Credit Line: Yale Center for British Art, Paul Mellon Collection / Subject Terms: church

Henry Edridge, 1769–1821, British

Clock Tower, St. Alban's Abbey

1801

Henry Edridge, 1769–1821, British

St. Alban's Abbey

1805

Henry Edridge, 1769–1821, British

On the Monnow, Monmouth

undated

imitator of Thomas Gainsborough, 1727–1788, British

Coastal Scene with Figures and Boats

undated

Samuel Hieronymus Grimm, 1733–1794, Swiss

Putney Church and Bridge

1772

attributed to Samuel Hieronymus Grimm, (previously S.H. Grimm), 1733–1794, Swiss

Landscape with a Ruined Norman Church

undated

Attributed to Capt. Francis Grose, 1731–1791, British

Northwest View of Castle Church, Hexham, Northumberland

undated

Print made by James Baylis Allen, 1803–1876, British

Caudebec

1834

Print made by James Baylis Allen, 1803–1876, British

Caudebec

1834

Print made by James Baylis Allen, 1803–1876, British

Caudebec

1834

Print made by James Baylis Allen, 1803–1876, British

Caudebec

1834

James Wyatt, 1746–1813, British

Projected Design for Fonthill Abbey, Wiltshire

1798

Print made by unknown artist, nineteenth century

Part of Westminster

ca. 1850

unknown artist, nineteenth century

St. Stephen's Chapel, Speaker's House, &c. from the River

ca. 1835

Print made by William Francis Starling, active first half 19th century, British

Plan of the Crypt, or Chapel of St. Mary in the Vaults, and of the Cloisters

1843

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

1842

Print made by T. Clarke, 1799–1839

Plate XXVIII: Window of the Crypt of St. Stephen's Chapel, Westminster

1835

Attributed to John Carter, 1748–1817, British

Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel

between 1790 and 1802

Print made by James Basire the younger, 1769–1822, British

Plate XI: St Stephen's Chapel

1795

Print made by James Basire, 1730–1802, British

Plate IX: St Stephen's Chapel

1795

Print made by John Thomas Smith, 1766–1833, British

Geometrical Construction of the Freeze and Battlements in the House of Commons

1805

John Carter, 1748–1817, British

Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster

between 1790 and 1802

Attributed to John Carter, 1748–1817, British

Half the Plan of Ceiling, St Stephen's Chapel

between 1790 and 1802

Attributed to John Carter, 1748–1817, British

Plan of Moldings, St Stephen's Chapel

between 1790 and 1802

Print made by John Le Keux, 1783–1846, British

Compartment on One Side, St Stephen's Chapel

1825

Print made by James Basire, 1730–1802, British

View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster

1795

Attributed to John Carter, 1748–1817, British

Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel

between 1790 and 1802

Attributed to John Carter, 1748–1817, British

Plan of Moldings, St Stephen's Chapel

between 1790 and 1802

Attributed to John Carter, 1748–1817, British

Impost moldings, St Stephen's Chapel

between 1790 and 1802

Attributed to John Carter, 1748–1817, British

Details of Imposts and Bases of Columns, St Stephen's Chapel

between 1790 and 1802

Print made by T. Clarke, 1799–1839

Plate XXII: Chantry Chapels, Section of West Entrance and Elevation of the East End, St Stephen's Chapel

1835

Attributed to John Carter, 1748–1817, British

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1781

Attributed to John Carter, 1748–1817, British

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1781

Attributed to John Carter, 1748–1817, British

Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel

ca. 1781

Attributed to John Carter, 1748–1817, British

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1781

Attributed to John Carter, 1748–1817, British

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1780

Print made by Robert William Billings, 1813–1874, British

Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster

1836

Attributed to John Carter, 1748–1817, British

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1780

Attributed to John Carter, 1748–1817, British

Impost and Base of Columns, St Stephen's Chapel

between 1790 and 1802

Attributed to John Carter, 1748–1817, British

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1780

Attributed to John Carter, 1748–1817, British

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1780

Attributed to John Carter, 1748–1817, British

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1780

Lewis Vulliamy, 1791–1871, British

Design for a Chapel at Enfield: Longitudinal Section

undated

Print made by Robert Brandard, 1805–1862, British

Beaugency

1833

Print made by John Cousen, 1804–1880, British

Harfleur

1834

George Buchanan Wollaston, Active 1879–1886

London Chatham and Dover Railway Viaduct, S Mary Cray, Kent, Feb. 16, 1881 - Dec. 15, 1882

1881

Carington Bowles, 1724–1793, British

The Inside of St. Paul's Church in Rome built by Constantine the Great..

Thomas Bowles, ca. 1712–died 1753, British

A South View of Westminster Abby & St. Margarets Church

unknown artist

A View of Queen's College (a), University College (b), All Souls College (c), the Steeple of St. Mary's Church (d), & c. in the University of Oxford

Remi Parr A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice

Remi Parr, active 1723–1750, British

A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice

between 1780 and 1815

Thomas Bowles A View of St. Martin's Church, Also of the Arch of Septimius Severus, through which the Roman Generals marched in their Triumphs to the Capitol.

Thomas Bowles, ca. 1712–died 1753, British

A View of St. Martin's Church, Also of the Arch of Septimius Severus, through which the Roman Generals marched in their Triumphs to the Capitol

undated

Robert Havell, 1769–1832, British

Crofton

1813

Print made by Edward Francis Finden, 1791–1857, British

Bacharach on the Rhine

1832-1834

Print made by Robert Brandard, 1805–1862, British

Beaugency

1833

Print made by John Cousen, 1804–1880, British

Honfleur

1834

Print made by John Cousen, 1804–1880, British

Honfleur

1834

Print made by William Radclyffe, 1780–1855, British

Mantes

1835

Print made by William Radclyffe, 1780–1855, British

Mantes

1835

Print made by James T. Willmore, 1800–1863, British

Bedford, Bedfordshire

1831

Print made by James Baylis Allen, 1803–1876, British

Caudebec

1833

Print made by James Baylis Allen, 1803–1876, British

Caudebec

1833

Lewis Vulliamy, 1791–1871, British

Design for a Chapel at Enfield: Transverse Sections of the East and West End

undated

Lewis Vulliamy, 1791–1871, British

Design for a Chapel at Enfield: Longitudinal Section

undated

Lewis Vulliamy, 1791–1871, British

Design for a Chapel at Enfield: Transverse Sections, East and West End

undated

James Wyatt, 1746–1813, British

[One of] Five Designs for a Church

undated

James Wyatt, 1746–1813, British

[One of] Five Designs for a Church

undated

unknown artist, nineteenth century

Section of the House of Commons as it is at Present

ca. 1800

Print made by John Thomas Smith, 1766–1833, British

Eight Illustrations of Westminster

1806

unknown artist, nineteenth century

House of Commons Restored Giving Additional Sitting Room for 100 Members

ca. 1800

Print made by John Carter, 1748–1817, British

PLATE XXVIII. St Stephen's Chapel, East Front, Westminster

between 1790 and 1802

Print made by George Gladwin, active 1820s–1830s

Plate XXV: Section of St. Stephen's chapel and crypt. As fitted up for the House of Commons. 1834

1835

Print made by James Basire the younger, 1769–1822, British

South West view of St. Stephen's Chapel Westminster, Restored 1800

1801

Print made by James Sands, active 1813–1846

The Lower Lobby, House of Commons

1815

Print made by Robert William Billings, 1813–1874, British

Plate XI: Elevation, Section and Plan, of One Compartment (of Three) of the Screen, St. Stephen's Chapel, Westminster

1835

Print made by unknown artist, (W.F. Starling)

Part of the Front of the Vestibule

1843

unknown artist, eighteenth century

Entrance Doorway in the Tower, St Stephen's Chapel

undated

John Carter, 1748–1817, British

South View in the Entrance of Porch at West End of St. Stephen's Chapel West

between 1790 and 1802

John Carter Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel

Attributed to John Carter, 1748–1817, British

Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel

between 1790 and 1802

Attributed to John Carter, 1748–1817, British

Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West

between 1790 and 1802

unknown artist

Details of the Screen of Entrance Porch, St Stephen's Chapel

undated

Attributed to John Carter, 1748–1817, British

New East Front, St Stephen's Chapel

ca. 1801

Attributed to John Carter, 1748–1817, British

Capitals, St Stephen's Chapel

between 1790 and 1802

Attributed to John Carter, 1748–1817, British

Springing of an Arch, St Stephen's Chapel

between 1790 and 1802

Print made by James Basire, 1730–1802, British

Plate VIII: St Stephen's Chapel

1795

Print made by James Basire, 1730–1802, British

Plate X: St Stephen's Chapel

1795

Print made by John Carter, 1748–1817, British

Plate XIX: St Stephen's Chapel

1811

Print made by James Basire, 1730–1802, British

Plate XIII: St Stephen's Chapel

1795

Print made by unknown artist, (J. Hawkesworth)

Plate XXXII: Longitudinal Section through the Chantry Chapel and Cloister, St Stephen's Chapel

1835

Attributed to John Carter, 1748–1817, British

Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West

ca. 1781

Print made by John Le Keux, 1783–1846, British

Plate XXVII: St Stephen's Chapel, Looking East, Westminster

ca. 1836

Attributed to John Carter, 1748–1817, British

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1780

Print made by Frederick Mackenzie, 1788–1854, British

View of St Stephen's Chapel as it appeared after the Fire in October 1834

1843

Print made by Robert William Billings, 1813–1874, British

Ruins of St Stephen's Chapel, Seen from the Roof of Westminster Hall

1835

George Johann Scharf, 1788–1860, British

View through the South East Window of the Crypt beneath St Stephen's, Westminster

1852

Print made by Henry Melville, active 1826–1841, British

The House of Commons

1834

Print made by Charles Grignion, 1717–1810, British

House of Commons and the Entrance to the House of Lords with the Office of Ordnance

undated

Print made by unknown artist, (de Bois)

A View of the Piazza of St. John de Lateran, of the Cardinals College, and of the Holy Stairs in the City of Rome

undated

Print made by Walker & Cockerell, 1851–1933, British

St. Mary's Church, Dover

1903

Attributed to John Carter, 1748–1817, British

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1781

Print made by Thomas A. Woolnoth, 1785–1857, British

Plate III: Crypt under St Stephen's Chapel

ca. 1836

Refine your search

Collection

Creator

Date

On-site Access

Image Use

Image Available

Classification

Creator Gender

Collective Title

Period

Medium

Height [cm]

Width [cm]

Work Type

Genre

Subject Terms

Associated Places

Associated People

Exhibition History

Credit Line

Credit Line Yale Center for British Art, Paul Mellon Collection

Subject Terms church

YCBA Collections Search

Refine your search

Search Constraints

Credit Line Yale Center for British Art, Paul Mellon Collection

Subject Terms church

Search Results