakspeare

1827

Shakspeare

William Finden, 1787–1852, British

William Shakspeare. From the Monumental Effigy in the Church at Stratford upon Avon

1820

Print made by Bernard Lens II, 1659–1725, British

Bacchus

undated

Print made by Robert Robinson, active 1674–1706, British

Exotic Birds

undated

Print made by unknown artist, seventeenth century-eighteenth century

S. Maria Magdalena

undated

Print made by John Smith, 1652–1743, British

Vanity

undated

Print made by John Smith, 1652–1743, British

Cupid

undated

Print made by John Smith, 1652–1743, British

Venus Witholding Adonis From the Chase

undated

Print made by John Smith, 1652–1743, British

Venus Holding the Apple of Paris

1695

Print made by John Smith, 1652–1743, British

Peasants Smoking

undated

Print made by John Smith, 1652–1743, British

Holy Family

undated

Print made by John Smith, 1652–1743, British

Some Smokers

undated

Print made by John Smith, 1652–1743, British

Phoebus and Leucothea

undated

Print made by Jean Massard, 1740–1822, French

Hubert Gravelot

between 1768 and 1774

Print made by John Dixon, ca. 1740–1811, Irish

A Peasant Family

between 1765 and 1771

Print made by Gerard Valk, 1651/2–1726, Dutch

A Flower Piece

undated

Print made by unknown artist, seventeenth century

Lucretia

ca. 1684

Print made by Robert Robinson, active 1674–1706, British

Elijah

undated

Print made by Wallerant Vaillant, 1623–1677, Dutch

Man with a Jug

undated

unknown artist, (Francois, Thomas after 'B')

Talma, role d'Hamlet et Mlle. Duchenois, role de Gertrude, no. 277

Print made by William Nelson Gardiner, 1766–1814, Irish

Mr. Kemble, of the Theatre Royal, Drury Lane

1797

Georg Goldberg, 1830–1894, German

"Antony and Cleopatra," Act III, Scene XI

undated

Charles Heath, 1785–1848, British

Stratford-on-Avon

1824

Le Blond & Co., 1819–1894, British

Lake Lugano, Italy

Attributed to John Hassell, 1767–1825, British

Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers

1810

Henri Gaudier-Brzeska, 1891–1915, French

Two Full-Length Figures

between 1910 and 1915

Henri Gaudier-Brzeska, 1891–1915, French

Four Studies of Dancing Figures

between 1910 and 1915

Henri Gaudier-Brzeska, 1891–1915, French

Five Studies of Dancing Figures

between 1910 and 1915

Henri Gaudier-Brzeska, 1891–1915, French

Dancing Figure

between 1910 and 1915

Sir Joshua Reynolds, 1723–1792, British

Two Sketches of Group

undated

Sir Joshua Reynolds, 1723–1792, British

Knight 'Titian'

undated

Paul Drury, 1903–1987, British

After Work

1926

Print made by Francis Place, 1647–1728, British

William Lodge

between 1675 and 1700

Print made by unknown artist, seventeenth century

Portrait of Young Man

undated

Print made by Prince Rupert, 1619–1682, British

Portrait of a Young Man

1659

Print made by Prince Rupert, 1619–1682, British

Masonic Symbol

1661

Print made by Johann Ulrich Kraus, 1655–1719, German

A Bacchanian Scene

undated

Print made by Bernard Lens II, 1659–1725, British

Ecce Homo

undated

Sir Joshua Reynolds, 1723–1792, British

Figure

undated

Print made by Abraham Blooteling, 1640–1690, Dutch

Peasant Counting Money

between 1670 and 1690

Print made by Abraham Blooteling, 1640–1690, Dutch

The Empty Glass

between 1670 and 1690

Print made by Abraham Blooteling, 1640–1690, Dutch

The Barber

between 1670 and 1690

Print made by Edward Fisher, 1722–1785, British

Peter Abelard (1079-1142), French scholastic philosopher

1779

Print made by Bernard Lens II, 1659–1725, British

A Japan Gentlewoman

1680-1690s

Print made by William Faithorne the Younger, ca. 1669–1703, British

Flora

undated

Richard Westall, 1765–1836, British

Joshua and the Angel (Joshua 5:13)

before 1835

Richard Westall, 1765–1836, British

Christ Raising the Widow's Son (Luke 7:13-16)

before 1836

Isaac Taylor, 1730–1807, British

Unidentified Periodical / Play Illustration

undated

Print made by Richard Parkes Bonington, 1802–1828, British

Bergues - La Tour du Marché

1824

Print made by Frank Auerbach, born 1931, British

Lucian Freud

1981

Attributed to John Hassell, 1767–1825, British

Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers

1810

Attributed to John Hassell, 1767–1825, British

Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers

1810

Attributed to John Hassell, 1767–1825, British

Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers

1810

Attributed to John Hassell, 1767–1825, British

Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers

1810

Attributed to John Hassell, 1767–1825, British

Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers

1810

Attributed to John Hassell, 1767–1825, British

Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers

1810

Attributed to John Hassell, 1767–1825, British

Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers

1810

Attributed to John Hassell, 1767–1825, British

Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers

1810

Attributed to John Hassell, 1767–1825, British

Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers

1810

Attributed to John Hassell, 1767–1825, British

Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers

1810

Attributed to John Hassell, 1767–1825, British

Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers

1810

Attributed to John Hassell, 1767–1825, British

Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers

1810

Attributed to John Hassell, 1767–1825, British

Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers

1810

after Sylvester Harding, 1745–1809, British

Shakspeare from an original Picture in the Possession of the late Duke of Chandois

Shakspeare from the Chandos Picture

Print made by Louis Sailliar, 1748–1795, French

His Royal Highness George Prince of Wales

1786-1787

Print made by Robert Robinson, active 1674–1706, British

Couple of Herders by a Cascade

between 1683 and 1695

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Credit Line Yale Center for British Art, Paul Mellon Fund

On-site Access Accessible by appointment in the Study Room

Width [cm] 14

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Credit Line Yale Center for British Art, Paul Mellon Fund

On-site Access Accessible by appointment in the Study Room

Width [cm] 14

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