Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
ca. 1797
2
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 23, "We censure nature for a span too short"
ca. 1797
3
William Blake, 1757–1827, British
The Man Sweeping the Interpreter's Parlour
ca. 1822
4
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
ca. 1788
5
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Frontispiece Proof Impression
ca. 1820
6
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 11, "To labours mighty...."
1804 to 1820
7
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 14, "One hair nor particle of dust...."
1804 to 1820
8
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 2, Title Page
1804 to 1820
9
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."
1804 to 1820
10
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 3, "To the Public...."
1804 to 1820
11
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 30, "And the Two that escaped...."
1804 to 1820
12
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 39, "By Satans Watch-fiends...."
1804 to 1820
13
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
1804 to 1820
14
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
15
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
1797
16
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
1797
17
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
1797
18
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."
1804 to 1820
19
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 48, "These were his last words...."
1804 to 1820
20
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 58, "In beauty the Daughters of Albion...."
1804 to 1820
21
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 6, "His Spectre driv'n...."
1804 to 1820
22
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 71, "And above Albions Land...."
1804 to 1820
23
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 72, "And the Thirty-two Counties...."
1804 to 1820
24
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 74, "The Four Zoa's clouded rage...."
1804 to 1820
25
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 75, "And Rahab Babylon the Great...."
1804 to 1820
26
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
1789
27
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 16, "Night" (Bentley 20)
1789
28
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 37, "And One stood forth...."
1804 to 1820
29
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 44, "With one accord...."
1804 to 1820
30
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 46, "Bath, mild Physician...."
1804 to 1820
31
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
1789
32
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
ca. 1797
33
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 27, "O treacherous conscience!"
ca. 1797
34
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
ca. 1797
35
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
ca. 1797
36
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
ca. 1797
37
Print made by William Blake, 1757–1827, British
At Length for Hatching Ripe He Breaks the Shell; Plate 8
1793
38
Print made by William Blake, 1757–1827, British
Aged Ignorance; Plate 13
1793
39
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)
1794
40
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)
1789
41
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
1789
42
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)
1789
43
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
1789
44
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)
1794
45
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)
1826
46
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"
1826
47
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
1789
48
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 26, "Spring" (Bentley 23)
1789
49
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
1797
50
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
1797
51
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
1797
52
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
1797
53
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)
1794
54
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
1794
55
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 3, "Preludium"
1794
56
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
1794
57
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 1, Title Page
1826
58
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"
1826
59
Simon Gribelin, 1662–1733, French, active in Britain
From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720
ca. 1720
60
John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain
Sir Godfrey Kneller
1735
61
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Ticket: For the Benefit of Mr. Salpietro
1799
62
Print made by Samuel William Reynolds, 1773–1835, British
Vulture and Lamb
1799
63
Print made by Alfred Henry Forrester, 1804–1872, British
Wrapper for six prints from Alfred Crowquill's Christmas Pieces
undated
64
Print made by John Doyle ('H.B.'), 1797–1868, Irish
The Harpies Attacking the Daughters of Pandarus
1848
65
Print made by Thomas Burke, 1749–1815, British
Cupid and Cephisa: "One Day as I was Walking in the Woods..."
1789
66
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Ticket: For the Benefit of Mr. Salpietro
1799
67
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Ticket to Westminster Abbey
before 1791
68
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão
before 1797
69
Edward Fisher, 1722–1785, British
Hope Nursing Love
1771
70
Print made by Henry J. Townsend, 1810–1890, British
Where the Bee Sucks. The Tempest, Act V, Scene I, Ariel on a Hammock of Convolvulus
1853
71
Print made by Isaac Fuller, 1606/20–1672, British
Putto Holding a Torch
undated
72
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Meeting of a Family in Heaven
1808, published 1813
73
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Day of Judgment
1808, published 1813
74
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Death of the Good Old Man
1808, published 1813
75
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford, Angel Contemplating the Mystery of the Cross
1785
76
George H. Phillips, active 1819–1825, British
The Paphian Bower
1826
77
Print made by Guillaume Sulpice Chevalier, 1804–1866, French
Intemperance
undated
78
Print made by John Martin, 1789–1854, British
Pandemonium
1831
79
Print made by Thomas Gaugain, 1748–1812, French
James Beattie, LL.D
1805
80
Print made by Samuel Freeman, 1773–1857, British
Iris
1808
81
unknown artist, (Richard Hayes)
Ornamental Ticket for Society of Painters
1690
82
Print made by Thomas Burke, 1749–1815, British
Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."
1789
83
Print made by James Gillray, 1756–1815, British
Shakespeare Sacrificed; or, The Offering to Avarice
1789
84
James Gillray, 1756–1815, British
Presages of the Millenium
1795
85
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Lovelace in Prison
1788
86
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Venus Childing Cupid
1784
87
Print made by Simon Gribelin, 1662–1733, French, active in Britain
The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland
1720
88
Print made by Simon Gribelin, 1662–1733, French, active in Britain
The Ceiling in the Banqueting House at Whitehall
ca. 1720
89
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Venus Chiding Cupid
1784
90
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Ticket: For the Benefit of Mr. Salpietro
1799
91
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Ticket to Westminster Abbey
before 1791
92
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Ticket: Walker's Lectures
1794
93
Print made by George Bickham the Elder, 1683/4–1758, British
One eagle, one owl and three owlets, a Pl. for 'A New Drawing Book...of Various Kinds of Birds Drawn from the Life by Mr. Francis Barlow' 1731 (1 of 9)
1731
94
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
The Virgin
1778
95
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Cupid Disarmed by Venus
1804
96
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Ticket: For the Benefit of Mr. Salomon
1794
97
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Ticket: Mr. Cox's Museum
1772
98
Print made by Placido Columbani, born ca. 1744, active 1801, Italian, active in Britain
At Rome
undated
99
Print made by Placido Columbani, born ca. 1744, active 1801, Italian, active in Britain
At the City of Albano
undated
100
Print made by Placido Columbani, born ca. 1744, active 1801, Italian, active in Britain