Credit Line: Yale Center for British Art, Paul Mellon Collection / Subject Terms: wings - YCBA Collections Search Search Results

<< YCBA Home << YCBA Home

Start Over

You searched for:

Credit Line Yale Center for British Art, Paul Mellon Collection

Subject Terms wings

Sir James Thornhill Jacob's Dream

Sir James Thornhill, 1675–1734, British

Jacob's Dream

1705

Not on view

Philippe-Jacques de Loutherbourg The Angel Binding Satan

Philippe-Jacques de Loutherbourg, 1740–1812, French, active in Britain (from 1771)

The Angel Binding Satan

ca. 1797

Not on view

Joseph Highmore The Angel of Mercy

Joseph Highmore, 1692–1780, British

The Angel of Mercy

ca. 1746

Not on view

Henry Fuseli The Mandrake: A Charm

Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on)

The Mandrake: A Charm

exhibited RA 1785

Not on view

Sir James Thornhill A Sketch of Gratitude Crowned by Peace, with Other Allegorical Figures of Industry, Fame and Plenty

Sir James Thornhill, 1675–1734, British

A Sketch of Gratitude Crowned by Peace, with Other Allegorical Figures of Industry, Fame and Plenty

between 1712 and 1713

Not on view

Alfred Gilbert St. George

Alfred Gilbert, 1854–1934, British

St. George

1891 to 1896

Not on view

George Stubbs Owl Standing, Anterior View

George Stubbs, 1724–1806, British

Owl Standing, Anterior View

1795 to 1806

George Stubbs Owl Standing, Anterior View

George Stubbs, 1724–1806, British

Owl Standing, Anterior View

1795 to 1806

William Blake Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

ca. 1797

William Blake Young's Night Thoughts, Page 23, "We censure nature for a span too short"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 23, "We censure nature for a span too short"

ca. 1797

William Blake The Man Sweeping the Interpreter's Parlour

William Blake, 1757–1827, British

The Man Sweeping the Interpreter's Parlour

ca. 1822

William Blake Mary Magdalen at the Sepulchre

William Blake, 1757–1827, British

Mary Magdalen at the Sepulchre

ca. 1805

William Blake The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 45, "The Progress of Poesy."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 45, "The Progress of Poesy."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 67, "The Fatal Sisters."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 67, "The Fatal Sisters."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 77, "The Descent of Odin."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 77, "The Descent of Odin."

between 1797 and 1798

William Blake There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

Print made by William Blake, 1757–1827, British

There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

ca. 1788

William Blake Europe. A Prophecy, Frontispiece Proof Impression

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Frontispiece Proof Impression

ca. 1820

William Blake Jerusalem, Plate 11, "To labours mighty...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 11, "To labours mighty...."

1804 to 1820

William Blake Jerusalem, Plate 14, "One hair nor particle of dust...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 14, "One hair nor particle of dust...."

1804 to 1820

William Blake Jerusalem, Plate 2, Title Page

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 2, Title Page

1804 to 1820

William Blake Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."

1804 to 1820

William Blake Jerusalem, Plate 3, "To the Public...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 3, "To the Public...."

1804 to 1820

William Blake Jerusalem, Plate 30, "And the Two that escaped...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 30, "And the Two that escaped...."

1804 to 1820

William Blake Jerusalem, Plate 39, "By Satans Watch-fiends...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 39, "By Satans Watch-fiends...."

1804 to 1820

William Blake Jerusalem, Plate 4, "Jerusalem / Chap. 1...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 4, "Jerusalem / Chap. 1...."

1804 to 1820

William Blake Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

1797

William Blake Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

1797

William Blake Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

1797

William Blake Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"

1797

William Blake Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."

1804 to 1820

William Blake Jerusalem, Plate 48, "These were his last words...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 48, "These were his last words...."

1804 to 1820

William Blake Jerusalem, Plate 58, "In beauty the Daughters of Albion...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 58, "In beauty the Daughters of Albion...."

1804 to 1820

William Blake Jerusalem, Plate 6, "His Spectre driv'n...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 6, "His Spectre driv'n...."

1804 to 1820

William Blake Jerusalem, Plate 71, "And above Albions Land...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 71, "And above Albions Land...."

1804 to 1820

William Blake Jerusalem, Plate 72, "And the Thirty-two Counties...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 72, "And the Thirty-two Counties...."

1804 to 1820

William Blake Jerusalem, Plate 74, "The Four Zoa's clouded rage...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 74, "The Four Zoa's clouded rage...."

1804 to 1820

William Blake Jerusalem, Plate 75, "And Rahab Babylon the Great...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 75, "And Rahab Babylon the Great...."

1804 to 1820

William Blake The Poems of Thomas Gray, Design 101, "Ode for Music."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 101, "Ode for Music."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 5, "Ode on the Spring."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 5, "Ode on the Spring."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 63, "The Bard."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 63, "The Bard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 93, "Ode for Music."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 93, "Ode for Music."

between 1797 and 1798

William Blake Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)

Print made by William Blake, 1757–1827, British

Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)

1789

William Blake Songs of Innocence, Plate 16, "Night" (Bentley 20)

Print made by William Blake, 1757–1827, British

Songs of Innocence, Plate 16, "Night" (Bentley 20)

1789

William Blake Jerusalem, Plate 37, "And One stood forth...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 37, "And One stood forth...."

1804 to 1820

William Blake Jerusalem, Plate 44, "With one accord...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 44, "With one accord...."

1804 to 1820

William Blake Jerusalem, Plate 46, "Bath, mild Physician...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 46, "Bath, mild Physician...."

1804 to 1820

William Blake The Poems of Thomas Gray, Design 47, "The Progress of Poesy."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 47, "The Progress of Poesy."

between 1797 and 1798

William Blake Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)

Print made by William Blake, 1757–1827, British

Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)

1789

William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

ca. 1797

William Blake Young's Night Thoughts, Page 27, "O treacherous conscience!"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 27, "O treacherous conscience!"

ca. 1797

William Blake Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"

ca. 1797

William Blake Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"

ca. 1797

William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

ca. 1797

William Blake At Length for Hatching Ripe He Breaks the Shell; Plate 8

Print made by William Blake, 1757–1827, British

At Length for Hatching Ripe He Breaks the Shell; Plate 8

1793

William Blake Aged Ignorance; Plate 13

Print made by William Blake, 1757–1827, British

Aged Ignorance; Plate 13

1793

William Blake Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)

Print made by William Blake, 1757–1827, British

Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)

1794

William Blake Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)

Print made by William Blake, 1757–1827, British

Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)

1789

William Blake Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)

Print made by William Blake, 1757–1827, British

Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)

1789

William Blake Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)

Print made by William Blake, 1757–1827, British

Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)

1789

William Blake Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)

Print made by William Blake, 1757–1827, British

Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)

1789

William Blake Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)

Print made by William Blake, 1757–1827, British

Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)

1794

William Blake For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

1826

William Blake For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

1826

William Blake Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)

Print made by William Blake, 1757–1827, British

Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)

1789

William Blake Songs of Innocence, Plate 26, "Spring" (Bentley 23)

Print made by William Blake, 1757–1827, British

Songs of Innocence, Plate 26, "Spring" (Bentley 23)

1789

William Blake Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"

1797

William Blake Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"

1797

William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

1797

William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

1797

William Blake Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)

1794

William Blake Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)

1794

William Blake Europe. A Prophecy, Plate 3, "Preludium"

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Plate 3, "Preludium"

1794

William Blake Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)

1794

William Blake For the Sexes: The Gates of Paradise, Plate 1, Title Page

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 1, Title Page

1826

William Blake For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

1826

Simon Gribelin From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720

Simon Gribelin, 1662–1733, French, active in Britain

From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720

ca. 1720

Benjamin West St. Michael and Lucifer

Benjamin West, 1738–1820, American, active in Britain (from 1763)

St. Michael and Lucifer

undated

unknown artist Illustration to Tonson's Ovid Metamorphosis (two of four)

unknown artist

Illustration to Tonson's Ovid Metamorphosis (two of four)

ca. 1710

Sir James Thornhill Design for a Ceiling

Sir James Thornhill, 1675–1734, British

Design for a Ceiling

undated

Benjamin West A Project for the Monument of the Apotheosis of Nelson

Benjamin West, 1738–1820, American, active in Britain (from 1763)

A Project for the Monument of the Apotheosis of Nelson

1806

Thomas Carwitham Design for a Ceiling Decoration

Thomas Carwitham, active 1723, British

Design for a Ceiling Decoration

1723

Hubert-François Gravelot Design for a Medal: Figure of Britannia (?) and Fortune (?) or Victory (?)

Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)

Design for a Medal: Figure of Britannia (?) and Fortune (?) or Victory (?)

undated

Sir James Thornhill The Birth of Venus

Sir James Thornhill, 1675–1734, British

The Birth of Venus

undated

John Faber the Younger Sir Godfrey Kneller

John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain

Sir Godfrey Kneller

1735

Francesco Bartolozzi Ticket: For the Benefit of Mr. Salpietro

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket: For the Benefit of Mr. Salpietro

1799

Francis Cleyn Dido and Aeneas Sheltering in a Cave

Francis Cleyn, 1582–1658, German

Dido and Aeneas Sheltering in a Cave

undated

John Deare Study of a sculptural group: Mars, Venus and Cupid

John Deare, 1759–1798, British

Study of a sculptural group: Mars, Venus and Cupid

undated

George Edwards Hercules Beetle

George Edwards, 1694–1773, British

Hercules Beetle

ca. 1758

Hubert-François Gravelot Design for a Medal: Seated Women Being Crowned by a Winged Genius

Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)

Design for a Medal: Seated Women Being Crowned by a Winged Genius

undated

Samuel William Reynolds Vulture and Lamb

Print made by Samuel William Reynolds, 1773–1835, British

Vulture and Lamb

1799

Alfred Henry Forrester Wrapper for six prints from Alfred Crowquill's Christmas Pieces

Print made by Alfred Henry Forrester, 1804–1872, British

Wrapper for six prints from Alfred Crowquill's Christmas Pieces

undated

Thomas Rowlandson Venus Crowned by Cupid

Thomas Rowlandson, 1756–1827, British

Venus Crowned by Cupid

between 1810 and 1815

John Doyle ('H.B.') The Harpies Attacking the Daughters of Pandarus

Print made by John Doyle ('H.B.'), 1797–1868, Irish

The Harpies Attacking the Daughters of Pandarus

1848

Thomas Burke Cupid and Cephisa: "One Day as I was Walking in the Woods..."

Print made by Thomas Burke, 1749–1815, British

Cupid and Cephisa: "One Day as I was Walking in the Woods..."

1789

Francesco Bartolozzi Ticket: For the Benefit of Mr. Salpietro

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket: For the Benefit of Mr. Salpietro

1799

Francesco Bartolozzi Ticket to Westminster Abbey

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket to Westminster Abbey

before 1791

Francesco Bartolozzi Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão

before 1797

unknown artist Design after a Greek Vase

unknown artist, eighteenth century

Design after a Greek Vase

undated

unknown artist Design after a Greek Vase

unknown artist, eighteenth century

Design after a Greek Vase

undated