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Credit Line Yale Center for British Art, Paul Mellon Collection

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Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Rising Moon
1857
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Rising Moon
1857
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Rising Moon
1857
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer The Sepulchre
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Sepulchre
etching begun ca. 1800; impression printed in 1924
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Weary Ploughman
1858
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Rising Moon
1857
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Weary Ploughman
1858
Samuel Palmer The Bellman
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Bellman
1879
Samuel Palmer The Bellman
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Bellman
1879
Samuel Palmer Christmas
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Christmas
1850
Samuel Palmer The Cypress Grove
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Cypress Grove
plate etched between ca. 1880 and 1883; impression printed in 1924
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Homeward Star
begun ca. 1880
Samuel Palmer Harvest under a Crescent Moon
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Harvest under a Crescent Moon
ca. 1826
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Rising Moon
1857
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer The Lonely Tower
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Lonely Tower
1879
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer Christmas
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Christmas
1877
Samuel Palmer Christmas
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Christmas
1850
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Weary Ploughman
1858
Joseph Mallord William Turner Rispah: 2nd Book of Samuel, Chap. 21
Etched by Joseph Mallord William Turner, 1775–1851, British
Rispah: 2nd Book of Samuel, Chap. 21
1812
William Blake Illustrations of Imitation of Eclogue I, Page 18
William Blake, 1757–1827, British
Illustrations of Imitation of Eclogue I, Page 18
1821
William Blake Illustrations of Imitation of Eclogue I, Page 15
William Blake, 1757–1827, British
Illustrations of Imitation of Eclogue I, Page 15
1821
William Blake Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
ca. 1797
William Blake Jerusalem, Plate 100
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 100
1804 to 1820
William Blake Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
1804 to 1820
William Blake Jerusalem, Plate 97, "Awake! Awake Jerusalem...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 97, "Awake! Awake Jerusalem...."
1804 to 1820
William Blake America. A Prophecy, Plate 1, Frontispiece
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 1, Frontispiece
1793
William Blake America. A Prophecy, Plate 10, "The Terror Answered...."
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 10, "The Terror Answered...."
1793
William Blake America. A Prophecy, Plate 2, Title Page
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 2, Title Page
1793
William Blake Jerusalem, Plate 24, "What have I said?...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 24, "What have I said?...."
1804 to 1820
William Blake Jerusalem, Plate 57, "And the voices of Bath...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 57, "And the voices of Bath...."
1804 to 1820
William Blake Jerusalem, Plate 69, "Then all the Males...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 69, "Then all the Males...."
1804 to 1820
William Blake Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"
1797
William Blake Jerusalem, Plate 76
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 76
1804 to 1820
William Blake Jerusalem, Plate 8, "Rose up against me...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 8, "Rose up against me...."
1804 to 1820
William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
ca. 1797
William Blake The First Book of Urizen, Plate 21 (Bentley 27)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 21 (Bentley 27)
1794
William Blake The First Book of Urizen, Plate 13, "Thus the Eternal Prophet was divided . . . " (Bentley 15)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 13, "Thus the Eternal Prophet was divided . . . " (Bentley 15)
1794
William Blake Air; Plate 6
Print made by William Blake, 1757–1827, British
Air; Plate 6
1793
William Blake I Want! I Want!; Plate 11
Print made by William Blake, 1757–1827, British
I Want! I Want!; Plate 11
1793
William Blake Help! Help!; Plate 12
Print made by William Blake, 1757–1827, British
Help! Help!; Plate 12
1793
William Blake I Have Said to the Worm, Thou Art My Mother & My Sister; Plate 18
Print made by William Blake, 1757–1827, British
I Have Said to the Worm, Thou Art My Mother & My Sister; Plate 18
1793
William Blake Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
1794
William Blake The First Book of Urizen, Plate 20, "Thus the Eternal Prophet Was Divided...." (Bentley 15)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 20, "Thus the Eternal Prophet Was Divided...." (Bentley 15)
1794
William Blake The First Book of Urizen, Plate 28 (Bentley 27)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 28 (Bentley 27)
1794
William Blake For the Sexes: The Gates of Paradise, Plate 6, "Air"
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 6, "Air"
1826
William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
1797
William Blake For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."
1826
William Blake Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)
1794
William Blake Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
1794
William Blake For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"
1826
William Blake For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"
1826
John Boydell Evening
Print made by John Boydell, 1720–1804, British
Evening
1755
John Boydell Night
Print made by John Boydell, 1720–1804, British
Night
1756
John Boydell The Wreck of the Nuestra Senora de los Remedios
Print made by John Boydell, 1720–1804, British
The Wreck of the Nuestra Senora de los Remedios
1753
John Browne Moon-Light
Print made by John Browne, 1741–1801, British
Moon-Light
ca. 1797
John Browne Moon-Light
Print made by John Browne, 1741–1801, British
Moon-Light
ca. 1797
Thomas Creswick The Blacksmith's Shop
Print made by Thomas Creswick, 1811–1869, British
The Blacksmith's Shop
1838
Henry Le Keux Villa Madama (vignette)
Print made by Henry Le Keux, 1787–1868, British
Villa Madama (vignette)
1830
William Payne On the River Wye, Monmouthshire
William Payne, active 1850s, British
On the River Wye, Monmouthshire
Henry Le Keux Villa Madama, Moonlight
Print made by Henry Le Keux, 1787–1868, British
Villa Madama, Moonlight
1830
William Faithorne The Betrayal of Christ
Print made by William Faithorne, ca. 1620–1691, British
The Betrayal of Christ
1653
Francesco Bartolozzi Night
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Night
undated
Pierre Charles Canot Moonlight
Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain
Moonlight
1745
Pierre Charles Canot Night & a Ship on fire
Pierre Charles Canot, ca. 1710–1777, French, active in Britain
Night & a Ship on fire
George Cruikshank Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3
Print made by George Cruikshank, 1792–1878, British
Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3
1820
Peter P. Benazech The Monmouth of 64 Guns, taking the Foudroyant a French Man of War of 84 Guns on the 28th of Feb. 1758 in the Mediterranean,....
Print made by Peter P. Benazech, 1767–1794
The Monmouth of 64 Guns, taking the Foudroyant a French Man of War of 84 Guns on the 28th of Feb. 1758 in the Mediterranean,...
ca. 1760
William Clerk The Fire in H.M. Dockyard at Devonport on the Morning of the 27th of September 1840
Print made by William Clerk, ? 19th c.
The Fire in H.M. Dockyard at Devonport on the Morning of the 27th of September 1840
after 1840
Charles West Cope The Wanderer
Print made by Charles West Cope, 1811–1890, British
The Wanderer
1844
Thomas Creswick Moonlight
Print made by Thomas Creswick, 1811–1869, British
Moonlight
1839
Pierre Charles Canot Night and a Ship on Fire
Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain
Night and a Ship on Fire
1745
Pierre Charles Canot Moonlight
Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain
Moonlight
1745
Henry Le Keux Villa Madama - Moonlight
Print made by Henry Le Keux, 1787–1868, British
Villa Madama - Moonlight
1830
Alfred W. Cooper The Nightingale
Print made by Alfred W. Cooper, active 1850–1901, British
The Nightingale
undated
Alfred W. Cooper The Nightingale (tail piece)
Print made by Alfred W. Cooper, active 1850–1901, British
The Nightingale (tail piece)
undated
George Baxter Little Red Riding Hood
Print made by imitator of George Baxter, 1804–1867, British
Little Red Riding Hood
after 1856
Bradshaw & Blacklock Set of 18 Labels from 'Twining & Sons' Hairpins Boxes.
Bradshaw & Blacklock, active ca.1850, British
Set of 18 Labels from 'Twining & Sons' Hairpins Boxes
after 1850
Richard Parkes Bonington Pierre de Vaivre
Print made by Richard Parkes Bonington, 1802–1828, British
Pierre de Vaivre
1827
Edward Calvert The Chamber Idyll
Print made by Edward Calvert, 1799–1883, British
The Chamber Idyll
1831
John Jones The Resurrection
John Jones, ca. 1745–1797, British
The Resurrection
1796
Alfred W. Cooper The Farmer's Boy (tail piece)
Print made by Alfred W. Cooper, active 1850–1901, British
The Farmer's Boy (tail piece)
undated
Henry Le Keux St. Herbert's Chapel
Print made by Henry Le Keux, 1787–1868, British
St. Herbert's Chapel
1834
Simon François Ravenet Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet
Simon François Ravenet, 1706–1774, French, active in Britain
Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet
1753