Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Mer de Glace, Valley of Chamouni, Savoy
1812
2
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Mer de Glace, Valley of Chamouni, Savoy
1812
3
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Entrance of Calais Harbour
1816
4
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Entrance of Calais Harbour
1816
5
Etched by Joseph Mallord William Turner, 1775–1851, British
Bonneville, Savoy
1816
6
Etched by Joseph Mallord William Turner, 1775–1851, British
Bonneville, Savoy
1816
7
Etched by Joseph Mallord William Turner, 1775–1851, British
Bonneville, Savoy
1816
8
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Entrance of Calais Harbour
1816
9
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Mer de Glace, Valley of Chamouni, Savoy
1812
10
Frederick Christian Lewis the Elder, 1779–1856, British
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
1802
11
Print made by Sigismond Himely, 1801–1872, French
Rouen, looking up the River
undated
12
Print made by Thomas Girtin, 1775–1802, British
View of the Pantheon taken from the Arsenal
1803
13
Print made by Sigismond Himely, 1801–1872, French
Rouen, looking up the River
undated
14
Print made by Robert Brandard, 1805–1862, British
Quilleboeuf
1834
15
Print made by John Cousen, 1804–1880, British
Château Gaillard, from the South (Vignette)
1835
16
Print made by Robert Wallis, 1794–1878, British
Havre
1832
17
Print made by William Miller, 1796–1882, British
Nantes
1833
18
Print made by Robert Brandard, 1805–1862, British
Blois
1833
19
Print made by W. R. Smith, active 1819–1851
Amboise
1833
20
Print made by Thomas Jeavons, ca. 1800–1867, British
Canal of the Loire and Cher, near Tours
1833
21
Print made by James Baylis Allen, 1803–1876, British
Château of Amboise
1833
22
Print made by Robert Brandard, 1805–1862, British
Tours
1833
23
Print made by Robert Wallis, 1794–1878, British
Tours - looking backwards
1833
24
Print made by James Baylis Allen, 1803–1876, British
Havre
1834
25
Print made by Robert Wallis, 1794–1878, British
Havre, Tower of Francis I
1834
26
Print made by John Cousen, 1804–1880, British
Harfleur
1834
27
Print made by John Cousen, 1804–1880, British
Light Towers of the Heve
1834
28
Print made by James Baylis Allen, 1803–1876, British
Caudebec
1834
29
Print made by James T. Willmore, 1800–1863, British
Lillebonne, Château
1834
30
Print made by Robert Brandard, 1805–1862, British
La Chaise de Gargantua near Duclair
1834
31
Print made by James Charles Armytage, 1802–1897, British
Jumièges
1834
32
Print made by William Miller, 1796–1882, British
Rouen, looking down the river
1834
33
Print made by Robert Brandard, 1805–1862, British
Rouen, looking up the river
1834
34
Print made by James T. Willmore, 1800–1863, British
Vernon
1835
35
Print made by James T. Willmore, 1800–1863, British
Pont de l'Arche
1835
36
Print made by Robert Brandard, 1805–1862, British
View on the Seine between Mantes and Vernon
1835
37
Print made by James Baylis Allen, 1803–1876, British
St. Germains
1835
38
Print made by John Horsburgh, 1791–1869, British
Napoleon's Logement, Quai Conti
1834-1836
39
Print made by William Miller, 1796–1882, British
Pont-Neuf, Paris
1835
40
Print made by William Miller, 1796–1882, British
St. Cloud
1834
41
Print made by Robert Brandard, 1805–1862, British
Beaugency
1833
42
Print made by James T. Willmore, 1800–1863, British
Saumur
1833
43
Print made by Robert Brandard, 1805–1862, British
Rietz near Saumur
1833
44
Print made by James T. Willmore, 1800–1863, British
Montjen
1833
45
Print made by Robert Wallis, 1794–1878, British
Scene on the Loire
1833
46
Print made by William Miller, 1796–1882, British
Between Clairmont and Mauves
1833
47
Print made by Robert Brandard, 1805–1862, British
Château Hamelin
1833
48
Print made by Robert Wallis, 1794–1878, British
Coteaux de Mauves
1831
49
Print made by James T. Willmore, 1800–1863, British
Clairmont
1833
50
Print made by Robert Brandard, 1805–1862, British
Graville
1834
51
Print made by Thomas Jeavons, ca. 1800–1867, British
Lillebonne, Château and Tower
1834
52
Print made by Robert Brandard, 1805–1862, British
Château de Tancarville with Town of Quilleboeuf
1834
53
Print made by James T. Willmore, 1800–1863, British
Tancarville
1834
54
Thomas Girtin, 1775–1802, British
The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance
1802
55
Thomas Girtin, 1775–1802, British
View of the Pantheon, Paris
1802
56
Thomas Girtin, (etching), 1775–1802, British
The Watermill Above the Bridge at Charenton
1803
57
Print made by Robert Brandard, 1805–1862, British
Château de la Mailleraie
1834
58
Print made by James T. Willmore, 1800–1863, British
The Lanterne of St. Cloud
1835
59
Print made by John Horsburgh, 1791–1869, British
Napoleon's Logement, Quai Conti
1834
60
Print made by William Miller, 1796–1882, British
Brienne
1834
61
Print made by William Miller, 1796–1882, British
Hotel de Ville, Paris
1834
62
Print made by James T. Willmore, 1800–1863, British
Nantes
1828-1837
63
Print made by Robert Wallis, 1794–1878, British
Saumur
1830
64
Print made by Robert Wallis, 1794–1878, British
Saumur
1830
65
Print made by James T. Willmore, 1800–1863, British
Nantes
1828-1837
66
Print made by Robert Wallis, 1794–1878, British
St. Germain-en-Laye
1828-1837
67
Print made by John Cousen, 1804–1880, British
Honfleur
1834
68
Print made by James T. Willmore, 1800–1863, British
Nantes
1828-1837
69
Print made by James T. Willmore, 1800–1863, British
Nantes
1828-1832
70
Print made by Robert Wallis, 1794–1878, British
St. Germain-en-Laye
1828-1837
71
Print made by William Miller, 1796–1882, British
Palace of La Belle Gabrielle
1828-1837
72
Print made by William Miller, 1796–1882, British
Palace of La Belle Gabrielle
1828-1837
73
Print made by Robert Brandard, 1805–1862, British
Château Hamelin
1833
74
Print made by Robert Wallis, 1794–1878, British
Scene on the Loire
1833
75
Print made by James Charles Armytage, 1802–1897, British
Confluence of the Seine and Marne
1835
76
Print made by William Miller, 1796–1882, British
Pont-Neuf, Paris
1835
77
Print made by William Miller, 1796–1882, British
Melun
1835
78
Print made by James Charles Armytage, 1802–1897, British
Confluence of the Seine and Marne
1835
79
Print made by James Charles Armytage, 1802–1897, British
Troyes
1834
80
Print made by William Miller, 1796–1882, British
Melun
1835
81
Print made by James Charles Armytage, 1802–1897, British
Troyes
1834
82
Print made by John Cousen, 1804–1880, British
Château Gaillard, from the South (Vignette)
1835
83
Print made by Robert Brandard, 1805–1862, British
Blois
1833
84
Print made by Robert Brandard, 1805–1862, British
Rouen, looking up the river
1834
85
Print made by Robert Brandard, 1805–1862, British
Rouen, looking up the river
1834
86
Print made by Robert Brandard, 1805–1862, British
Beaugency
1833
87
Print made by William Miller, 1796–1882, British
Brienne
1834
88
Print made by William Miller, 1796–1882, British
Brienne
1834
89
Print made by William Miller, 1796–1882, British
Nantes
1833
90
Thomas Girtin, 1775–1802, British
View of St. Cloud and Mount Calvary taken from Pont de Seve
1802
91
Print made by Robert Wallis, 1794–1878, British
St. Germain-en-Laye
1831
92
Print made by Robert Wallis, 1794–1878, British
St. Germain-en-Laye
1826-1837
93
Thomas Girtin, 1775–1802, British
View of the City with the Louvre &c., taken from Pont Marie
1802
94
etching by Thomas Girtin, 1775–1802, British
A General View of Paris taken from Chaillot
1803
95
Thomas Girtin, 1775–1802, British
A View of Pont Neuf, the Mint, &c
1803
96
Thomas Girtin, 1775–1802, British
View of the Gate of St. Denis taken from the Suburbs
1802
97
Thomas Girtin, 1775–1802, British
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
98
Thomas Girtin, 1775–1802, British
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
1803
99
Thomas Girtin, 1775–1802, British
View of the Pantheon taken from the Arsenal
1803
100
Thomas Girtin, 1775–1802, British
View of Pont de la Tournelle and Notre Dame taken from the Arsenal