Credit Line: Yale Center for British Art, Paul Mellon Collection / Subject Terms: hill / Classification: Prints

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Lonely Tower

1879

Etched by Joseph Mallord William Turner, 1775–1851, British

The Castle above the Meadows

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

Rispah: 2nd Book of Samuel, Chap. 21

1812

Etched by Joseph Mallord William Turner, 1775–1851, British

Windmill and Lock

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

Apuleia in Search of Apuleius

between 1813 and 1823

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Aesacus and Hesperie

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

Jason

1807

Etched by Joseph Mallord William Turner, 1775–1851, British

Tenth Plague of Egypt

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

Windmill and Lock

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

Dunstanborough Castle

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

The Castle above the Meadows

1808

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 15, "And Hand & Hyle...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 94, "Albion cold lays on his Rock...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

1797

Print made by John Sell Cotman, 1782–1842, British

Harlech Castle

undated

Print made by James S. Storer, 1771–1853, British

Birmingham

1795

Print made by James Walker, 1748–1808, British

Bridgenorth

1795

Etched by Samuel Middiman, ca. 1750–1831, British

Lake of Nemi

1818-1820

Etched by Samuel Middiman, ca. 1750–1831, British

Lake of Nemi

1819

Print made by James Walker, 1748–1808, British

Rochester

1794

Print made by James Walker, 1748–1808, British

Nottingham

1795

Print made by James Walker, 1748–1808, British

Rochester

1794

Print made by J. Widnell, Active 1795, British

Matlock

1795

Print made by James S. Storer, 1771–1853, British

Chepstow

1794

Print made by James Walker, 1748–1808, British

Chester

1796

Print made by James Walker, 1748–1808, British

Flint, from Park-Gate

1797

Print made by James Walker, 1748–1808, British

Hampton Court, Herefordshire

1797

Print made by James Walker, 1748–1808, British

Wakefield

1798

Print made by James Walker, 1748–1808, British

Sheffield

1798

Print made by George Murray, died 1822

Neath

1795

Print made by Thomas Tagg, died 1809, British

Bristol

1796

Print made by James Basire the younger, 1769–1822, British

View of Oxford from the South Side of Heddington Hill

1808

Print made by James Basire the younger, 1769–1822, British

View of Oxford from the South Side of Heddington Hill

1808

Print made by Samuel Rawle, 1771–1860, British

South West View of Dunster Castle, Somersetshire

1800

Print made by James Heath, 1757–1834, British

Inverary

1805

Print made by George Murray, died 1822

Bath

1795

Print made by John Landseer, 1769–1852, British

Shanklin Castle

1799

Print made by Samuel Rawle, 1771–1860, British

North East View of Dunster Castle, Somersetshire

1800

Print made by William Miller, 1796–1882, British

Stirling

1836

Print made by William Miller, 1796–1882, British

Loch Katrine

1834

Print made by Edward Goodall, 1795–1870, British

Lake of Nemi

ca. 1844

unknown artist

The North-East View of Edinburgh Castle

Print made by unknown artist, eighteenth century

The Prospect of ye Bass from ye South shore

undated

unknown artist

A View of the City of York from near ye Confluence of the Rivers Ouse & Foss

Print made by William Forrest, 1802–1889

Smailholm Tower

1836

Print made by William Miller, 1796–1882, British

Loch Katrine

1834

Etched by Samuel Middiman, ca. 1750–1831, British

Lake of Nemi

1819

Print made by James Walker, 1748–1808, British

Rochester

1794

Print made by James Walker, 1748–1808, British

Bridgenorth

1795

Print made by James S. Storer, 1771–1853, British

Chepstow

1794

Print made by James S. Storer, 1771–1853, British

Birmingham

1795

Print made by James Walker, 1748–1808, British

Hampton Court, Herefordshire

1797

Print made by James Walker, 1748–1808, British

Wakefield

1798

Print made by James Walker, 1748–1808, British

Sheffield

1798

Print made by James H. Kernot, active early 19th century

St. Catherine's Hill, near Guildford, Surrey

1832

Print made by Edward Goodall, 1795–1870, British

Richmond Hill

1826

Print made by William Miller, 1796–1882, British

Durham Cathedral

1836

Print made by William Miller, 1796–1882, British

Loch Katrine

1834

Print made by William Miller, 1796–1882, British

Stirling

1836

Print made by W. R. Smith, active 1819–1851

Richmond Hill and Bridge, Surrey

1832

Print made by Edward Goodall, 1795–1870, British

Richmond Hill

1826-1832

Print made by Edward Goodall, 1795–1870, British

Richmond Hill

1826

Paul Sandby, 1731–1809, British

Views in the Levant: Ruined Temple on Hill at Suninum Overlooking Islands

ca. 1785

Print made by John Crome, 1768–1821, British

Wooded Landscape

ca. 1812

Print made by Sir Frank Short, 1857–1945, British

Aesacus and Hesperie

1896

Print made by David Lucas, 1802–1881, British

A Heath

1831

Print made by David Lucas, 1802–1881, British

Old Sarum

1829 to 1830

Print made by Edward Calvert, 1799–1883, British

The Lady and the Rooks

1829

Print made by Thomas Girtin, 1775–1802, British

View of the Waterworks at Marly, and St. Germain-en-Laye Seen in the Distance

1802

Print made by William Miller, 1796–1882, British

Loch Katrine

1834

Print made by J. C. Varrall, active 1815–1827

Valle Crucis Abbey, Denbighshire

1828

Print made by John Greig, active 1803–1853, British

Keep of Dudley Castle

1810

Print made by Alfred W. Cooper, active 1850–1901, British

Rabbits (tail piece)

undated

Print made by George Bickham the Younger, ca. 1706–1771, British

Architectural Designs Incorporating Chinoiserie Motifs: Oblong Paling. A Door. Parallel railing

1751

Print made by George Bickham the Younger, ca. 1706–1771, British

Architectural Designs Incorporating Chinoiserie motifs: China Railing

1751

Print made by S. T. Davies, active ca. 1835, British

Lincoln from the River Witham

undated

Print made by Richard Parkes Bonington, 1802–1828, British

Ancienne Tour Près de Lanark

1826

Print made by Edward Calvert, 1799–1883, British

Ideal Pastoral Life

1829

Print made by Edward Calvert, 1799–1883, British

The Brook

1829

Print made by Edward Calvert, 1799–1883, British

The Chamber Idyll

1831

Print made by Edward Calvert, 1799–1883, British

Ideal Pastoral Life

1829

William Ellis, 1747–1810, British

Bordesley Hall, the Seat of John Taylor, Esq

1792

Print made by Alfred W. Cooper, active 1850–1901, British

The River

undated

Print made by Henry Le Keux, 1787–1868, British

St. Herbert's Chapel

1834

Print made by Letitia Byrne, 1779–1849, British

Bolton Abbey, Yorkshire

1809

Print made by William Miller, 1796–1882, British

Stirling

1836

Charles Heath, 1785–1848, British

Tower Hill

1825

Print made by unknown artist

The Bay of Baiae - Apollo and the Sibyl

between 1852 and 1856

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Soul Hovering over the Body reluctantly Parting with Life

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Soul Hovering over the Body reluctantly Parting with Life

1808

James Watson, 1740–1790, British

Elizabeth (née Dashwood) Montague, With Her Son, George Montague, Viscount Mandeville

1770

William Say, 1768–1834, British

Reverend William Lort Mansel, Lord Bishop of Bristol

1812

Print made by James T. Willmore, 1800–1863, British

The Golden Bough

1856

Print made by Thomas Abiel Prior, 1809–1886, British

The Bay of Baiae - Apollo and the Sibyl

1873

Print made by James T. Willmore, 1800–1863, British

The Golden Bough

1856

Published by Arnold Fawcus, 1917–1979, British

First proof of Arnold Fawcus's facsimile of Blake's Illustrations of the Book of Job

1972

Published by Sir Frank Short, 1857–1945, British

Jason

1807

Print made by Sir Frank Short, 1857–1945, British

Aesacus and Hesperie

1896

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Credit Line Yale Center for British Art, Paul Mellon Collection

Subject Terms hill

Classification Prints

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Credit Line Yale Center for British Art, Paul Mellon Collection

Subject Terms hill

Classification Prints

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