Credit Line: Yale Center for British Art, Paul Mellon Collection / Subject Terms: path

Peter DeWint, 1784–1849, British

The Long Walk, Windsor

undated

Nicholas Thomas Dall, op.1748–, d.1777, British

Landscape

undated

William Daniell, 1769–1837, British

Lagg Ferry, Jura

ca. 1815

Master of the Wire Line, 18th century

View of the Isle of Wight: Landscape with Figures

ca. 1800

Rev. William Gilpin, 1724–1804, British

Forest Scene

1771

William Daniell, 1769–1837, British

View of Frocklan Island

1815

William Daniell, 1769–1837, British

Craignish Castle, Jura

ca. 1815

Thomas Girtin, 1775–1802, British

Chapel Church, Surrey

ca. 1799

Alfred Diston, active 1818–1829

View from Port Orotava, Tenerife

1825

Print made by John Bluck, active 1791–1831, British

Clare Hall

1814

Thomas Rowlandson, 1756–1827, British

Church

undated

Valentine Green, 1739–1813, British

St. Augustine's Gate, Canterbury

1779

Print made by James S. Storer, 1771–1853, British

Birmingham

1795

Print made by James Walker, 1748–1808, British

Wakefield

1798

Print made by James Walker, 1748–1808, British

Sheffield

1798

William Callow, 1812–1908, British, active in France

Landscape after Wynants (in the Louvre)

undated

Thomas Girtin, 1775–1802, British

Chalfont Lodge, Buckinghamshire

undated

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Descent of Man into the Vale of Death

1808, published 1813

Print made by John Browne, 1741–1801, British

The Sportsman

1775

William Daniell, 1769–1837, British

Belvoir Castle, Rutland

undated

M. J. Starling, active 1830

Belvoir Castle, Rutland

1835

Samuel Prout, 1783–1852, British

The Thatched Cottage

undated

Print made by John Robert Cozens, 1752–1797, British

Bath: The Crescent

1773

Print made by John Crome, 1768–1821, British

Wooded Landscape

ca. 1812

Print made by Samuel David Colkett, 1806–1863, British

The Gipsy Encampment

1830

William Nutter, 1754–1802, British

Sunday Morning, A Cottage Family Going to Church

1795

Print made by Thomas Shotter Boys, 1803–1874, British

Verona, Hay Barge on the Medway, and a Calvary (three prints)

after 1833

Print made by Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)

The Barbadoes Mulatto Girl

1779

Print made by John Sell Cotman, 1782–1842, British

Tan-y-Bwlch, Merionethshire, North Wales

between 1810 and 1817

Print made by Bradshaw & Blacklock, active ca.1850, British

View near Bingen

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Four Subjects

after 1850

Print made by Edward Calvert, 1799–1883, British

The Bride

1828

Charles Grignion, 1717–1810, British

A View from Richmond Hill Up the River

1794

Sir Francis Seymour Haden, 1818–1910, British

Kensington Gardens, no. 1 (small plate)

1859

Print made by unknown artist, (E. E.)

Young Mother, Baby Girl and Boy Beside a Country Fence

undated

Frederick James Havell, 1801–1840, British

Lincoln from the Castle

ca. 1836

Print made by M. Coote, ca. 1758/62–1801, British

Edgar's Tower at Worcester

before 1786

Print made by M. Coote, ca. 1758/62–1801, British

Edgar's Tower at Worcester

before 1786

Richard Bernard Godfrey, 1728–op.1794, British

Edgar's Tower, Worcester

1786

Print made by William Angus, 1752–1821, British

Witley Court in Worcestershire, the Seat of Lord Foley

1810

Print made by Thomas Bonnor, ca. 1740–ca. 1812, British

Blockley Church

1793

James Gillray, 1756–1815, British

The Valley of the Shadow of Death

1808

Louisa Augusta Greville, 1743–active 1762, British

Man Leading Tow Mules Supporting a Chair, Large Tree in Foreground

1759

Gwen John, 1876–1939, British

Rue Terre Neuve, Meudon

between 1920 and 1925

Print made by Thomas Gainsborough, 1727–1788, British

Travellers by a Clump of Trees in a Rocky Landscape with Stream

undated

Print made by S. T. Davies, active ca. 1835, British

Lincoln from the River Witham

undated

Louis Haghe, 1806–1885, British

Newstead Abbey, The Seat of the Late Lord Byron

undated

Sir Richard Colt Hoare, 1758–1838, British

The Monastery of the order of La Trappe, at Casamare between Frusinone and Sora

1790

Sir Richard Colt Hoare, 1758–1838, British

Ducal Palace at Isola di Sora

1791

Print made by Bradshaw & Blacklock, active ca.1850, British

Bacharach and View near Bingen

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Four Subjects

after 1850

Sir Robert Smirke the younger, 1781–1867, British

The Convent of St. Nicholas

1802-1804

Print made by Bradshaw & Blacklock, active ca.1850, British

Four Subjects

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Hampton Court

after 1850

Print made by Edward Calvert, 1799–1883, British

Ideal Pastoral Life

1829

James Duffield Harding, 1798–1863, British

Gorge du Mont Terrible

undated

Print made by Edward Calvert, 1799–1883, British

The Brook

1829

Print made by Edward Calvert, 1799–1883, British

Ideal Pastoral Life

1829

James Duffield Harding, 1798–1863, British

Lane Scene

1829

Print made by Day & Haghe, 1824–1913, British

South East View, Lincoln's Inn

between 1845 and 1850

William Ellis, 1747–1810, British

Baskerville House, the Residence of John Ryland, Esq

1792

Print made by Robert Barnes, 1840–1895, British

Two Girls Under an Umbrella

undated

Print made by Robert Barnes, 1840–1895, British

Elderly Couple on a Park Bench, with Two Men Beyond

undated

Gwen John, 1876–1939, British

Rue Terre Neuve - Woman and Child Walking

undated

Print made by Thomas Bonnor, ca. 1740–ca. 1812, British

Blockley Church

ca. 1793

Print made by J. Francis Bouchelle, active 1823

Hertford Castle

1823

John J. Hinchliff, 1805–1875, British

Lough Foyle, Londonerry

undated

John Cousen, 1804–1880, British

Manse and Church of Cults, the Birthplace of Wilkie

undated

Print made by Day & Haghe, 1824–1913, British

North West View, Lincoln's Inn

between 1845 and 1850

Print made by Samuel David Colkett, 1806–1863, British

The Gipsy Encampment

1822

Edward Francis Finden, 1791–1857, British

View of Lichfield, The Birth Place of Dr. Samuel Johnson

1835

William Gauci, active 1825–1854, British

Arborfield Hall, the Seat of Sir John Conroy

undated

Print made by John Browne, 1741–1801, British

A View in the Garden of Craigie-Hall, the Seat of the Honble. Charles Hope-Weir

after 1762

Print made by John Crome, 1768–1821, British

Composition: Sandy Road through Woodland

1813

unknown artist, nineteenth century

Albion House Hammersmith Academy

undated

unknown artist, nineteenth century

Coal Harbour House

undated

Print made by Frederick Bacon, 1803–1887, British

Thomas Bewick

1852

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Descent of Man into the Vale of Death

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Descent of Man into the Vale of Death

1808

unknown artist, ( Tyler )

Church Yard Gate and Dwarf Avenue Gate, Grittleton House, Wiltshire

ca. 1835

Print made by unknown artist

Bacchus and Ariadne

1855

Print made by Bradshaw & Blacklock, active ca.1850, British

Turkish Scenes

after 1850

Print made by Day & Son, 1824–1913, British

Holford House, Regent's Park

ca. 1830

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