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Credit Line Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

Associated Places United Kingdom

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Image Use Free to Use

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Westminster Bridge under Construction
Creator:
Samuel Scott, 1701/2–1772, British
Date:
undated
Medium:
Gray wash, graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/8 x 28 3/8 inches (35.9 x 72.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett
The Thames with Montagu House and Westminster Bridge
Creator:
Samuel Scott, 1701/2–1772, British
Date:
undated
Medium:
Watercolor, graphite, pen and black ink and gouache on medium, slightly textured, beige laid paper with medium, slightly textured, cream wove paper border, mounted on linen, backed with medium, slightly textured, blue laid paper
Dimensions:
Sheet: 17 1/4 x 36 inches (43.8 x 91.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett
A Wood Yard on the Thames at Nine Elms
Creator:
Samuel Scott, 1701/2–1772, British
Date:
undated
Medium:
Watercolor, graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/4 x 35 1/8 inches (34.9 x 89.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett
Figures and Boats on the Thames
Creator:
Samuel Scott, 1701/2–1772, British
Date:
undated
Medium:
Watercolor, graphite, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 x 34 7/8 inches (29.8 x 88.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett
A Town House on the Thames
Creator:
Samuel Scott, 1701/2–1772, British
Date:
undated
Medium:
Watercolor and graphite on medium, slightly textured, beige laid paper, with thin, slightly textured, blue laid paper border, mounted on linen backed with moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 x 40 1/8 inches (40.6 x 101.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett
A Thames Wharf with Westminster Bridge in the Distance
Creator:
Samuel Scott, 1701/2–1772, British
Date:
undated
Medium:
Watercolor, graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/2 x 35 3/4 inches (36.8 x 90.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett
Thames Side Buildings
Creator:
Samuel Scott, 1701/2–1772, British
Date:
undated
Medium:
Watercolor, graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/8 x 33 inches (36.5 x 83.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett
A View of Edinburgh from the South Looking towards Dalkeith
Creator:
Samuel Scott, 1701/2–1772, British
Date:
undated
Medium:
Watercolor, graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Mount: 15 1/4 x 38 1/4 inches (38.7 x 97.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett
A View of the Estate at Esholt Hall, Yorkshire
Creator:
Samuel Scott, 1701/2–1772, British
Date:
undated
Medium:
Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/4 x 33 5/8 inches (40 x 85.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett
Mr. Vaughan's, Boys Hill, Dorset
Creator:
Samuel Scott, 1701/2–1772, British
Date:
undated
Medium:
Watercolor, graphite and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Mount: 21 1/4 x 42 1/2 inches (54 x 108 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett