Credit Line: Yale Center for British Art, Paul Mellon Collection / Subject Terms: rope

Philippe-Jacques de Loutherbourg, 1740–1812, French, active in Britain (from 1771)

The Angel Binding Satan

ca. 1797

Not on view

Sawrey Gilpin, 1733–1807, British

Gulliver Taking His Final Leave of the Land of the Houyhnhnms

1769

Not on view

Joseph Francis Nollekens, 1702–1748, Flemish, active in Britain (1708; from 1733)

Children Playing with a Hobby Horse

between 1741 and 1747

Not on view

Benjamin West, 1738–1820, American, active in Britain (from 1763)

The Cave of Despair

1772

Not on view

Thomas Daniell, 1749–1840, British, active in India

The Rope Bridge at Serinagur

ca. 1800

Not on view

Francis Wheatley, 1747–1801, British

The Medway at Rochester

1776

Not on view

William Marlow, 1740–1813, British

View on the River Thames at Richmond

ca. 1776

Not on view

John Wilson Carmichael, 1799–1868, British

A View of Murton Colliery near Seaham, County Durham

1843

Not on view

James Ward, 1769–1859, British

Interior of a Stable

between 1830 and 1840

Not on view

John Wootton, 1682–1764, British

Classical Landscape with Figures and Animals: Sunset

1754

Not on view

Julius Caesar Ibbetson, 1759–1817, British

A Married Sailor's Adieu

ca. 1800

Not on view

Robert Polhill Bevan, 1865–1925, British

Sale at Ward's Repository (Wards No. 2)

1921

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 20, "But when they saw Albion...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 77, "To the Christians...."

1804 to 1820

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 57, "The Bard."

between 1797 and 1798

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 25, "They lived a period of years . . . ." (Bentley 28)

1794

William Blake, 1757–1827, British

Songs of Innocence and of Experience, Plate 46, "The Human Abstract" (Bentley 47)

1794

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 27, "They Lived a Period of Years . . . ." (Bentley 28)

1794

Cornelius Varley, 1781–1873, British

Front View of a Vessel with Masts

undated

Cornelius Varley, 1781–1873, British

Study of Boats on Shore

1829

James Duffield Harding, 1798–1863, British

French Coast Scene with Fisherboy

1829

James Duffield Harding, 1798–1863, British

The Grand Canal, Venice

1835

Cornelius Varley, 1781–1873, British

Study of Moored Boat with Seated Figure

undated

Samuel Prout, 1783–1852, British

Fishing Boat on the Beach with a Brig at Sea

undated

Samuel Prout, 1783–1852, British

Fishing Boats on the Beach with Sails Drying

undated

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ascension of Madame Sage, Chevalier Biggin and Captain Vincent Lunardi in a Balloon, June 20, 1785

1785

Samuel Scott, 1701/2–1772, British

Two Boats with Crews, Study for The Royal William at Sea

undated

William Callow, 1812–1908, British, active in France

Plymouth Dockyard after the Fire

1840

Samuel Prout, 1783–1852, British

Hulks at Plymouth

undated

William Henry Hunt, 1790–1864, British

Interior of the Belfry, Bushey Church

ca. 1822

Attributed to John Martin, 1789–1854, British

The Woman at the Well

undated

William Henry Hunt, 1790–1864, British

The Building of Waterloo Bridge

ca. 1816

Print made by George Murray, died 1822

Neath

1795

Louis Philippe Boitard, active 1734–1760

Naval Officer Seated, Smoking

undated

William Callow, 1812–1908, British, active in France

The Luxor, Paris, December 1833

1833

Anthony Walker, 1726–1765, British

Britannia in Distress

1756

Ambrose Poynter, 1796–1886, British

Sketches from Life in Paris: Man with Hanks of Rope

ca. 1835

unknown artist, nineteenth century

Indian Statue

undated

John Varley, 1778–1842, British

Boat Building

1806